So, another week has passed and another comic is under my metaphorical belt. It’s been a strange time of finishing up projects that have been ongoing for several months.. The Yearbook story below, I wrote in January, pencilled up ideas by February, and then it’s taken three more months of dipping in and out (alongside finishing Cosmos and a piece for Dirty Rotten Comics 10) to get it done. Needless to say, I’m looking forward to having a totally clear schedule for a little while to wind-down and collect my thoughts.
Almost-on-time as promised last week, my short four-pager for the Broken Frontier Small Press Yearbook 2017 was completed this weekend (with a tiny bit of work done to finish it up on Monday night) and sent over to the man in the hat, Broken Frontier‘s Andy Oliver. Launching this summer, you can find out more about the book directly from the website – but for now, here’s some sneak previews of my story:
I’m incredibly honoured to be a part of ‘The Inking Woman’ exhibition. It’s a vibrant, empowering collection of works that show the humour and passion that women have drawn on over the years; powerful illustrative and narrative work, that surpasses trends and time.
Small press sensation Rozi Hathaway is making quite the name for herself on the indie scene with her beautiful, through-provoking, poetic style. With a dreamy mix of painted artwork and minimalist story-telling, her latest book Cosmos And Other Stories was launched at Leamington Comic Con to critical acclaim, so we caught up with Rozi to find out more about what inspires her highly personal style of comic.
Finally, the special edition Dirty Rotten Comics 10 will be out in the next few weeks! The pre-orders haven’t gone up yet, but I’ll let you all know when they do as they’ll be featuring a whole host of specially selected creators – the first artist reveals went up yesterday with Alex Potts, Jey Levang and fellow Good Comics‘ creator Josh Hicks announced.
And that’s all for now! This weekend will see me having some well needed time off, but nevertheless I will be back next week with answers to questions such as.. What’s next? Have I indeed run out of ideas? Did I actually eat all those Oreos? Until next time!
So, Easter has passed us and I have successfully eaten my body-weight in all the good things; Easter eggs, Easter cake, Easter roast dinners and Easter.. cheese? Regardless, I have now lethargically thrown myself into the new week ready to tackle some more serious and important comic business.
As you can see I’ve also been playing around a bit with panel borders in this comic, similar to effects I’ve tried in the concluding pages of Njálla and first back when I made Afloat for the Broken Frontier Small Press Yearbook 2016. It’s been a fun one-shot short comic to make, utilising some of the skills I’ve played around with previously. Hopefully it goes down well!
Also, next week sees the launch of The Cartoon Museum’s new exhibition The Inking Woman on Wednesday 26th April! I’m heading down especially for the event, so if you’re around central London you should definitely check it out. There will be original artwork on display from myself and many other female British creators. There’s not a huge amount on the website about it, but you can keep up with The Cartoon Museum’s progress in the run up to the exhibition on their Facebook Page and Twitter.
So, another week has passed and I’m getting used to my new working schedule – huzzah! I’m even somehow managing to keep productive despite slowly melting in this unexpected English heat. The good news is that as I’m writing this the humidity has actually dropped down to 38% from our usual balmy 80-90%, though I’m sure it won’t last for long.. But this beautiful sunshine today perfect for working on the bright summery colours for my entry to kuš! comics, so I’ll enjoy it whilst I can.
As you may recall from last week I was just finishing up inking the final few pages before working on the colours for my BFF themed submission. Usually I come up with my colour scheme before I even start drawing up the roughs, but this time I threw caution to the wind and figure out the colours as I was going along, and picked the final swatches far later on. Here’s a little taster of the colour palette and progress on how I get the spreads figured out:
Mini-spreads galore, with VERY rough digital colours.
Working back into some digital rough colouring.
Yep, my practice colours look like a child going nuts, but as it only acts as a guide I’m usually safe in the knowledge that no one sees this stage. But y’know, you guys won’t tell anyone.. Right? The next step for me is to put these very rough colours into painterly practice on some photocopies, just to make sure it all flows as I want it to. From there, as long as that all looks good I’ll carry on to the final pages and work my way through those. Long-winded, huh? But it works! Keep an eye out next week for some painting progress..
In a more sneaky kind of news, work has continued on the design of the covers and inner pages for Sneaky Business vol. 2! For the most part I want it to keep the original vibe of Sneaky Business vol. 1, but bigger and better. I’ve also been tagged in a handful of sneaky progress shots for SB from the likes of Alex Hahn, KLY R and more, and if you want to keep up with it all be sure to follow me on Instagram or Twitter for all the updates as they happen. I already have 4 comics finished and submitted by some awesome small press creators including the infamous Danny Noble, so in case you haven’t quite guessed from this past paragraph: Sneaky Business vol. 2 is going to be seriously good. There is still two and a half weeks to submit your 1-2 page sneaky comics, so come and join in the fun! All the details are available here.
Finally, thanks to all those who came to visit the NN Table Top Sale this past Saturday at NN Contemporary here in Northampton. I think we were all relieved to find the event moved inside given the gales and rain (it’s August in England, and far too much of a common occurrence). I was sharing a table with the very talented Naomi Rose Johnson, and although it was a pretty quiet afternoon it was still pretty fun! As far as tabling and appearances, that’s it now until 1st October at Bristol Comic & Zine Fair, so time to focus on getting these comics done and Sneaky Business edited and sent off to print! You’ll all be glad to know I have plenty to keep me busy, so keep an eye out next week for further progress on my colourful kuš! comics entry and more. Until next time, peace out.
So, it’s officially done and dusted. On Friday I graduated with First Class Honours from the University of Northampton and I have a mass of sketchbooks, folders and one certificate to show for it. Although I’ve pretty much been finished up for a month now, but with the likes of D&AD dividing up the time before graduation it definitely feels over now. Onward and upwards, right?
With some good news to kick off my new career of post-graduate-struggling-illustrator, my short 4-page comic Sørgedag has been accepted in to the next Dirty Rotten Comics anthology! I mentioned my process and work on the comic a few weeks back, and I really enjoyed trying something a bit different. I created the comic in both colour and black and white, so the black and white version will be published in Dirty Rotten Comics #8 around mid-August with the colour version being released as part of a compilation I’m working on later in the year. With almost a year since Rejsenwas published in Dirty Rotten Comics #5, I shall hopefully be part of the furniture in terms of the Dirty Rotten Comics anthology contributors soon..
In other news, as a part of my mass of submissions I’m doing in the next month for various anthologies and collections, I ticked one off the list yesterday in the form of a single page illustration for the Illustrated Woman in History zine. It was a hard choice, with so many interesting stories of women in history, especially with stories like that of Jeanne Baré who is noted as the first woman to circumnavigate the globe, and did so disguised as a man. However, ultimately with my soft-spot for astronomy and space sciences I went with Valentina Tereshkova – the first woman in space. Here’s a peek!
As the flight itself lasted three days from 16th June 1963 I went for a bit of a retro vibe, and I painted my first ever space scene which didn’t turn out to look like some slushy mess, which was kinda nice (I won’t tell you how many attempts it took yesterday, but let’s just say I have a pile of paper recycling). Submissions for the Illustrated Women in History zine are open until 31st August, and you can find out all the information from the website.
Finally, last week I also stretched my illustrative muscles into creating a recipe illustration for the first time. Whilst trying to expand my repertoire, it’s also been fun to try out these new things – also making things flow on a page in this way is pretty similar to how I approach comics. For this first attempt I drew up Chicken Tortilla Soup which is one of my firm-favourites; cheap to make, I can throw it in the slow cooker and forget about it for 6 hours, and then freeze vats of the stuff for meals throughout the month. Delicious! You can check out the recipe here if you’re interested, though I kinda tweaked it and made up the measurements (I’m English. Cup measurements make no sense); I obtained my cooking theories from my highly skilled mother – just chuck enough in until it looks about right.
I have to say, I was pleasantly surprised as to how nice it is to paint a garlic clove. Who knew! So that ticks off another area of illustration that I’ve wanted to try for a while, and I’ll add it to the commissions pile in the hopes of getting some new work from it.
Anyway, that’s about it for now! I think this week is the most jumbled of blog posts I’ve had for a while – from comics, to vintage space, to soup. Next on my list of things to do is a 4-16 page comic story I need to write and script out for another upcoming anthology submission.. How exciting! Have a good week everyone, and I shall be back with all the gossip next week. Until then, over and out.
Created as a submission to Dirty Rotten Comics #8, Sørgedag is a four-page comic about loss and mourning. Set in the open countryside of Norway I utilised textured paint to bring a different feel to this comic, and keep pushing how I look at creating narrative. Created in both black and white and in colour, the black and white version is published in DRC #8, with the colour version released as part of a compilation later in the year.
“I was also really impressed with Rozi Hathaway’s Sørgedag, a tale of grief and loss that utilises many of her trademarks whilst still looking different to her other work as a result of the textured paint she used. Striking and sombre in black and white, watch out for a colour version in the future.”
So, the Christmas cake is dwindling and I’ve eaten my bodyweight in turkey.. It must be that limbo between Christmas and New Year where I’m not quite sure what day it is and what I’m supposed to be doing, with what feels like a brain full of cranberry stuffing. With that in mind, I thought this would be the perfect opportunity to reflect on a successful 2015 (as it doesn’t take much brain-power, thankfully)..
The Red Road! My first solo comics project was released on the 15th January 2015!
With three positive reviews, I couldn’t be happier or prouder of my first plunge into self publishing.
The Red Road – on the shelves now!!
The Red Road – on the shelves at Travelling Man Manchester!
The Red Road made it’s way up to Leeds!
And into Birmingham
Down to Your Skivvies zine
.. including a comic!
‘Machines’ university exhibition
‘Mennesker er Underlig’, playing around with zine shapes and forms.
Takeover 2015! My first selling experience.
A Bit of Undigested Potato edited by Keara Stewart..
… and my piece “Locomotion”
Looking rather windswept in Manchester in front of Travelling Man’s window!
A gift for a new family member
CECAF Saturday 6th June 2015
The Broken Frontier table @ CECAF
Top Secret Project, a 10 page comic reached completion in August, more details announced soon..
Last year’s contributors
Sneaky Business now at Orbital Comics
My ‘Rejsen’ comic is published in Dirty Rotten Comics #5
My ‘Share a Bird’ project landed at Eastfield Academy!
.. for a Purple Journal article/essay Toward Portland
Second Edition of The Red Road released November 2015!
I was asked to be a part of the first Dead.. Singers Society
.. and I created this piece of Muddy Waters
73b never looked so good.
Thought Bubble 2015
Work-wise, it’s been a fantastic year. Of course we can’t have it all, and this year wasn’t without it’s fair share of difficulties, with a small health issue of my own in the first few months of 2015, a friend’s recurring battle with cancer (fingers crossed, all looking good this time!), and the very quick and unexpected loss of my uncle in August. It’s all too easy to have regrets and feel as if being too work-centric has left me with the loss of valuable time before it was too late, but, all I can do it look back on the positives.. I have learnt a lot about the way I work in the past year, and I can only hope that my storytelling and comics work is going from strength to strength with each piece completed. Also, my work on illustrations without narrative has improved tenfold since this time last year, and I have dedication and tough marking at University to thank for that.
In all, there’s a lot of people who have helped and supported my work in 2015, and I couldn’t name them all if I tried – but to everyone who has ever bought a piece of my work, a comic, a postcard or even just had a chat at a convention, thank you. Thanks to Andy Oliver at Broken Frontier for naming me one of his Six UK Small Press Creators to Watch in 2015 and for continually supporting and championing my work, helping me with advice when I’ve asked, reviewing my work, and getting us six seen at CECAF. Thanks to Keara Stewart for asking me to be a part of A Bit of Undigested Potato, my first ever anthology comic, and inspiring me to not only take on my own project Sneaky Business, but also for giving my the confidence to apply for Dirty Rotten Comics. Big thanks to my Sneaky Business folks for happily creating work for free, which now sits on comic shelves around the country! Thank you to all those comic shops, Travelling Man Manchester, OK Comics in Leeds, Orbital Comics in London, Gosh! Comics in London, and Nostalgia and Comics in Birmingham for having my work on your lovely shelves. Thanks all the lovely people I’ve met along the way at conventions and selling events, and a special mention to Van Nim and Richy K Chandler for being so wonderfully entertaining at Thought Bubble and keeping me sane. Thank you to my ever patient partner Chris for bring supportive and understanding, to my flatmate for being the best at bouncing ideas off (and supplying me with Jack Daniels), my family, and the supportive bunch of friends I have near and far, so understand when they don’t hear from me for months on end. And, all you readers! You lovely readers, you.. Putting up with my waffling week after week, and making me feel popular. Here’s to 2016 and all the exciting things to come!
I shall be back next week as usual, probably mid-dissertation, in the run up to painting the Laydeez do Comics window display at Gosh! Comics. Woohoo! There is a LOT of exciting things coming up in January and early-February, and my work will be pretty much non-stop. But it’ll be worth it! I’ll have more information on how the year is shaping up next week, but for now I hope you all had wonderful seasonal festivities, and have a Happy New Year! See you next year..!
Well well well, it’s almost that time of the year! We are four short days away from the joy of family, feasting, and being propped up in a corner after many glasses of wine. Lovely stuff! Although I always look forward to the Christmas break, it’s felt particularly needed this year.. With a stressful term one of the final year of university down, only two more to go until I graduate. It’s not all tinsel and puddings in the next few weeks, mind you; I’ll most likely be writing the majority of my dissertation over the Christmas break and I have a few other things to do before returning to lectures in the cold and dark reality of January. But, in the spirit of not wishing time away, all that nonsense is in the back corner for now. Phew!
My usual update last Wednesday had to be delayed due to assessment, but that means that I now have even more to tell you all! First up, you may remember the commission I did for the Hope Centre a few weeks ago, for their Christmas appeal. Well, it took a little while but I finally got my hands on a printed copy of the newsletter featuring my illustration. How exciting!
It’s been really nice to see my work in print. I mean, comics-wise I’ve had a pretty dang awesome year and drawing for narrative is my favourite thing to do. However, working on an editorial piece like this and seeing it out there in the world is a rewarding moment and important for my portfolio. Rejoice! The Hope Centre in Northampton, as I mentioned in that previous post is an important charity. If you fancy helping them out at this rather cold time of the year, head over to Just Giving and their Hope for Christmas campaign.
T : Something I’ve noticed about your work is that, in each case there seems to be a uniting sense of journey. You have a lot of movement through spaces, establishing shots and interactions. There’s also a nice echoed mapping of movement in the visual pacing of the panels and the unfolding nature of it also reflects the way the formation of the narrative itself works. These things surface, and it can be seen as a sign of connection with the medium. How much of this was a conscious decision, was it all planned?
R: I’m very interested in pacing with comics; how movement through a story can be subtly distorted and played with. It’s not really something that can be done in other mediums, so it’s been great to play with it as much as a story allows. It was particularly relevant in The Red Road, as it’s based around the poem which has a similar movement through time, or more lacking any specifics of time. Part of it was definitely a conscious decision, though I’ve learnt a lot more about pacing with every new comic I create.
The Rejsen submission I made for Dirty Rotten Comics was completely incidental, it was more just a reflection on how many different places you end up sitting, standing or waiting on a platform during years of travelling by train to Manchester. The movement in comics and playing with time is still something I’m getting to grips with doing. It’s a constant learning curve!
In other news, as I mentioned in my last post, I went to my first ever Laydeez do Comics event held in Gosh! Comics in London last Monday! I didn’t manage to get any photos as I was so enamoured with listened to two such inspiring individuals talking about their work; Rachael Ball and Mike Medaglia. Mike started with talking about his work from the past few years leading up to now, with his success of One Year Wiser – the hugely popular book of 365 illustrated quotes and mantras, the subsequent One Year Wiser the colouring book, and his latest venture of creating comics for the Mindful Life Illustrated on Elephant Journal. Go Mike! Next up speaking was Rachael Ball, the creator of The Inflatable Woman, an einspiring tale of one woman and her life experiences after being diagnosed with breast cancer. I’ve not had a chance to read The Inflatable Woman yet, but Rachael’s inspiring talk about her own battle with breast cancer and how she took on creating this story from scratch was moving, and how she weighted the graphic novel with dark parts equally balanced with humour really shows her talent. And, I mean, she has arguing penguins in the story. What’s not to love? You can buy Rachael’s The Inflatable Woman from any decent book retailer, and Mike Medaglia’s online shop can be found here (though don’t bother him whilst he’s on holiday!). And of course, the wonderful Gosh! Comics have stock of both their work. And lots of other talented people. You should go pay them a visit.
Thanks to Keara, Wallis and the folks at Gosh for being welcoming as always, and I briefly got to see some ever so friendly faces before dashing through Soho on a one-horse open sleigh.. Err.. I mean.. By foot.. to get my train back home to Northampton. I’m really glad I made time to go to a Laydeez do Comics event before speaking as a part of the Broken Frontier themed event in January! Though now the pressure is on to make people believe that I’m actually interesting. Yikes! Saying that, I do have a fondness for making In Design presentations, so I can spend a happy Christmas dropping in images and making it all look rather fetching. So, as I mentioned last time, the next Laydeez do Comics London is on Monday 18th January – tickets are free but must be booked and sell out fast, so if you’d like to come and hear me stutter make sure you get yourself on the mailing list now!!
Finally, as of Friday afternoon, University is now finished for the year and I am free as a festive bird (although not really, as I mentioned at the start.. But I’m pretending for a few days)! War Horse is finished and progress on The Next Big Thing will be continuing over Christmas, and hopefully in January I might have some good news regarding the latter. For now, I’d like to wish all my readers (Hi mum!) a very merry festive season! I will be back in just over a week with an update before the New Year, potentially a compilation special looking back over 2015 and how snazzy it’s been. For now, though, enjoy!!! See you on the other jolly side!