Based on a conversation with a four-year-old, Moon is an original comics story with plenty of imagination, a look at familial relationships, and a nod the Chinese legend of Chang-e and the Mid-Autumn Festival.
…Our first port of call was to catch up with some familiar faces, and we started off with Good Comics’ Sam Williams, Rozi Hathaway and Josh Hicks who were all bunched in on a row together. Rozi was showcasing her new book Moon and this was our first chance to see it in print and the newsprint finish really made the most of Rozi’s beautiful artwork.
As a self-initiated project, I created three labels for submission to the Collective Arts Brewing call for entries. Themed around Japan, I looked at using my style of creating artwork to make something non-narrative for a change, and this is what I came up with; red maple, bamboo, and the iconic Mt. Fuji.
Unfortunately, due to timing and conventions I didn’t get this submitted in time for Series 9, so it’s just been a useful exercise for now!
Self-Care & Vegetables is an autobiographical zine detailing my recovery from the fallout of a long-term relationship, after relocating far away from friends and family.
Printed at on Cyclus recycled paper at ethical, local Manchester printers MARC, Self-Care & Vegetables is 40-pages of anxieties and progression, printed at A6 on their economical inkjet printer. Created without paint or textures, the zine was drawn with just two Kuretake brush pens.
This year’s book has the broad theme of ‘New Horizons’ and will mix comics from our first two generations of ‘Six to Watch’-ers with the usual collection of shorter tales from UK small pressers who went on to be picked up by publishers. We’ll reveal the names of some of those creators further down the line but, in the meantime, enjoy some pages from some of the 2016 Broken Frontier ‘Six’ as well as our very own British Comic Award-nominated EdieOP.
You can still order the first Broken Frontier Small Press Yearbookonline here. Pre-orders for the 2017 edition will open shortly…”
The tenth issue of the comics anthology series Dirty Rotten Comics is in full colour! Released in May 2017, with 92 pages of brightly coloured comics’ genius, here’s what the DRC guys have to say..
“In full-colour for the very first time, our landmark tenth issue arrives with a bang! With strips from some of our favourite past DRC contributors and an extra thirty pages of content, you can’t say we don’t know how to celebrate in style!”
“Another ‘Six to Watch’ artist who continually surpasses her previous work with each new offering is Rozi Hathaway. In ‘Aquarium’ (above) we witness a young girl’s wonder at the sea life she is observing with Hathaway playing with the space between panels to emphasise two worlds coming together. It’s quite brilliant in structure and is the finest piece of pure comics in the issue.”
Good art rents a room in your consciousness. Really good art plants roots in your subconscious. Cosmos & Other Stories is a piece of art does this – and also enables you to step out of your rush, rush, dopamine-fueled day and rest happy in a second of time.
A collection of a handful of comics shorts, it’s Hathaway at her economical but profound best; a book that displays that remarkable ability she has to bring us so fully into the lives of her characters with a recognisable emotional resonance.
Good Comics is delighted to announce that we will be publishing a new collection of short stories by award-winning cartoonist and illustrator Rozi Hathaway, winner of the Broken Frontier Breakout Talent Award for 2016 and author of The Red Road, Njálla and Ø. Cosmos and Other Stories examines themes of loneliness and longing, with Hathaway’s uniquely expressive and dreamy paintwork taking the reader on a journey through various cities, towns, bedrooms and celestial realms. If you’ve ever been lost in a crowd, stayed up all night to talk to someonelong distance, or felt the ache of an absent love, then this collection will speak to you. Cosmos and Other Stories will debut at Leamington Comic Con on Saturday 25th March 2017, and is available to pre-order from the Good Comics online store (http://goodshop.bigcartel.com) now!
Out 25th March 2017 | 36 pages | Perfect Bound | A5 | £6
Ø is a short 16-page story I created in August/September 2016. Originally created as a submission to kuš! comics š! #27, sadly Ø wasn’t selected to make the final cut. But on the bright side, I got to print it myself!
A story about best friends, here’s what Andy Oliver said about it..
“A wistful and tender tale that fuses the everyday and the ethereal into a magical yet familiar examination of childhood affection and loneliness. Hathaway’s always striking use of colour has seldom been as powerful and evocative as it is here.”
After the success of last year’s 12-page comics-zine Sneaky Business, October 2016 saw the launch of volume 2! This time, things were a little different. Instead of hand-picking comic buddies to take part like I did in 2015 I opened up submissions to everyone and anyone!
Sneaky Business vol. 2 is available to buy online for the bargain price of £3 from my Etsy store. It’s also available at selected small-press friendly comic shops in the UK, and will be available for sale at future comic festivals (for a full list of upcoming events, please see my About & Contact page). Limited to a print run of 100, SB2 contains 32 pages with work from 19 creators in a small and affordable package, priced as low as possible to open up comics to the casual browser as well as more seasoned comic fans. Sneaky Business is purely a platform to get together some awesome stories and expose each other and existing/new readers to fresh and entertaining work. All rights remain in the hands of the creators – the way it should be!
“There’s a great charm to this volume’s humour that makes me think of napkin doodles with friends that have been polished into something beautiful, and I think this is the kind of collection you might share with friends, to give them a reason to smile.”
“Sneaky Business #2 is indeed an extremely eclectic compilation of comics and, given that slightly patchwork array of styles and genres, it’s inevitable that each individual reader will gravitate more towards some sections than others. But that selfsame disparate line-up is also part of its charm. As is often the way with anthologies there’s only room here to cover a selection of those who contributed to this volume but at an almost giveaway price of £3.00 there’s really no excuse for not picking up a copy of a book that acts as a communal platform for so many distinctively different forms of practice all tied together by that one unifying theme.”