The Half-Way Mark

Good afternoon radiant readers.

So, is it Wednesday again already? It’s been another busy week here at HQ, juggling painting and scanning comics pages, finishing up and painting the frames for animation, and important, final degree things like portfolios and such. In the whirlwind that has been the last 2 and a half years, it’s now only four weeks until my final assessment and somehow everything in falling into place. It’s a busy time, but thanks to my militaryesque organisational skills and copious amounts of camomile tea I’m raging through like a woman on a mission.

As I mentioned last week, I’m currently working away each week painting pages, scanning them in, tweaking and slotting into place ready for printing. At an efficient rate of 10 pages a week, I’m comfortably on track at the half-way mark for the campaign, which has now been funded beyond double my original project goal! Heartfelt thanks to all my wonderful backers, and those new backers who know it’s fully funded, but are still pledging away regardless (Royal Mail are going to absolutely love me come May/June time). If you are a backer, you’ll know that you get exclusive updates and work-in-progress images before anyone else.. If you’re not a backer yet, you can either head over to Kickstarter and pledge now, or keep an eye out on this here blog for all the news a few days later. Here’s what you may have missed:

It’s so exciting to see Njálla come together in its final form, plus spending any spare time I have on the free colouring book for backers I’m getting more and more eager for the launch. Ahhh!

In other news, after all the excitement of the Kickstarter had subdued slightly I have been back to finishing up my animation for the Creative Conscience Awards submission, which I’m doing alongside Njálla as part of my final illustration portfolio for University. Although I was on track for completing this animation for the original deadline of the 7th April, it was a bit of a relief when they extended it to the end of this month so I had more time to spend on it and tweak it. Now, as any dedicated readers will be aware, I haven’t said a huge amount regarding this animation as Njálla has ultimately been the bigger, longer project, and the bearer of my soul for the past 6-7 months. However, this animation has been a huge undertaking for me, not only as it’s been juggled alongside other projects, but also because my experience in animation is pretty small.. Before I’ve only ever created short looping gifs, whereas this is a full 4-frames a second, 20 second animation.

Above is a short preview of the finished animation in part, as all the work is finished and scanned but I just have some finishing touches to work on digitally before submitting. Mainly, it’s a bit jumpier than I’d like it to be, so it needs smoothing out with some sneaky-tweaks. It’s all a learning curve! A steep, jagged, tiring learning curve.

In other very exciting news, after the announcement last week for the launch party of Broken Frontier’s Anthology and Small Press Yearbook, pre-orders for the Yearbook are now open! I am so excited for the release of this incredibly special collection, and as one of the featured comics creators from the Six UK Small Press Creators to Watch in 2015 I’m even more excited for Afloat to see the light of day! Working on that 10-page comic last summer was so much fun, and I really enjoyed stretching my story-writing muscles by tackling a 10-page slice of life tale.

If you’re not in or around London for the launch party at the end of this month (see more details in the Facebook event here), then you can pre-order your copy of the Small Press Yearbook, featuring Afloat, from the online store here. Editor-in-Chief of Broken Frontier, Andy Oliver, has had a strong ethos for this book from the start:

“To fully embrace the philosophy of this venture 40% of the Broken Frontier Small Yearbook‘s print run will be distributed as comp copies. This includes Yearbooks sent to comics publishers, commentators, activists and industry figures in order to introduce them to the work of Hathaway, Milton, Noble, Raby, Urbino and Vian.

The remaining number will be priced at as accessible a price point as feasible to ensure as many readers as possible discover the comics of the original Broken Frontier ‘Six to Watch’. To make that a reality this 100-page book will retail for just £6.00 for 83 colour and black & white story pages!”

– Andy Oliver, Broken Frontier – Broken Frontier Small Press Yearbook 2016 – Pre-Orders Now Open!

You can read the full article about the Yearbook here, with the details of the additional, supporting contributors here, and the pre-order release post here. In the run up to the aforementioned launch party at Gosh! Comics, Broken Frontier will be running exit interviews for us Six to Watch too, with the first article for Jess Milton coming out earlier this week – definitely worth a read. With copies of the Yearbook available from the end of April and Njálla released in early-June, I hope you’re all ready for some new reading material!

I think that’s about it for now! The kettle is calling my name (worrying, I know) and I have plenty to keep me busy for the rest of the day. Rest assured I will be back next week with (hopefully) a finished animation and more previews from Njálla! Until next time.. Have a good week everyone!

x

The Elusive Title

Good evening happy campers,

It’s that time of the week again! And this time, I can’t think of a title – though as it’s coming up to my fourth year anniversary of blogging so I feel I’ve earned a pass for today. So, nerr.

I’ve had a nice busy week of organising twenty things at once, though I did take some time on Friday on my travels to Manchester to check out an exhibition and a degree show. First off was the Manchester Museum’s Making Monuments on Rapa Nui – The Statues from Easter Island, which is on until September. Learning about other cultures is really interesting, and it gives me plenty of ideas for future stuff.

Rapa Nui Monuments – A quick sketch-a-roo.

Secondly was the Manchester Met degree show, with Illustration with Animation, Graphic Design and Creative Practise on the same level. I was pretty blown away by the standard of work there, it was a really impressive display! It’s definitely got me thinking even more about my third year, and what challenges (and how much grey hair) my degree show will bring. Here were some of my highlights from Man Met!

So there’s enough of a terrifying kick into third year for now, though spending part of the summer brainstorming ideas of fundraising with my fellow students may well be in order. Along with the long list of other things I have to do before September. Bring it on! (She says, wincing..)

In other news, this past week I came across an event through Richy K. Chandler and Keara Stewart; Art Aid Nepal and their call for submissions for an anthology, around the theme of ‘home’. They are seeking contributions from artists until Thursday (25th), with proceeds going to support education and art therapy for children affected by Nepal’s earthquake. The brief is pretty open, with content being accepted in the form of a single page illustration, painting or comic/sequential art. Now, as I’ve been doing quite a bit of comic related work at the moment I decided to do a one-hit wonder for this, and mapped up my ideas on my weekend train journey’s and then sketched out and completed the piece yesterday morning. Even better, I managed to finish the piece before my 6-hour shift at the paid job, which made me nicely ahead of my week’s drawing-work schedule. Hurray! Here’s the piece below;

'HOME' - Art Aid Nepal Anthology Submission

It was a really nice piece to work on, with a brief touch of mixed processes honing the point, well, home. All submissions for this project are reviewed before selection, so fingers crossed I may get some good news in the coming weeks. Though, either way it was nice to work on something a bit more editorial, and I hope I did the theme justice.

Finally, I’ve been working on another short-deadline piece for the past week in the form of a two-page comic submission for Dirty Rotten Comics. Their summer anthology deadline is in a week, so I’ve had a busy day today inking away my creation, with the hopes that it’ll be complete by tomorrow if not Thursday by the latest. I’ll have to keep a top secret cap on that one until it’s complete though.. Because secret stuff is WAY more fun. Aside from that I’ll hopefully be able to let you all in on a few more secrets in the coming weeks.. For now, be rest assured that I’m hard at work and eating plenty of biscuits. Until next week!

x

 

Spring is in the air! Oh no, wait, that’s rain.

Good evening one and all!

So, my prayers have seemingly been answered and a milder air has positioned itself over the UK, or at least – Northampton. Unfortunately that just brings a lot of rain, but at least I’m not being deafened by the sound of my chattering teeth! This past week has been another busy one, and even included a trip to Siberia! Kinda..

First things first, on Saturday I paid a visit to my favourite Manchester-based comic shop – Travelling Man! The ever-so-kind Haroon has taken on stock of The Red Road in his fine establishment, meaning that all of you Mancunians can pop on in, collect your numbered edition of The Red Road and also part with some more of your hard-earned money to visually stimulate your brain with the wonder that is visual narratives, in all its shapes and forms. Look! See!

The Red Road - on the shelves at Travelling Man Manchester!
The Red Road – on the shelves at Travelling Man Manchester!

Now that’s two places in the UK that stock The Red Road, and, as always, you can pick up a copy online via Etsy too. Whilst on the topic of The Red Road, yesterday marked the occasion of it being exactly one month since launch! In the past month I’ve packed up and sent out orders to many, successfully obtained my first review and managed to get stores to stock it in London at Gosh! Comics, and in Manchester at Travelling Man. As it stands, I have 42 copies left in my happy hands ready to distribute to any awaiting readers! In just under two weeks I’ll be hoping to sell some comics, postcards and other goodies to fellow students at a student market at the University Students Union, so keep your fingers and toes crossed everyone!

In other news, I’ve been making progress on a sci-fi themed narrative that is being shown via selected images and 3D objects, ready for a University exhibition on the 19th March! The exhibition is based on the theme of ‘Machines’, and us Illustration bunch plus some elective graphic design students are hosting our own exhibition on campus with our varying interpretations of the word machines. Naturally, I wanted to do a comic, but given the time constraints and exhibition end-goal, I’ve constructed a story around this theme, and a few key images will be displayed at the exhibition which may then lead onto a short story comic if I decide to take it further! For now, I’ll leave you with this sneak peek.. Can you tell what it is yet?

My biggest fan..
My biggest fan..

Ah yes, I mentioned Siberia at the beginning of this blog, didn’t I? On Saturday, aside from the Travelling Man fun, myself and my other half took a trip to the Manchester Museum to see their special exhibition on Siberia! After diving into Colin Thubron’s In Siberia a few months back I’ve found myself fascinated with this obscure place that’s one and a half times bigger than Europe (WOAH, right?!). Although I realise this is far from illustration-related, the exhibition is really interesting and definitely worth a look – it’s on until Sunday 1st March. I did spend a happy few moments trying to draw taxidermy lemmings at the exhibition too, so maybe keep an eye out for some lemmings creeping into my work at some point.. Alive ones, that is. The one saddening fact is that the Manchester Museum gift shop really lacked, so if anyone knows of any excellent books on the folklore and mythology of Siberia then let me know!

Finally, the creation of a zine amongst two of my fellow illustrator classmates (one of whom you can check out her Tumblr here) is coming along nicely! I mentioned previously that a university project led me to interview Hannah Berry, which will be super exiting to have her answers back in the coming weeks, but tonight I also sent off some questions to Northampton based comics creator and illustrator Melinda Gebbie, husband of the infamous Alan Moore! Fingers crossed these two interviews will be able to fit into our zine/journal nicely, with lots of other ideas up our sleeves. Fun times! Anyway, I think that’s it for now! And as my last piece of advice for this chilly Monday evening.. Don’t listen to what writers for The Guardian have to say, as they clearly don’t know where to look for excellent work. Thankfully, you can always rely on the comics creators picked on in such articles to have an excellent sense of humour. Over and out! x

Scott McCloud, our hero.

 

It’s Printing Time!

Good evening ladies and gents!

So, I have big, happy shiny news that glistens in the sunlight (though not like one of those weird Twilight ‘vampire’ things..). It also scares me somewhat, but I’m just going to ignore that for now:

My comic, The Red Road has evolved over the past few months. It emerged as from a single idea, from there is became lines and paint on numerous pieces of paper, and then to the long process of editing and piecing together on a screen. And finally, as of this week, over to the local printers who are finishing the process by making 100 beautiful copies. Printed onto an off-white eco-friendly paper, with perfect binding (i.e. stapling), The Red Road will be in my warm and loving arms by Thursday!

Ooo

Preview2

Preview3

Like anything created and then thrown out to the world, it is a anxious time.. Although this time it’s worse – financing the printing has been an odd feeling, one of which started very happily and then as time has gone on in the past week I’ve started wondering what on earth I’ve done. Y’know, the usual happy thoughts! Thankfully, after only a couple of meltdowns I’m ready to go and just waiting.. I’m usually pretty good at being patient, but now I have a dent in my finances I just want to see what happens!!

Anyway! Down to the important business.

I have rejuvenated my Etsy shop which you can go have a look at here >> https://www.etsy.com/uk/shop/rozihathaway

It is looking a little empty at the moment, but I’m working on it! From Thursday The Red Road will be available for purchase from here for the grand, epic total of £6. Each copy is numbered out of 100, and will be posted out in it’s own little cellophane envelope and board-backed packaging to ensure that it arrives in perfect condition. The comic is A5 in size, and as previously mentioned printed onto recycled eco-friendly paper at a weight of 140gsm. To read more about the story itself please look at my previous post here!

Anyone who parts with their hard earned cash to purchase something that I made is a hero in my eyes, so thank you to anyone who is interested in my work. It’s a never-fading compliment to have a story I nurtured and put so much into sitting in someone’s home, making people smile. This story is close to my heart for many reasons, but working with these characters for all this time I really can’t wait to see and hear what people think. So, before I get too soppy, head on over to my Facebook page and enjoy the daily countdown starting from tonight.. See what happens tomorrow and I hope you’re all as excited as I am! For now – laters! x

Looking Forward

Good afternoon homies,

So, the turkey has run out and the mince pies are slowly vanishing, and Christmas is well and truly over. Next stop, New Year! This strange void between Christmas and New Year seems to be a time of self reflection, and particularly for myself, looking back at the last couple of years brings me to a rather scary cross-roads. 2012 was the year I succeeded in getting accepted into University, 2013 I had my first exhibition in Northampton and spent 6-months working on HOAX: Psychosis Blues, and in 2014 HOAX: Psychosis Blues was launched alongside the theatre show and signings in both Manchester and London. As I sit here looking back, I can’t help but feel a little anxious as to what 2015 will bring. Will I continue to charge ahead and find a way to successfully launch my own comic? Or will I fall at the first hurdle? An analytical and creative career such as illustration has the ability to make you feel constantly on edge. Whilst having a yearly catch up with my dear friend Katie earlier, we discussed the cross-roads of being in our mid-twenties and where to head next. Really, this is a crucial time. Crucial, exciting, and terrifying. Ahhhh!

Anyway, on a lighter note, a promised post with more of an update than my last. This festive season I offered to design my parents Christmas cards based around their passion for the dog breed, English Bull Terriers. They’ve rescued two from unhappy homes in the past, most recently Jack the Dog who seems to be oddly comfortable in almost any sleeping position possible. So, I decided to use a clean line drawing with limited colour, mainly to save on printing costs as I added colour by hand afterwards. They seemed very happy with the cards and I’ve had a few compliments since, so I figure it was a success! And from that, and making my own Christmas cards year sent out to family and friends, I will be looking at selling cards online in the foreseeable future, by summer at the latest and going forward. Yippee! The card designs are pictured below;

Bull Terrier Christmas Cards
Bull Terrier Christmas cards for my parents…
…and my own quick Christmas card design for this year, last-minute thrown out towards unsuspecting friends and family.

 

I think one thing I’m definitely aiming for in the coming 12 months is a larger online presence, point and example being an online shop. In Andy Oliver from Broken Frontier‘s eternal wisdom (in this article – How *Do* I Get Coverage for My Self-Published Comic?), to have reviews you need a website, and a place for people to BUY your work from. So whether I’ll build something through this website or whether I use Etsy, I have some important logistical decisions to make when I return back to Rozi HQ. Another thing I’m considering is how to publish my comic, whether to sit at the uni laser printers for hours on end to keep costs down, or to go to a printers and have my work professionally printed. Though, with that costing an arm and a leg, something like Kickstarter may be my only choice. In other words, I have a lot of thinking to do. Maybe I should have another slice of Christmas cake first, though..

In the past month or so I’ve also been making personalised Christmas gifts for friends, which has included painting on mugs which is something new! Looking at Isabel Greenberg’s ceramics, this is definitely something I could get on board with, as they really do make nice gifts. Unfortunately I have no pictures of the mugs, or the mini-comic pages I made, but I have plenty of ideas for upcoming items to sell. Anywho, I believe that’s it for now. The fire is crackling away and the dog is snoring, how peaceful! To all my marvellous readers, I hope you all had a wonderful festive time and a marvellous New Year! Here’s to 2015! x

Season’s Greetings

Good evening folks!

Well, well, well. It’s that time of year again. The university deadlines are down from a long list to just one more presentation, and I’ve been gradually wrapping the stockpile of gifts I’d been hiding in my wardrobe for months. Having a Christmas with no immediate project work to attend to means I’ll be happily filling myself with mulled wine and turkey for about three weeks, before it all starts up again of course. Time flies when you’re having fun! Or stressed.

So, I have been a busy bee working on several things at once, but last week saw the completion of my graphic short story that I submitted for the V&A’s Illustration Awards 2015 in the student submission category. Although, I won’t lie, the V&A was just a formality and university requirement for this brief. I couldn’t wait to write and draw my own story with so much time allocated! The story itself is hard to summarise, though my best attempt would be this; Influenced by the text ‘To Walk The Red Road’, a Native American poem by an unknown author, I developed a story based on a young woman and her spirit animals – Bear, Coyote and Lark. The story is about a physically and mentally arduous journey, ascending up the Rocky Mountains; exploring themes of violence and sexual abuse, alongside companionship, bravery and areas of Native American beliefs. Here is an obligatory snapshot:

The Red Road cover
The Red Road cover
Oooh.. shiny.
“What’s going on there?” – I hear you cry!

 

This project was my baby from start to finish, I absolutely loved it. Never before have I had the chance to really cultivate my own story for such a length of time, and with all the practise I made myself do over the summer with Lost and Found, and then the Christmas Tale, I finally had a chance within university to put it all to good use. I started with the poem, and then came up with some ideas that I wanted to include in the story, and then slowly but surely put the story together. From there I wrote it out into a graphic novel script, and after some sketchbook work and a mock-up book with my thumb-nailing I went straight to paper. The story is a total of 24-pages, not including the covers and somehow I managed to write and create the whole thing in 8 weeks. Nifty, eh? There are some logistical kinks that need working out, and I need some willing un-biased readers to give me their opinion on the content, but all going well after editing I’m looking into getting this story printed to sell. How exciting! It’s a new kind of nervous for me – I’m used to having my drawings thrown in peoples faces for judgement.. But writing? Well, apart from waffling on here and there, crafting stories is only something I’ve been practising in the last year or so. Let’s hope people like it!

Aside from this project I’d been working on a few other things but nothing I really felt as passionate for as this. Most of my university assessments are well under way and I’ll be looking forward to some nice, positive (hopefully) feedback from tutors over the winter break. Going into term two of second year, I believe the evil ‘D’ work is going to start being thrown around.. Dissertation. Eurgh. But on the positive, hopefully there will be lots more projects I can sink my teeth into and really make into something I love. Anyway, I will be around and updating things a bit more over the holidays so keep an eye out for more updates! Over and out x

 

Bruxelles

Well, what a busy fortnight it has been! I was hoping to get an update posted last week but time just got away from me yet again, but the good news is following my return from Brussels, the city of comics, I have LOTS to discuss. Get comfy!

A few months ago I realised I was becoming somewhat.. stale. I’ve spent the whole summer working either picking up extra hours at the paid job, or working morning till night at home on comics, sketchbook work, one-off pieces and most recently a children’s book. Before that, University had been very intense with a high-workload and quick turn-around, and before that I’d been working on HOAX: Psychosis Blues for six months. So, in early July I decided I needed to refresh myself and do something I’ve missed doing in the past year or so; travel. So, I booked my £10 Megabus return ticket to Brussels, booked a nice looking hostel to stay at near the city centre, and carried on with my day-to-day tasks – but with that quiet excitement in the back of my mind that I was going to be escaping all forms of home-comfort and routine for 48 hours. Bliss! As the long summer break drained away and second year of my degree course looming, my city escape arrived and on Wednesday I packed my things and travelled by train, underground and a 6.5 hour coach journey pondering the meaning of life, drawing, education, and most importantly what I was going to find for dinner that night.

Brussels itself is a beautiful city. Much of Brussels beauty and grandeur comes from a history of exploitation and slave trade regime led by King Leopold II of Belgium around the late 19th to early 20th Century, which in itself I didn’t have time to look at too deeply though there are numerous museums around documenting the history of Brussels. However I was there to look at all things comics, in which I managed to fit in as much as I physically could into the 48 hours I was there. First on the list was the infamous Comic Book Route of the city, in which there are over 50 murals around the centre and surrounding areas. I didn’t manage to see every single one, but starting at 8am I made my way around over 25 pieces of street art, the majority being from the comic route. The route itself has huge pieces of artwork on the sides of buildings dedicated to the legends of the comic book industry who originated from Belgium, and the capital of bande dessinée. These include Hergé (Tintin), Marc Sleen (Nero), Morris (Lucky Luke) and André Franquin (Gaston), amongst many more. It was quite something to see these incredibly bright murals around on the streets, something that the rest of Europe seems to embrace yet the UK sadly doesn’t.

 

After walking part of the route, I looped back round to end up at the Centre belge de la Bande dessinée to which I spent many, many happy hours. The Belgian Comic Strip Centre is in a converted Art Deco building, and upon ascending the flight of stairs you have a small exhibit on the history of comics, explaining the links to ancient cave markings and the Egyptian’s narrative sequences, etc. Next is a big exhibition on the development of comics, showing originals from European comic artists from scripting through to thumbnails, sketches, pencils and inks. It was absolutely fascinating, to the point in which I walked around it a second time when I’d finished to make notes. I was just blown over that such a place exists with no mention of Marvel or DC, and these incredible original pieces of art with varying techniques and the hidden look into how other artists work – I could go on forever (but I won’t, do not fear). Next up was the gallery exhibit of Madame Livingstone by Barly Baruti & Christophe Cassiau-Haurie which is a graphic novel based around Africa during WWI. The artwork is beautiful and I almost bought a copy – but due to the length of the book I’ll await patiently an English translation. There is also a large ‘Wonderland of Comics’ permanent exhibition which I happily spent a long time looking around, a history of the place itself and a really nice Tintin exhibit. Finally there is a temporary exhibition, ‘100 years in the Balkans‘, which was incredibly moving. All in all, I could have easily spent the day there, I definitely recommend it as an excellent place to go. After a somewhat failed mission to travel slightly out of the city to see an indie illustration exhibit which was closed when I got there, I headed back to the centre to visit BOZAR; otherwise known as the Centre for Fine Arts, I went to see a travelling exhibition of Jacques Tardi, featuring original artwork from his documentation of the First World War. “Putain de Guerre !” (Goddamn this war!) and “C’était la Guerre des Tranchées” (It was the war of the trenches) shown with the black and white artwork next to the coloured final pages. They were nothing less than brutal in showing the war in all its unpleasant horror. Although it was all written in French, there are English translations available to purchase, but I have my eye on a special edition out later this year. Thankfully the small amount of French I do know helped me to understand parts of it, and piece together what I didn’t know. On Friday I also went to another centenary-based exhibition at the Bibliothèque royale de Belgique entitled SHOCK! about the chaotic weeks leading up to the beginning of the First World War and Germany invading Belgium. Part of the exhibition focused on the different world we live in now, with how stories are communicated to the masses and how it is completely different to back in 1914. The newspapers and editorial illustrations they had on show were really eye-opening, it was incredibly interesting. Moving on to cheerier topics, I had just enough time to fit in MOOF – Museum of Original Figurines – before I had to depart back to Angleterre. There is a clear focus on kids at this museum which was to be expected, and it’s a really fun place even as an adult. Hergé and Tintin have quite a chunk of space dedicated, as does The Smurfs, with others such as Asterix and Obelix being more for show than for information purposes. There is also a great section on the animating of the cartoons with original artwork too!

Original artwork from Philippe Francq

Oringinal resistance artwork from the 100 Years in the Balkans exhibit
Tintin at the MOOF

With the short time I had I still managed to fit in an overpriced waffle from Grand Place and some delicious frites avec andalouse, plus with some chocolat and bière bought back for my loved ones I consider it a successful visit. I also had enough time to visit Brüsel, a large comic shop and gallery space in the city which had an impressive indie collection and also an English translated section. I managed to be very well behaved and only come away with three books, all in French! So monetary-value to time, given how long it’ll take me to translate it with my small knowledge of the French language its definitely money well spent. I picked up The Adventures of Tintin vol. 12, Le Trésor de Rackham le Rouge (Red Rackham’s Treasure) as it features this really cool submersible ship/vessel that’s looks like a shark. I also picked up Labyrinthum, a quirky little book based on the eternal labyrinth, and finally the pièce de résistance of La Théorie du Grain de Sable, which I was drawn to with the incredible artwork and the use of spot colouring white on beige paper. This book, it turns out, is one of several from a series called Les Cités obscures (The Obscure Cities) created by Belgian comic artist François Schuiten and writer Benoît Peeters, in the early 1980s. The set of graphic novels is based in a parallel universe featuring cities similar to some on earth, including Brussels and the Palaces of Justice. Again, it’ll take me who-knows-how-long to understand it all fully, but the pages are absolutely beautiful (see below).

Les Aventures de Tintin – Le Tresor de Rackham le Rouge
Marc-Antoine Mathieu’s Labyrinthum

And now, back to reality. I’d do it all again tomorrow if I could, but now my taste of adventure is back I’m sure it won’t be long before I escape somewhere else. Alas the summer is drawing to a close with University starting up again next week. So, it’s time to mentally prepare for the stress-induced panicking and how I’m going to juggle my time. I had every intention of entering the Jonathan Cape Graphic Short Story Prize competition, but after stating it before I went to Brussels, I realised that it was never going to be anywhere near good enough with the short amount of time I’d given myself. So, there’s always next year. For now I have plenty of other less-pressured side-projects to keep me occupied and hopefully developing my skills also as I go. Anyway, I think that’s it for now. I’ll be sure to update as often as I can with Uni starting back up again, though for now.. À bientôt! x