Small Press Comics

Graduates Galore

| rozihath

Good afternoon ladies and gents!

So, it’s the middle of the week again and I think I’ve just about recovered from a busy week back and forth to London last week. Between D&AD New Blood Festival and Small Press Day it was a pretty active week, though I have made up for it so far this week by realising yesterday evening that the only time I’d left my desk in three days was to eat, wash, sleep, and walk to the post box. Oh, the life of a freelancer.

First up, D&AD! The New Blood Festival acts as a showcase to the best talents coming out of design courses from Universities across the UK, and I went down to Shoreditch for the open evening on Tuesday 5th and the entirety of Thursday 7th to represent my portfolio and work on display. I wasn’t really sure what to expect from a design festival, but it was very busy and full of keen graduates; having been used to manning tables of my own work and stock at comics festivals over the past year or so it was very surreal to only have one small area for my work. Although I didn’t manage to get any pictures, here are some from fellow graduate and graphic designer Megan Hughes:

In other news, it was the first ever Small Press Day on Saturday! As I mentioned last week, Small Press Day is an “An idea born on twitter led to a series of nationwide events in a matter of weeks. The reaction and the support of our aim (to spotlight the possibilities of small press publishing via store-based events and signings, in the first instance, and to bring its practitioners to the far wider audience they deserve) has been absolutely phenomenal. Join us on 9th July for the inaugural Small Press Day at one of the stores listed on the map below and meet the next generation of superstar comic creators, zine makers, and DIY micro publishers.” (From SmallPressDay.co.uk). Broken Frontier have rounded up the day in their expansive article from yesterday and can probably say it all far better than I can, so check that out for the full details. I didn’t get a chance to do much of the circuit, though I was lucky enough to be a part of the Broken Frontier ‘Six to Watch’ signing table with Editor-in-Chief of Broken Frontier Andy Oliver, and comic artists Emma Raby and Jey Levang at Orbital Comics.

Albeit a short spell behind the table, it was a lot of fun and I can’t wait for Small Press Day next year. Long live comics! Thanks SO much to all the lovely staff at Orbital Comics for being awesome and having us join in the signing fun! As a part of the promotion leading up to the event I also wrote a small recommendation piece for Broken Frontier, amongst other creators, championing other small press work. You can read what we all said here.

In a very welcome relief from a particularly low-spell, I was also alerted by my comics buddy Sam that Njálla had been featured in Warren Ellis’ newsletter Orbital Operations! Warren Ellis. Warren Ellis! How amazing is that?!

warrenellis

You can sign up to his newsletter here, or visit his website here. I’m still happy-dancing around to this news, although I should probably keep that to myself.

In other news, in the efforts to continue expanding my illustration portfolio and trying out new things I’ve been working on a new and exciting week-long project. As some of you avid readers may remember, last summer I spent two weeks backpacking across the main cities of Scandinavia with my better half Chris. A whole load of the research from this trip was fed into Njálla, which took around nine months from start to finish including the Kickstarter and launch. However, it wasn’t all just Noadi’s and lavvu’s, there is a whole wealth of experiences and travels locked up in my head that I’ve been wanting to play with. And, given that my three strongest passions in life are, 1) Drawing, 2) Travelling, and 3) Kettle Chips, I figured that I needed to start combining the first two in some form other than comics. So, let there be maps!

To begin with I’ve picked the three main cities we spent the most time in; Copenhagen, Oslo and Stockholm. From here I’ve designed maps encompassing the main attractions, and I’m just seeing how I can turn these into awesome pieces that could possibly be used as prints, for articles, or more! Above are some of the inks previews, but I’m *almost* finished.. So, keep an eye out next week for the grand reveal. If I never mention it again, it’s because it all went horribly wrong.

Finally, after an enquiry email into Sneaky Business submissions and artists rights I have updated the submissions page! Don’t forget you still have over two months to submit 1-2 page comics to the second volume of Sneaky Business, and I am so excited to see what lands in my inbox between now and then. As I said above, LONG LIVE COMICS! Any-who, that’s about it for now and the kettle is calling me (sadly not the chip variety). Have a good rest of the week, everyone!

x

Njálla

| rozihath

 

Previously alluded to as The Next Big Thing, Njálla (pronounced nyaah-lah) is my latest self-published comic released online on Thursday 2nd June. The printing of Njálla was made entirely possible to to a successful Kickstarter Campaign. What’s it about? Well..

Njálla is an original comic story, based around the myths and legends of the Sámi people, indigenous to northern Europe’s Arctic Circle; which today includes parts of Norway, Sweden, Finland and the Kola Peninsula of Russia. Lieđđi, a young Sámi girl, and her reindeer Unni end up on an unexpected adventure after coming face to face with the guovssahasat, the northern lights. Njálla is an atmospheric and magical comic for all ages, unearthing the legends of the Sámi through friendship, mystery and adventure.

Njálla is an A5 (148 x 210 mm), 48-page full colour comic, in a limited run of 250 copies, perfect bound. See the successful campaign for Njálla on the Kickstarter page here, and read previous posts about my work leading up to this point using the tag ‘The Next Big Thing’, or follow this link.

Read the blog announcement of Njálla here.

Read Andy Oliver’s announcement on Broken Frontier here.

Read the exclusive preview of Njálla from Broken Frontier here.

Read the review of Njálla from Broken Frontier here.

Njálla is an obvious labour of love, respectfully crafted and diligently researched. It also embodies everything I have come to admire and enjoy about Rozi Hathaway’s comics over the last couple of years – their humanity, their empathy and their pure visual splendour. A stunning synthesis of unearthly mystery and endearing innocence, Njálla underlines once again the subtle potency at the heart of Hathaway’s craft.

– Andy Oliver, Broken Frontier – Njálla – Rozi Hathaway Brings the Legends of the Sámi to Magical Life in a Spectacular All-Ages Offering

Read the review of Njálla from The Quietus.

There’s an image early on of two people sitting around a stove in a lavvu, the tents used by the Sámi, and the way Hathaway’s watercolours cast light and shadow is so effective. A heavily repeated motif is the use of circles. They are everywhere – in the lighting, the movement, the sky, the land, the interiors. They convey so many different things – the excitable energy of a child, the rough forces of nature, the Northern Lights, the enclosed space of a lavvu. It’s this natural, restrained quality that really stands out here – the minimal dialogue allows the images to tell the story, about a child, myths of the Sámi and the Northern Lights. Njálla is a confident, assured book, well worth tracking down.

– Pete Redrup, The Quietus – Behold! July’s Quietus Comics Round Up Column 

Available to buy online now!

Huge thanks to all of my wonderful Kickstarter backers who made this happen:

Claire Parmley / Anastasia Hiorns / Alan Henderson / Bridget / Andy Oliver / Chris Bates / Cecily Kennemore / James McLaughlin / Dave White / Ricky Miller / Mike Medaglia / YoMma / Zara / Alex Smith / Richard Redfern / Sueleen McQueen / MarineMonstress / Christina / David Ogley / Simon Wallis / Malcolm / Sandra Bates / Emma Raby / Sarah Crosby / Tim Wiltshire / Mattias Vermeersch / Martin Cooper / NB / Nor Azman / Len Ahgeak / Pippa Bailey / Nicola Edwards / Marlon Mapstone / Paddy Johnston / Rafael  / Chris Welsh / Chiara Montresor / Conori Bell-Bhuiyan / Comichaus.com / Michael Huntley / Annie / Selina / Matthieu Boussard / Jordan Franklin / Amy Crawford / lyrik / Andrew Walsh / Tora Stridh / Thomas Henn / Joanna Turner / Billy Dayton / Te Hao Boon / xphiler06 / Lucy McLoughlin / Jordan / Dries Dewulf / Megan Smith / Rebecca / Chantel Beaven / Craig Galloway / Bo Rosén / Alex McNelis / Dimitri Mavroudis / Brittney / Ellen Power / Kim Schwanhaeusser / Rhiannon / iamshirtacus / Sonny Gibson / Jill / Cheryl Fisher / Johanna Wedin / Jasmin / Jennifer Sheer / Derek Freeman / Paul Jordin / Bernadette Siddall / Diane Fox / Milou / Beth Ray / Martyn B. Lorbiecki / Matthew Kuzio / Anje van der Veen / Maaike van Eekelen / Luke Marquart / Froze / Andrew Lee / zombiejojo / Rachel Harris / Douglas Harrower / Amber / JM / Bennett / Jessica Poppke / Peter Evans / Jonne / Carole Fletcher / Lily / Petra Pavlikova / Blake Sykes / Charlotte / Katie Whittle / Ben Dunn / Dave Green / Gius / Peter Hartman / Aninia Schwan / Lucy / Martin / Naomi Rose Johnson / Barbara Gabrys / Lara N / Alexander Gudenau / Ignasi Pizarro / Heidi Elliott / Tze-Wen Chao / Andrew Belding / Mike Meltzer / Markisan Naso / Tamara Slaten / Stephanie Wischhusen / Sam Chi Cken Evans / Vincent Laine / Kasele Deitz / Azucena Cauich / Mer / SecretBaroness / Kamila Tyran / Jeanette Wennerstrand / Chris Banser / Holly Brown / Caitlin Jane Hughes

For more information about the research that went into this project, please visit my dedicated page here: rozihathaway.com/njalla-research/

The End of the Line

| rozihath

Good afternoon lovely folks,

So, we’re now down to less than 24 hours of the Njálla campaign on Kickstarter and things are getting exciting! My palms are slowly getting a bit more clammy as I get that same anxious feeling I had when I launched The Red Road, putting something out into the world that I’ve so lovingly laboured over for months on end. There is something vaguely terrifying about putting new work out to the world, but thankfully(?) with University assessments and final deadlines approaching I don’t really have that much time to sit and think about it, I have a final degree classification to worry about too!

After last week’s long hours I managed to finish up painting the final ten pages of Njálla and get it all scanned in and tweaked, so the story is officially done! This week I’ve been working away on the surrounding pages of the story, the covers, and any hand-lettering that remains. I’m fairly on schedule, with the final pages being sent off to Comic Printing UK tomorrow afternoon. Panic! Also, my lovely backers will have received the schedule for production in their inbox’s this morning, and all is still on track for that..

Over the last few weeks I’ve been trying to arrange something special, and I’m delighted to announce that the NN Café, part of the NN Contemporary Gallery in Northampton, is hosting a launch party for Njálla! On Saturday 4th June (two days after the online launch) I will be celebrating the success of the Kickstarter campaign as well as the launch of the comic online and in UK small press friendly comic shops, with drinks and good times. Huge thanks to Peter James Norman, contributor to Sneaky Business, who co-runs the NN Café and has helped me to make this launch happen. For more information and to RSVP to the event please visit the dedicated Facebook event page – all are welcome, so come and join in the fun and celebrate independent comics! I’ll be selling copies of Njálla as well as other goodies, and signing on request too – and depending how many beverages I have, my signings could become more and more abstracted as the night goes on!

Speaking of launches, this past Friday saw the long anticipated launch of the Broken Frontier Anthology and the Small Press Yearbook at Gosh! Comics in London! It was a fantastic night, with the six of us UK Small Press Creators to Watch in 2015 being all together for the first time ever. A whole host of back-up contributors for the Yearbook also attended, alongside creators from the Broken Frontier Anthology in a joint event with a wonderful atmosphere and a true showcase of the spectrum that Broken Frontier supports. Thank you so much to Gosh! for hosting the event, everyone who attended and especially those who asked me to scribble in their copies of the Yearbook. I won’t go overboard on the details as Broken Frontier posted excellent coverage including photography of the night from Mauricio Molizane De Souza (included in gallery below), but trust me, if you weren’t there you missed out.

Huge thanks again to Andy Oliver, Editor-in-Chief of Broken Frontier for creating the idea for the Small Press Yearbook and putting it together into the wonderful book it is. Also thanks to those who helped along the way, Dave of Avery Hill Publishing and Rich of Comic Printing UK, amongst countless support from others. You’re all wonderful! As well as being able to buy the Yearbook from Orbital and Gosh!, you can also purchase your copy online from the dedicated web store! You can read more about my work in the Small Press Yearbook with the search tag ‘Top Secret Project’ or from the dedicated page here. And just above you can see a preview of Afloat in all it’s glory.

I think that’s about it for now! I have rather a lot to do in the way of finishing touches for Njálla before I crawl into bed tonight.. Don’t forget, if you haven’t pledged yet you have until 9am Friday morning to do so, and pledges equal freebies! Check out the Kickstarter for more details. Next week I’ll be back with more Njálla news, plus with one assessment complete and preparing for the next one I’ll be potentially a bit greyer and a bit more tired by then too. Until next week!

x

The Half-Way Mark

| rozihath

Good afternoon radiant readers.

So, is it Wednesday again already? It’s been another busy week here at HQ, juggling painting and scanning comics pages, finishing up and painting the frames for animation, and important, final degree things like portfolios and such. In the whirlwind that has been the last 2 and a half years, it’s now only four weeks until my final assessment and somehow everything in falling into place. It’s a busy time, but thanks to my militaryesque organisational skills and copious amounts of camomile tea I’m raging through like a woman on a mission.

As I mentioned last week, I’m currently working away each week painting pages, scanning them in, tweaking and slotting into place ready for printing. At an efficient rate of 10 pages a week, I’m comfortably on track at the half-way mark for the campaign, which has now been funded beyond double my original project goal! Heartfelt thanks to all my wonderful backers, and those new backers who know it’s fully funded, but are still pledging away regardless (Royal Mail are going to absolutely love me come May/June time). If you are a backer, you’ll know that you get exclusive updates and work-in-progress images before anyone else.. If you’re not a backer yet, you can either head over to Kickstarter and pledge now, or keep an eye out on this here blog for all the news a few days later. Here’s what you may have missed:

It’s so exciting to see Njálla come together in its final form, plus spending any spare time I have on the free colouring book for backers I’m getting more and more eager for the launch. Ahhh!

In other news, after all the excitement of the Kickstarter had subdued slightly I have been back to finishing up my animation for the Creative Conscience Awards submission, which I’m doing alongside Njálla as part of my final illustration portfolio for University. Although I was on track for completing this animation for the original deadline of the 7th April, it was a bit of a relief when they extended it to the end of this month so I had more time to spend on it and tweak it. Now, as any dedicated readers will be aware, I haven’t said a huge amount regarding this animation as Njálla has ultimately been the bigger, longer project, and the bearer of my soul for the past 6-7 months. However, this animation has been a huge undertaking for me, not only as it’s been juggled alongside other projects, but also because my experience in animation is pretty small.. Before I’ve only ever created short looping gifs, whereas this is a full 4-frames a second, 20 second animation.

Above is a short preview of the finished animation in part, as all the work is finished and scanned but I just have some finishing touches to work on digitally before submitting. Mainly, it’s a bit jumpier than I’d like it to be, so it needs smoothing out with some sneaky-tweaks. It’s all a learning curve! A steep, jagged, tiring learning curve.

In other very exciting news, after the announcement last week for the launch party of Broken Frontier’s Anthology and Small Press Yearbook, pre-orders for the Yearbook are now open! I am so excited for the release of this incredibly special collection, and as one of the featured comics creators from the Six UK Small Press Creators to Watch in 2015 I’m even more excited for Afloat to see the light of day! Working on that 10-page comic last summer was so much fun, and I really enjoyed stretching my story-writing muscles by tackling a 10-page slice of life tale.

If you’re not in or around London for the launch party at the end of this month (see more details in the Facebook event here), then you can pre-order your copy of the Small Press Yearbook, featuring Afloat, from the online store here. Editor-in-Chief of Broken Frontier, Andy Oliver, has had a strong ethos for this book from the start:

“To fully embrace the philosophy of this venture 40% of the Broken Frontier Small Yearbook‘s print run will be distributed as comp copies. This includes Yearbooks sent to comics publishers, commentators, activists and industry figures in order to introduce them to the work of Hathaway, Milton, Noble, Raby, Urbino and Vian.

The remaining number will be priced at as accessible a price point as feasible to ensure as many readers as possible discover the comics of the original Broken Frontier ‘Six to Watch’. To make that a reality this 100-page book will retail for just £6.00 for 83 colour and black & white story pages!”

– Andy Oliver, Broken Frontier – Broken Frontier Small Press Yearbook 2016 – Pre-Orders Now Open!

You can read the full article about the Yearbook here, with the details of the additional, supporting contributors here, and the pre-order release post here. In the run up to the aforementioned launch party at Gosh! Comics, Broken Frontier will be running exit interviews for us Six to Watch too, with the first article for Jess Milton coming out earlier this week – definitely worth a read. With copies of the Yearbook available from the end of April and Njálla released in early-June, I hope you’re all ready for some new reading material!

I think that’s about it for now! The kettle is calling my name (worrying, I know) and I have plenty to keep me busy for the rest of the day. Rest assured I will be back next week with (hopefully) a finished animation and more previews from Njálla! Until next time.. Have a good week everyone!

x

February Fun

| rozihath

Good morning ladies and gents!

So, it appears February has arrived, as has the week of my NN Residency alongside my fellow students from the University of Northampton. I shall be taking a break from all comic and other projects business to create my tent/lavvu, and then proceed to hide in it when times of extreme stress arise. As of today, we’re collectively gracing Northampton town centre with our talents and wit at the NN contemporary project space and gallery on Guildhall Road. Different things are going on each day, and if you’re local to the area you should definitely pop round and pay us all a visit.

As I’m in all day tomorrow, I’ve taken some time to make sure I get the basics of my structure prepared today to avoid any unsightly setbacks.. As, you know, I’ve never made a Sámi lavvu before. I know what you’re thinking: who HASN’T made a lavvu?! Although I may well be behind the times I’m using my highly refined organisational skills and coloured markers to be able to recreate the structure in situ at the project space tomorrow, and have my measurements and calculations ready to cut out my fabric for the inner and outer shell. Exciting! Although I mentioned it before, thanks to my wonderful parents for collecting sticks out of their garden for me and helping with the fabric, otherwise I may have been arrested by now for chopping off branches at the local park with a bread knife.

As I mentioned last week, this lavvu I’m creating is related to my upcoming comic release, so far with the name under-wraps and being referred to solely as The Next Big Thing (not in an egotistical way, in a ‘this is MY next big thing to come out’ way, just to clarify that I’m not an uppity plonker). Progress has been going well, and with my schedule set for the next two months I’ll be drawing at least 4 pages per week alongside other final projects for my degree. Busy, busy! I completed my six prelude pages last week and later on today I’ll be continuing progress on pages 7-10, with the hope of making a head start on the next four too. Things are really starting to get moving, and in the coming weeks I’ll be announcing my fundraising campaign for the project!

 

I’m not sure how aware people are or not, but smaller print runs are cheaper initially, but in the long term far more expensive than getting a bigger print run to begin with. For The Red Road I tentatively printed 100 and ran out in 9 months, meaning my costs were far more than they needed to be – whoops! This time, I’m learning from my errors and planning to create The Next Big Thing in a print run of 250 copies. Unfortunately for me, it’s going to be a rather expensive venture, and after some umm-ing and ahh-ing I decided my best course of action is to crowd-fund the total online. This means I’ll be offering not only an option for the book, but also prints, originals and other limited edition goodies that won’t be available after the release in Spring/Summer of this year. So, keep an eye out for my announcement on this soooon… On here, on Facebook, Twitter, all the usual channels!

 

Finally, in very exciting news Down to Your Skivvies Issue #2 has been printed and is almost ready to go! In case you missed it last week, DTYS is being launched this coming Saturday 6th February at the NN Project Space from 4-6pm in Northampton, so come on down and say hello if you’re out and about! This issue is all about writing, writers and the arts, and we have some very special work in there including an interview from a lovely talented gentleman and a short story from a skilled friend of mine currently studying in Liverpool. Crossing the north/south divide one zine at a time! Here’s a sneaky view of the pile of paper I have yet to fold and staple, with the front cover and font designed by yours truly. DTYS #2 will be available to purchase online from Monday 8th February from both Zara’s and my online Etsy shops.

 

I think that’s about it for now! I’d best get back to my fabric trimming business, which is quite a nice change from the usual work of being stooped over a desk for hours on end. Now I’m stooped over fabric, huzzah! I shall be back next week with more updates from The Next Big Thing and some lovely launch photos from Saturday afternoon at Skivvies. And hopefully a successful lavvu! Until next time..

x

December Madness and Laydeez do Comics!

| rozihath

Good morning ladies and gents!

So, another week bites the dust and the first round of assessment is looming eerily close by. Although I’m working in a haze which can probably be described as “I’m not really sure what I’m doing anymore”, things are getting ticked off the list and I’m vaguely, quietly confident that I’ll be in good stead by Christmas. Well, as long as I avoid any critique sessions where it’s advised to completely change my work.. Sigh. But anyway, I also decided it would be a marvellous idea to start getting up stupidly early in the week to do some mild exercise or yoga (don’t laugh) before getting to work before 8am, which seems to be helping my productivity somewhat. Though, I’m only on day three so far.. And I ache.

Logos

 

First up, as you may remember from last week, I mentioned that I had something exciting up my sleeve to tell you all. WELL! I am over the moon to announce that I have been asked by the lovely Keara Stewart and Wallis Eates of Laydeez do Comics to speak as a part of the Broken Frontier themed evening, as one of the Six UK Small Press Creators to Watch in 2015! With the small press champion Editor-in-Chief Andy Oliver being the reason for so many people getting a chance of recognition and support, it’ll be a great chance to listen to his worldly comics wisdom. Alongside will be the fiercely talented and entertaining Danny Noble, of Ollie and Alan fame, and myself – probably still a bit love-drunk on brandy butter by that point.

Laydeez do Comics London is held in Gosh! Comics in Soho, who are one of the biggest stores to support small press comics creators. Keara and Wallis have stepped up to take over as London Co-ordinators whilst co-founders Sarah Lightman and Nicola Streeten are taking a break to focus on their respective PhDs. here’s a snippet about Laydeez do Comics (LDC) from their website..

“Launched in July 2009 by artists Nicola Streeten and Sarah Lightman, it is the first women led graphic novel forum in the UK. Artists, academics, publishers and fans from around the world are invited to speak. It is a platform for people to test new works and ideas, where emerging artists present their work alongside more established practitioners. The evenings offer an inspiring experience in a social atmosphere for both those new to comics and those already immersed. Laydeez do Comics now has branches in Glasgow,  Bristol, Leeds, Dublin, San Francisco and Chicago.  Pop up events have also taken place in New York, Toronto, Glasgow and Brighton.”

Exciting stuff! The Broken Frontier LDC night is being held on Monday 18th January, and in MORE exciting news I’ve been working together with Gosh and LDC to create a themed window display for the event! At the moment I’ve just been sketching ideas up, but soon I’ll be getting some final designs to both parties and the work will commence the week before the event. Because I’m feeling overly generous, here’s one character from some preliminary sketchbook work for the window design…

Promo Blog

This coming Monday I’ll be attending my first LDC event as a member of the audience, with guest speakers are Mike Medaglia and Rachael Ball. Both are so excellent at what they do, and I can’t wait to be a part of the audience! And also, it’ll be good to see exactly what to expect a month later when I sit the other side of the table. Tickets for LDC are free, but must be booked and disappear incredibly quickly! If you’re interested in attending the Laydeez night in January, then best to pop over to the Laydeez do Comics website and sign up for their mailing list to be alerted when tickets are available (details are on the home page). So if you want to come and watch me pretend to know what I’m talking about, and see my first attempt at window painting.. Sign up now! But in all seriousness, big thanks to Gosh and LDC for letting my represent their values in the form of a window display and asking me to speak as one of the chosen six – I can’t wait!

In other news, you may recall a few weeks ago me referring to one of my projects being the House of Illustration and Folio Society Book Illustration Competition for War Horse! The competition requirements is to produce a set of three internal illustrations and a binding design, to fit into their minimalist graphic style.The competition ends in January, but with assessment looming and final tutorials this week I’ve been working extra hard to get this ready! It’s been a strange project for me to do given that I didn’t particularly want to approach it in the character-centric style I tend to work in, as the general tone of the cheery children’s book is rather dark. Instead, I wanted to focus on the atmosphere, and use certain scenes and textures to give an effect of how very depressing it all was. I mean, the First World War wasn’t exactly all butterflies and flute music, was it? With that in mind, here’s my work in progress on the project to date..

Layout 1

Internal illustrations
Internal illustrations
Internal illustrations

Spine Text

I’m not entirely happy with the binding (front and back cover spread) just yet, but it’s not too far off I don’t think.. Book covers are not something I ever really did before University and I desperately struggled with the last one for Carrie’s War, so I have been determined to get this one right. As for the internal illustrations, I opted to completely avoid using ink lines for this and painted or printed everything using handmade collagraph plates, using Photoshop to put everything together nicely. Again, these aren’t completely 100% finished yet – but not far off.

Finally, after I had a tremendous sell-out of greetings cards at Thought Bubble last month I’ve gotten round to ordering more and putting them up on my Etsy store! There’s a choice of three at the moment, with this year’s Christmas card design and two others. So, for an extra special card this year, pop on over to my Etsy store and check them out.

Well well well, another busy one. I’ll be back next week after a during stressful assessment period, but hopefully with the Christmassy end in sight! Low and behold I have another week of rather important emails, another commission and further uni work progression. So, with that in mind, and the kettle calling my name.. Over and out.

x

Hello, November.

| rozihath

Good morning ladies and gents.

So, another week is behind us and we’re well and truly into November. There’s a crisp, cold scent to the night air which can only mean the arrival of Bonfire night. Because, y’know, why not celebrate some guy’s failure of trying to blow up the House of Lords in the 17th century when it involves pretty colours and bright lights? Thankfully my week-and-a-half long lurgy seems to be finally tailing off, though it’s been a determined little bunch of germs.

On Monday I managed to drag my coughing and sniffly self into the university print rooms to play with my collagraph printing plates I showed you all last week. Wanna see? Yeah you do!

These prints are all part of the work I’m creating for the Folio Society’s printing of War Horse, and as I mentioned last week this is a competition which calls for three internal illustrations and a book jacket design in the typical Folio Society styling. As the subject matter of War Horse is pretty dark, and the story is told through the eyes of the horse, I didn’t want to go and just draw horses everywhere. Instead, I’m looking at combining these textured backgrounds with washes of paint and some drawn details. The first print is for the shelling at night, the second is muddy brown holes in the snow, and the third is pieces of shrapnel and earth upturned by more shelling. I don’t normally work in an abstracted way so it’s kind of nice to try out this more atmospheric way of presenting a landscape rather than going straight to drawing pens. Fits the story better, I think.

In similar news, I’ve been trying out something different with modelling clay, too! With Thought Bubble Festival only a week and a half away, I’ve been working on a small side project to keep me company over the weekend on my half of table 73. Plus, with the re-release of The Red Road coming THIS FRIDAY, and Thought Bubble being it’s first public appearance, I thought it’s a perfect opportunity to make something  bit different. Now, I’m absolutely no expert in the field of modelling, but after a plea on twitter and speaking to some fellow students at university, I found out my failed attempts were because I needed to make a skeleton structure to support the weight of the clay. Who knew! Low and behold, I’ve just about managed to make a model of Bear and Coyote with air-drying clay and a frame consisting of paper clips, wool and hot glue.

Now, they are pretty crappy. I mean, I was hoping I could sell them, but I wouldn’t wish that upon anyone until I’ve practiced a little more. Also, as you can probably tell, they aren’t to scale of each other – whoops! Making a smaller Coyote would have been really fiddly, and making a bigger Bear would have needed a much larger and more substantial frame. But altogether, not too shabby for a second attempt. Some cracks have appeared in the drying process so I shall be off to get some fine surface filler to fill those in before I paint and glaze my new friends.

Speaking of The Red Road… IT’S ALMOST FRIDAY!! I am so, so excited to be releasing The Red Road for a second time, especially with the changes and additions I’ve made. The story remains the same, but there’s some special extra content in there now, and a couple of other tweaks to make it the best it can be. Yay! Don’t forget, The Red Road launches this Friday (6th November) still for the same price of £6 on my Etsy store, but this time with an extra 4 pages of goodies. Just to make life even more exciting, Richard Bruton’s review came through last week from Forbidden Planet Blog. What a dream come true! Having not only a Broken Frontier review but now a Forbidden Planet review too is an incredibly proud and exciting moment for me. Here’s a snippet, and click here for the full review.

“…Hathaway deserves fulsome praise for delivering something so brutal, so powerful, in such simple terms. This is good comics.”

– Richard Bruton, Forbidden Planet Blog review of The Red Road

Finally, yesterday saw celebrations in the form of Broken Frontier’s Editor-in-Chief Andy Oliver’s Small Pressganged 4th birthday! Wow, that was a mouthful. Anyway, it’s safe to say that without Andy Oliver’s tireless work to embrace small press and independent comics, I would not be on the shelves of comics shops throughout the UK, and I would not have appeared in anthologies and at comics events. What a guy! For myself and countless others, Andy has championed our hard work and given it an amplified audience of dedicated fans and followers. Really, I am so thankful for the great work that he does, and I would just be another uni student desperate to get anywhere without his support and belief in my work. All hail the hat! To celebrate the occasion I draw Andy a nice big hat cake with four candles per hat and a potential flag fire hazard. It’s not exactly my most esteemed work, but as a doodle it gets the message across. Happy 4th Birthday Small Pressganged!

Hat Cake Bonanza!
One from Keara Stewart!

So, that’s about it for now; the Next Big Thing is slowly under way and next on the list is working on my dissertation proposal. (Yep, you thought your Wednesday morning was fun..) Don’t forget to get your shiny second edition copy of The Red Road from Friday, and check back next week for some previews of the second edition additions. Until next time!

x

 

Hello, October

| rozihath

Good afternoon ladies and gents!

So, with a sweep of windy and rainy weather we are now knee-deep in October. University has thrown me into the cold, harsh realities of becoming a final-year student, and with an entire eight months of work laying in front of me it’s all to easy to be intimidated. However! Now I have unshackled the responsibilities of part-time paid shelf-stacking work I am feeling somewhat stressed but also somewhat Zen. I will survive this year. I will. (I hope) -sob-

After a small editorial brief which will conclude next week, most of the work I’ll be producing is long-term projects. With that in mind, I will shortly be taking off my top secret cape! Meaning, you can expect a lot more of the work-in-progress kind of posts from me, along with quiet-yet-public-mental-breakdown posts and drunk-on-camomile-tea posts. Although I have to give a fair amount of concentration to all projects and briefs this year, the main focus of the next eight months is The Next Big Thing. My yet-to-be-named longer length comic will be the final push, incorporating everything I’ve learnt over the past two and a half years since I really started my comics career with HOAX: Psychosis Blues, up until the Top Secret Project which is due to be revealed next month.

Sneaky Business now at Orbital Comics
Sneaky Business and the last few remaining copies of The Red Road now in stock at Gosh! London

First things first, this past rainy Monday I headed on down to The Big Smoke for half a day to visit the bees knees of comics shops! Sneaky Business is now available at both Orbital Comics and Gosh! Comics in London – yay! Don’t forget that Sneaky Business is still available from my online Etsy shop for just £2, perfect for those people who have everything, yet you still need to get them something for Christmas. Cuh, you know, THOSE people. Awkward souls.. Anyway, whilst I was in Gosh I dropped off the final five copies of The Red Road in a proud yet slightly sad moment. My children have flown the nest, and are all out there in the great wide world! So, that’s it folks. All one hundred copies are gone, with a few remaining at Gosh!, Travelling Man in Manchester (and last time I checked, there was one copy left at Nostalgia & Comics in Birmingham).

Final Page Image

Do not fear, though; Bear, Coyote and Lark are far too special to disappear forever. Keep an eye out on my social media (Facebook, Twitter, Instagram) over the next couple of weeks for some exciting news, and of course here on the blog you’ll get all the insider gossip too!

November is turning out to be a pretty exciting month, with Thought Bubble on the horizon and Top Secret Project’s grand reveal.. and now some The Red Road news? Well, who needs Christmas! On that note, time to get back to the grind! Don’t forget to back the Nepal Art Aid Anthology if you haven’t already – the clock is ticking. For now, as always, over and out.

x

Top Secret Project

| rozihath

Good morning you lovely people, you!

So, it appears to be autumn. I’m not quite warm enough, University is looming once more and my list of jobs to do before third year starts is slowing depleting.. Though I keep thinking of things to add to it, which doesn’t help. Thankfully, stress is low and my stocks of camomile tea are high, so here’s to a good few weeks before the teeth-grinding, alcohol comforted, crying into sketchbooks era of Third Year begins.

Amongst the delights of laughing at my own history of terrible drawings last week, and celebrating the wonders of MancsterCon, you may have seen mentions of the Top Secret Project having reached completion. Now, the Top Secret Project started back around May, though it still feels like a blur of thinking and drawing, with the final painting of my 10 pages taking a week to complete. I still can’t divulge any more details about the Top Secret Project (in case you hadn’t already guessed from the title), but if you can all hold onto your hats for just a couple more months, all will be revealed… For now, though, here are some of the final images; from final inks to varying stages of painted completion. I’m still resting in that uncomfortable zone of “is-this-actually-terrible-and-people-will-laugh-at-me-and-I’ll-have-to-change-my-name-and-become-a-hand-model-and-move-to-a-village-and-hide-forever”, but I’ve come to realise that the fears and worries are a good thing. Emotional investment equals fear of other peoples opinions, and emotional investment means I’ve done the best I can. So, let’s just hope it’s not a flop.

Similarly to The Red Road, I drew all my pages out in pencil, went over them in fancy ink pen, and painted them in varying shades of gouache. Unlike The Red Road, however, I drew everything 100% larger than it’s due to be printed; it’s something my lecturers at University kept telling me I should do to improve my figure drawing, and I actually listened. I’ve been drawing double the size of print since Rejsen, with my comic in Sneaky Business also being double the size of print too. I’m not sure if it’s making me a better illustrator/artist or not, but it works well enough and doesn’t take any extra time.

The one thing I did do different this time, is that I worked on all the pages from rough form on separate paper first, then once the pencils were done-ish I used the light-box to draw everything up on the final fancy paper in pencil again, tightened it all up and inked. The good thing about doing it like this, is that the paper wasn’t left with a multitude of rubbed-out mistakes, and no pencil indents too. I IS LEARNING, LIKE. But yes, with every new project comes a new set of wisdom, and the completion of the Top Secret Project has left me feeling comfortable in the set of processes I have for my upcoming Final Major Project at University (cue: fear).

Last week also saw the review of Down to Your Skivvies #1, by Broken Frontier in Andy Oliver’s new Zinewatch feature! DTYS#1, created by Kamala Roberts, Zara Ward and myself earlier in the year is about celebrating women in the arts, and though #2 is in the making, it’s great to have a little boost with this review – thanks Andy! You can read his review of DTYS here, and purchase a copy on Etsy, here.

Old school zine-style in presentation, Down to Your Skivvies! is an eclectic mix of material that, nevertheless, retains a consistent thematic approach and voice.
– Andy Oliver, Broken Frontier.

Aside from this, the past week has actually been pretty busy with non-work related things, although a couple of lovely new shiny projects have come my way which will give me plenty to do this week, along with that damn pre-uni, ever growing check-list. So, I shall leave you all rest-assured that I am continuing my delicate balance of staying warm, drawing lots, and doing my very best not to go into hibernation mode. I am off on a few day escape to Amsterdam next week so I will be back with my blog on Friday instead of it’s usual mid-week presence, but picture me happily cycling around canals in the rain whilst stuffing my face full of poffertjes and wheels of gouda. Until next week!

x