Illustration

Christmas Wonderland

| rozihath

Well! What a week it’s been.

In my endless wisdom I decided it would be a great idea to work non-stop on my Christmas Tale, because who needs a decent nights sleep, right? Since my last blog post I’ve been drawing gingerbread ladies, reindeer, snowmen, penguins, polar bears and a rather young female lead character from morning until the depths of night, and having a pretty fun time seeing how much coffee I can intake whilst still maintaining hand stability. If there’s anything I’ve learnt from Dan Berry’s Make it Then Tell Everybody podcast, it’s that this is the illustrator life. It’s tiring, but hot damn I love it.

So, moving forward. As of yesterday morning I have managed to complete the main bulk of my book; the majority of my story is told in a magical Christmas wonderland with friendly creatures each doing their bit to support Father Christmas in the hours leading up to the magical day itself. My process with this project has been pretty consistent. Pencils > Inking > Colouring using gouache paint. Then half the job is done, and I digitally place each page over a separate backdrop which completes the page. So far I’ve done 16 pages with another 6-ish to do this week, then the creating stage will be complete! Here are three previews, have a gander;

 

Wheee!
Wheee!
Thud.
Thud.
No one likes a sad reindeer
No one likes a sad reindeer

 

Aside from the originally intended hard-copy, I am very excited to be working with my musically talented pal Adam Satur in the hopes of turning the book into a ‘narrated animatic’. In simple terms, we’re looking at turning my pages into a digital book via YouTube video with soundscapes, music, a narrator, plus voices/noises for the creatures. Bringing this second level to this project is really exciting, hopefully by the time I update you all next I’ll have more news on this secondary project. For more information on Adam and his teachings you can also visit Playing Musically on Facebook.

With the hard graft of this project wrapping up this week, I shall be working next on my script for the next major competition – which truth be told, I intended to start a lot earlier before the Offlife submission and my mutant bunnies got in the way. Hopefully I’ll have the chance to complete two pending projects before university starts up again in a months time – oh how the summer has flown.. Is it time for a holiday yet? Anyway, I shall be hauled up at my desk until Friday afternoon completing the rest of this book, so wish me the best of luck! Over and out x

The Art of a Good Sketchbook

| rozihath

So, after a very long summer since I finished up my first year at University, the second year is finally looming. ‘Back to School’ signs are popping up everywhere, and I get that sinking feeling once more as I realise in a months time life is going to get stressful again for 7-or-so months. Don’t get me wrong, I love to learn; Going back into education has been the best decision I’ve ever made, and I am so glad I didn’t listen to all the naysayers when I decided to apply two years ago. However, yeah.. Juggling studies, part time work, a long distance relationship and a social life is quite the challenge, but I’ve never liked to make things too easy for myself. Where’s the fun in an easy life?

Sketchbookz r 4 cool kidz. Random doodle.
Sketchbookz r 4 cool kidz. Random doodle.

Back to business. One of the many things my course has taught me so far is the art of having a good sketchbook. Back in college all those years ago, up until the last year or so, I absolutely detested using a sketchbook; I couldn’t think of anything worse. I’d much rather try and draw something from start to finish in one go. If it looked alright, great. If it looked terrible, I’d get annoyed and brood over how terrible an artist I thought I was. Then feel so down I’d eat a whole sharing bag of Doritos (Cool Original, of course) with mild salsa dip, proceed to feel rather ill and then regret every cool, salsa-y moment of my comfort eating whilst laying in the fetal position. Productive, right? When it came to starting my course at university, they expected all this sketchbook work to support my ideas and show progression. Ughhhhhh, honestly, such a pain. It felt like I was taking 2 weeks to do something I could come up with in 2 days, but all this sketchbook work actually proved valuable. I paid £9’000 for my first year to learn how to use a sketchbook – bargain! But in all seriousness, it has become a staple tool of mine. One huge deciding factor has been on using proper paper sketchbooks. We’re talking Seawhite of Brighton’s extra-strength when wet kind of proper sketchbook. I’ve found even Moleskine’s sketchbooks and the ones you can pick up in the art section of WHSmith’s lack quality. Nowadays, like with my Lost and Found comic, I’ll draw all the artwork in my sketchbook and scan it in from there, I don’t even use ‘final paper’ anymore. But yes, I have learnt that forcing myself to work in a sketchbook first, although may take extra time, actually makes the final pieces look surprisingly better. Still, for some work I’ll just go in all-guns-blazing and completely a piece start to finish with no planning (Boba Fett, for example), and my recent comic-endeavours have been extremely quick turn-around for deadlines so sketchbook work has been limited. But as I approach my last 5 weeks of ‘freedom’ before uni starts up again, I have been utilising my sketchbook for my last three projects of the summer. I’m not quite sure why I keep piling on work for myself, I guess it makes sense to keep a consistent flow so that uni’s 5-projects-at-once doesn’t cause me to have a breakdown.

Currently I’ve been using my sketchbook to work on ideas and scripting for a children’s book commission I’ve been asked to do. I love children’s books, I have no shame in admitting that. Oliver Jeffers is probably one of my favourites, along with Jon Klassen coming in close second. Even better, this book I’ve been asked to do is a Christmas book! So I get to be completely over the top and make it as magical and Christmassy as my imaginations will allow. My preliminary character development and sketchbook work is pretty much complete, so now it’s time to get it drawn up, yay! Here are some snippets of my sketchbook and the characters so far, to keep you all interested;

So, there you have it. The elusive sketchbook. Not a huge amount to update this week as I’ve been super busy with other boring adult things, but hopefully I’ll have more for you all next week. (Yes, if you notice the French translations, I’ve also been using my sketchbook to aid my learning Français. J’ai améliore (I hope)!) For now, I hope you all have a lovely weekend whatever you may be doing. Over and out!

Busy, busy, busy

| rozihath

Well, what a busy week its been! Firstly, I’ve taken on extra hours at the paid-job to help me out before I have to drop my hours in September, so that’s been keeping me out of trouble. Then, came Art in Action last Thursday, plus after a full day in London on Saturday the week has begun yet again, and I can feel this busy schedule in my poor aching legs. So, in chronological order, here we go!

I’ve been to Art in Action once before in 2011, which I covered somewhat in my blog here, and I enjoyed it just as much this year as I did previously. It was a great day; The weather was beautiful, if not a little toastie in the depths of the various tents. For those who don’t know, Art in Action is a big arts and crafts festival which allows artists to showcase their work and demonstrate their processes. There is also a giant arts market for loads of supplies, and a makers market in which you can buy various goodies. There are several areas covered including painting, sculpture, jewellery, glassblowing, international artists and illustration/calligraphy, even beekeeping. Illustration always feels a little lacking, though with the amount to cover in the whole event its not really a surprise! My highlights from this year were illustrators Jackie Morris and Shelly Perkins, and printmaking extraordinaires Ian Phillips and Laura Boswell. I’m fairly useless at printing, I don’t seem to be able to practise the same kind of patience in printing that I do on a physical drawing, though I absolutely love the effects printing produces. Watching Ian Phillips making reduction lino prints, and Laura Boswell making traditional Japanese woodblock watercolour prints was pretty gosh-darn super, and I’m looking forward to trying out some more printing if I get the opportunity in the second year of university.

Left: Jackie Morris, Right: Shelly Perkins
Left: Jackie Morris, Right: Shelly Perkins
Left: Ian Phillips, Right: Laura Boswell
Left: Ian Phillips, Right: Laura Boswell

After some much needed family time and cider on Friday came an action-packed day in London with my handsome northerner on Saturday. A couple of months ago Ravi got in touch and mentioned an upcoming HOAX: Psychosis Blues signing being organised at Gosh! Comics in Soho! Luckily for me I managed to squeeze in a trip to the British Library for the Comics Unmasked exhibition (until 19th August), and I’m so glad I did as the range of work and topics was absolutely incredible. Bumping my forehead on glass-cases to try and get closer to the original artwork of comics such as Watchmen and Tank Girl was definitely worth it. Topics covered included politics, sex, heroes, and dreams; It’s not often I enjoy an exhibition as much as this one, I definitely recommend it to anyone who is able to get to London before it closes, whether you’re a comics fan or not. It really was fascinating! After refuelling at Subway, I met up with the other HOAX’ers Ravi Thornton (author),Karrie Fransman, Rian Hughes, Julian Hanshaw, Ian Jones, Hannah Berry and Mark Stafford (illustrators) at Gosh! Comics for a happy afternoon of signing. I met Mark, Karrie and Rian for the first time, as they weren’t present at the launch last month, and they are just as lovely as everyone I’ve met so far. The whole afternoon was a whirlwind of squiggles and doodles, requests and new faces though there were some familiar faces as Andy Oliver from Broken Frontier came along to say hi too! I also managed to pick up Dan Berry‘s book Suitcase on half price which I was chuffed about. After the signings we made our way to a nice pub to finish of the day nicely. Here are some pictures from the day:

From L-R: Karrie Fransman, Rian Hughes, Ravi Thornton, Julian Hanshaw, myself, Ian Jones, Hannah Berry and Mark Stafford.
From L-R: Karrie Fransman, Rian Hughes, Ravi Thornton, Julian Hanshaw, myself, Ian Jones, Hannah Berry and Mark Stafford.
What a happy bunch!
What a happy bunch!

Anyway, that’s it for now. I have a competition entry for a 6-page comic that I’m working on at the moment so I shall endeavour to have something nice to show you all soon. x

Kamino and Make Yourself Comfortable

| rozihath

Good evening ladies and gentlemen!

So, since September I’ve been trying to find a happy medium between traditional and digital illustration. I love drawing, by hand, on paper. And painting on paper, because it’s fun! However I’d been finding that trying to scan in traditionally done paintings and make it look decent on screen was a hard task. So, with some tutorials and lots of trials and errors I have finally made my first fully combined piece which I’m happy with. There are examples on my front page of these sort of techniques I’ve been trying, for example Being Human and the girl in the triangle, however I didn’t feel like these were up to my usual standard. So, I decided it was time to put what I’d learnt to good use and do something nice for my partner-in-crime, Chris.

The story behind this revolves around my better-half being an absolutely giant Star Wars fan (nerd), especially with the original trilogy. A few weeks ago we went to a convention over at the National Space Centre in Leicester run by the UK Garrison, one of the foremost non-profit Star Wars costuming groups in the UK. Their movie-standard costumes were absolutely fantastic, and I was blown away by the professionalism and dedication everyone involved puts into being their character. I’ve since learnt that they attend countless events around the country and have helped raise money for a number of charities; it really was such an amazing atmosphere I was completely outstanded. I hadn’t had so much fun in a long while, and I felt like a giant kid at the best toy store known to man. I even got to meet R2-D2!

What a dude.
What a dude.

ANYWAY! One of my better-half’s favourite characters is Boba Fett, and he actually got to meet the actor Jeremy Bulloch, shake his hand and get this ridiculously cool art print signed. Which got me thinking how much I really wanted to do something for him which, although it’s not as cool as a signed print, is something that he’d be proud to hang on his wall. So, long story short this meant I had to delve deep into the Star Wars Wookieepedia and find out all I could about Boba Fett, the infamous bounty hunter and primary clone of Jango Fett. Low and behold, I came up with this idea that with all Boba Fett goes through in the extended stories, andas a child seeing his Dad’s head come off, sometimes he must just want to go home. Home, being the watery planet of Kamino where all the clones were created. I drew up Boba, his home planet, and his EE-3 Carbine, and over the space of a week I managed to piece it all together and Boba’s your uncle, we have…. this:

Boba Fett – I Dream of Home
Final Inks

The hard work paid off in the end! It was a surprise, and I think he likes it! I did submit this as a design to Threadless! so that I could get it on a t-shirt for him, but unfortunately they emailed me to say that any sort of cult-icon can be a bit awkward in terms of legal restrictions, so it can’t be done. But, at least I have a new phone background! Anyway, that’s it for now. I have a busy week ahead and I’m off to Art in Action on Thursday for a day of quality auntie-niece time and spending far too much money on more art supplies I have run out of space for. Until next time! x

There’s just snow pleasing some people…

| rozihath

So, I’ve been working on a few different projects over the past month, and now I can finally reveal one I’ve been sitting on for a while (not literally, though, I don’t think my laptop could take my weight).

Nitro Snowboards UK recently ran a competition to design a snowboard top graphic to be made into a Limited Edition production run and sold in TSA stores throughout the UK. There was no theme restrictions either, it just had to include the logo. Naturally, as a budding snowboarder I leapt at the opportunity! Snowboard and skateboard graphics are notoriously vast and quirky. Some are very plain, some are just strange, and some are so intricate you need a magnifying glass to admire every detail.On researching previous Nitro boards, a lot of the board designs seemed very neat and graphics orientated, or very intricate. It’s always a gamble trying to design something like this, as the wow factor and images of semi-naked ladies tend to be part of the appeal. At the same time, you do just get some down right beautiful designs, so it really, really does vary tremendously.

Full Snowboard Design
Jump to the left.
Sliiide to the right!

I wanted to look at the relaxing, peaceful side of snowboarding; standing on a mountain looking out at the world, it’s a pretty powerful and awe-inspiring place to be as I discovered earlier this year. Plus, I have a soft-spot for anything Native American so I drew up a dude to put in there too, on either end of the board. The quote is from John Muir, which just sums up the snowboarding mentality! My poor 4-year-old laptop struggled immensely to work with a template so large, but slowly and surely I managed to piece it all together in Photoshop. Remember me talking of scanning in textures to use digitally? Well that’s what you can see! All the colouring of the board had to be digitally done due to the size, so the textures were scanned in and played with to give the different effects I was looking for. Overall, I’m pretty happy with the design; The competition winner will be announced on the 15th July, so I have my fingers and toes crossed for that day.. I’ll be piste if I don’t win.. Get it? Ha! Ahh.. Not really, it was mega fun just making my design. May the best boarder win!

As it definitely isn’t able to cope with this sort of work-load anymore, I have exictedly poured my mediocre savings into upgrading my laptop in a ‘shut up and take my money’ moment of desperation. With lots of storage the best processor I could get, I’m pretty excited for it to be built and sent out mid-July! Finally I’ll be able to reference Chrome and use Photoshop simutaniously without having to twiddle my thumbs for 15 minutes whilst I’m waiting for Photoshop to catch up. How exciting.

Anyway, that’s it for now. I’m finishing up another project today which I will be releasing to the world next week, so keep an eye out for that. Over and out! x