Machines

Good evening ladies and gentlemen!

Ahh.. What’s that I hear? That’s the sweet sound of completed projects, essays, assignments and briefs.. The sound of stress-headaches slowly dissipating and being replaced with long-nights sleep and lessened under-eye bags (well….. here’s hoping). Although it’s not time to completely breathe a sigh of relief just yet, I’m now completely on top of my workload and ahead of the curve for remaining deadlines! It’s a smug and content feeling, I must admit.

One area that I’m happy to have completed is the Machines project, which launched as a part of a University based exhibition last Thursday. Us second year students were handed this brief at the beginning of the term, all we were given was the word ‘machines’, and we could interpret it in any way we envisioned. As I’ve mentioned in previous posts, I chose to incorporate a back-story narrative with the hope of possibly turning the idea into a comic one day. I’m not entirely sure I’ll take it any further, but it was fun to try out narrative in a different way! Below are some images of the exhibition in it’s finished stages, including some work from my fellow students.

 

01/03/2026

Two years ago, the Kepler 2 Telescope caught sight of an exo-planet displaying similar characteristics to our own planet Earth. Following this discovery, a curiosity rover had been to this new planet, newly named by NASA as the planet ‘Spyryt’. Sent through an open worm-hole, the Spyryt Curiosity Rover shuttle accelerated through time and recently landed on the barren wasteland. Nobody could have expected what images started to be sent back.

The following pictures have been sent from the Spyryt Curiosity Rover, and additionally the use of 3D printing has allowed samples to be sent back digitally, though testing is still incomplete. Spyryt’s desolate, dystopian landscape is being kept quiet from the public for now, but questions are being asked. And we don’t know how to answer them…

I had some interesting feedback from my peers and lecturer, general consensus seems to be that I should have increased the size of the newspaper articles, or made more – which is understandable. It’s hard to envision an exhibition in a space before it goes in, so looking at it on the wall it may have been better to have more/larger satirical articles. On the whole the feedback seemed to be positive (I think??), I knew what I wanted to do and I executed it to a good standard, and I can’t pick fault with any particular part, but I’m definitely feeling the void of having no particular character/protagonist. I approached the brief with a comic in mind, but due to the time constraints involved I couldn’t really focus on any of the story from back on Earth with engaging characters and things like that. But hey, I take is all as valuable experience. We had to incorporate a 3D element into our pieces, so that’s what the interesting pile of dirt, rocks, computer parts and medical supplies is! That was definitely fun, and apparently it counts as ‘art’. Maybe I should smuggle it into the Tate and see if I can sell it for some obscene amount of money to fund my next comic?

Talking of comics, after seeing the lunar eclipse on Friday I thought of my characters from The Red Road, and how I kind of miss drawing them. Is that weird? I like to think that it’s an understandable sufferance; as comics people spend so many ridiculous hours drawing the same characters over and over again, they kind of feel like dear friends at the end of it all. Maybe I’m just a romantic, but I thought of Bear and Coyote as I accidentally-tried-not-to-blind-myself from the beautiful, surreal sight of an eclipse mid-morning, and felt compelled to catch up with my old friends in this quick drawing/painting;

Image (10)

I didn’t have much time to draw and paint this one, but I’m thinking of maybe doing some limited prints for the festival season (if I’m successful.. I hope you’re all still keeping your fingers, toes and eyes crossed?) if people are interested. We shall see! As the University deadlines fade into history I remember that burning passion for drawing and that I have the whole summer to draw to my little hearts content! Yippee!

Now, as referenced with my excitement last week, the zine I’ve been working on with two fellow students is almost ready to be printed. We came up with a name, just final touches and printing to be done! Now, I’m probably biased, but this zine is going to be really interesting, and you should definitely be excited to see some previews next week before I put some up for sale on my Etsy store. Also, I’ve had to make another small zine in the past week for an assignment that’s being printed tomorrow. AND I have been plotting out a small one-pager comic for another zine I was asked to contribute on from the lovely Keara Stewart, which will be going on sale at zine fairs and selected stores in the coming months.. So lots of zine business bridging the gap before I can get working on the next story!

Anywho, I believe that’s it for now! I can’t relax too much – best get back to some Uni work before I forget something critically important. Keep your eyes peeled for next week, there will be ZINES EVERYWHERE! Peace out! x

Happy March!

Good evening ladies and gentlemen!

So, it’s March already! I mainly know this as I emerged from my desk for a brief amount of time to celebrate turning 25 with a cocktail in one hand and cake in the other. True story! And yes, it was as good as it sounds.. Though, I’ve been informed that I need to cease smiling or looking surprised as the wrinkles will start to stick soon. On a cheerier note, I have lots to tell you all about this week! Where shall I start..

Ah yes – The Red Road! That pesky book I keep harassing everybody about! WELL, as I mentioned last week in my blog post, Andy Oliver at Broken Frontier has featured me as one of Six UK Small Press Creators to Watch in 2015, alongside Jess Milton, Danny Noble, Emma Raby, Alice Urbino and Adam Vian. It seems that Andy’s received quite a bit of attention from his article, and it looks like some exciting pieces will be coming up in Spring on the Small Pressganged section of Broken Frontier’s site! So, definitely worth watching out for that one – of course I’ll hold up giant, flashing neon signs to assist you all in the right direction. In also-awesome-news, the very kind Jared of OK Comics in Leeds has just taken on stock of The Red Road, so Leeds – you can now go and caress your very own copy! Although, preferably after purchasing, as I don’t think they allow non-spend-caressing..

okcomics

Further good news, is that on Friday myself and the incredibly talented papercut illustrator Naomi attended a University-led sales event, sharing a stall to sell our stuff! Given that it was a Friday, (and most students tend to be a little less inclined to attend their lectures surrounding the weekend.. Or any days ending with a ‘y’, for that matter) it was a fairly quiet few hours of selling – but the few people that did come round gave some positive feedback and I managed to sell a few more copies of The Red Road, and even some prints! The penguins print seemed to be very popular, so I shall have to make note to do more cartoony stuff for people to ‘aww’ at if they don’t know that they’re interested in comics yet.

Myself on the left, doing my very best sleep-deprived look, and Naomi on the right with her prints and papercut illustrations in the foreground!

 

All in all it was a fun day, and helped spread the word a bit! There should be some more events from October, so I shall get plenty of practise over summer, which leads me to…

Manchester! I am proud to be classed as an honourary-Northerner this year as I’m attending the indie comic event of MancsterCon! They describe themselves as follows…

MancsterCon is a voluntarily run organisation dedicated to bringing together the best of the independent sequential art scene in the North West. We organise seminars, artist meet ups and an annual convention through which we aim to highlight new talent in comics, illustration, animation and games.

MancsterCon 2015 will be held on 29th August at the University of Salford, Media City Campus. Tickets are available to buy here. If you’re interested in being a guest speaker or sponsoring our event, we’d love to hear from you!

I attended MancsterCon for the first time last year as a guest, which I covered in my blog here, and I really enjoyed the cosy feel of the event! I’m absolutely chuffed to be able to return this year selling The Red Road and other goodies, and I can’t wait to start putting together more bits to sell! You can read the announcement on their blog here, and purchase tickets here! I’m also excited to be exhibiting in the same space as the Merrick Comic guys, whose work is fantastic – I’m a bit behind the times as I only have issue one, so I’ll be looking forward to picking up the next few in August.

And finally, as I have been slowly working my way through University assignments, I’m making some decent progress with my Machines project I’ve mentioned a little bit about in the last couple of week! I don’t want to give too much away before the exhibition from the 19th (read all about it here!), so I shall leave you with one of my finished pieces for the project, which I gave you all a sneak-peek of a couple of weeks ago..

Oooh…. Machine-y..

 

For more information or to attend the event – see the Facebook page for more details! Anyway, I think that’s the latest for now.. For the rest of the week you’ll find me manically trying to get as much university project work done as possible, whilst trying not to over-caffeinate myself. Although I’ve had a very productive start to the week, so hopefully we’re all set for an excellent week. Must be the added wisdom of being a year older…. Peace out! x

Another week bites the dust.

Good evening, happy campers!

So, it’s been another productive week at Rozi-HQ. More postal orders have been shipped out to some lovely folks around the UK, and even to the land of the free over in the USA – thanks everyone! Special thanks to Andy Oliver for his relentless promotion of The Red Road, alongside his wonderful article I mentioned last week. All the feedback I’ve received has been glowing, and I’m really pleased that people have enjoyed the envelope doodles I’ve been sending out with postal orders. I’ve also received my first feedback on my Etsy store, yippee! It’s all very exciting, and slowly the manic pace of launch and getting out the first bundle of orders has slowed down to a steady trickle, and back to reality I shuffle.

Envelope doodles, woooo!
Envelope doodles, woooo!

In the interest of new and upcoming things, I spent a very happy morning in the university print rooms on Friday morning creating mountains. That’s right. I’ve been making MOUNTAINS. Well, prints of mountains.. At the ol’ University, we not-quite-blindingly-stressed-yet second year students have two practical projects going at the moment, and I thought I would make the most of the free print-room facilities by making some collagraph prints to use for both of these projects. Now, for those of you who are unaware of a collagraph print is, you basically make your own ‘stamp’ with card or board, by adding textures or cutting into it. You then get your groove on with some oil based paints, mixing them up and rolling them on like there’s no tomorrow – followed by rolling the ‘stamp’ and some damp paper through a hefty printing press to make wonderful looking things that take a couple of days to dry. I made two different sets of mountains, because quite clearly I have an ongoing obsession theme with mountainous scenery and I wanted to use them in both projects. So, here we are;

Red, texturey mountains. Textury is a word, right?
Red, texturey mountains. Textury is a word, right…?
Working space! Making mess..
Working space! Making mess..
Green Welsh mountains!
Green Welsh mountains, fancy.

These prints will be digitally collaged up with some proper pen and ink drawings, as per my usual style! As these two projects have no room for comic making, I thought it would be a great time to test-drive using some different techniques in my work to set it apart from every other pen and ink reliant like myself. Hopefully, if in reality they will look like what I perceive in my head, if not better, then I will be one happy bunny. Apart from that, I can’t tell you any more otherwise I’d have to.. Nah, I’m kidding. But, all will be revealed in the coming weeks!

Also, in more exciting news – for a separate project at university I’ve been in touch with my fellow HOAX‘er Hannah Berry who is kindly letting my interview her! Now, if you don’t know who Hannah Berry is, you can check out her work here, and you should definitely buy it. Buy it all. She works in a very distinct style, reminiscent of Belgian and French comic artists, much different than mainstream comics illustrators here in the UK. There’s something very unique about her style, and as she’s also a fantastic storyteller I am very much looking forward to her responses to my nerdy-art-student questions! The interview will be primarily printed for this particular assignment, but if I remember to share it I’ll pop some extracts up on here.

Right, I think that’s it for now. Remember kids, tell all your friends and family about how awesome comics are, and THEN point them in my direction for a copy of The Red Road. We’re not all just about superheroes, right? Keep an eye out for another weekly update in, well, about a week’s time for more exciting (potentially) news! Peace out x

The Red Road

Good evening ladies and gents,

Well, what a week it’s been! Following my last post, everything went incredibly smoothly with releasing The Red Road on Thursday 15th January. Any concerns or small worries I had floated away on a magical, comic-filled cloud when I got to the printers and laid eyes on my big box of books. Huge thanks to the folks at Hampton Print in Northampton who were absolutely fantastic and helped me through the whole process. As much as you think you know how to set up a comic, something always comes up – thankfully the printing experts at Hampton have made my comic look wonderful, and I jumped for joy when I saw how the recycled off-white paper added new depths to the story geeked out over the paper quality.

Check out that recycled paper.. Ooft. Warms the soul!

I’m very lucky in that the majority of people who requested a pre-order paid up swiftly, so off to the Post Office I floated – armed with doodled envelops – and now nummerous copies of The Red Road are in their new homes, each numbered and packaged with love. Also, I’m incredibly lucky to have had a very swift review from Andy Oliver over at Broken Frontier! You can read the whole article here. It is a very strange feeling reading a review about yourself, it was an equally exhilarating-yet-other-worldly experience when Broken Frontier reviewed HOAX Psychosis Blues, and I feel incredibly honoured to have received two such glowing reviews from Andy, and his tireless promotion of The Red Road since posting the article has been outstanding. I keep having to pinch myself to check if it’s real!

Stunningly rendered, and painfully beautiful in its own way, The Red Road is an outstanding debut print offering. Keep your eyes on Rozi Hathaway’s work this year because she’s one of half a dozen or so names I have on my list of self-publishing talents I believe will make the next step up in 2015.

Andy Oliver, for Broken Frontier

 

Thanks Andy! I’d also like to take a moment just to thank everybody who has purchased a copy or even paid attention to the book. It’s very close to my heart for several reasons, and putting it out there to the world has been one of the most scariest points of my career so far. But incredibly rewarding -what a start to the year! Clearly I’d better up my game for the coming months.. *gulp* I’d also like to mention that if it hadn’t been for Ravi Thornton pushing me to do my best work during HOAX Psychosis Blues, I wouldn’t have the knowledge and know-how to even attempt a project like The Red Road – so thank you, as always, for the opportunity, Ravi!

For now I shall patiently await any news from some of the independent-friendly shops that I’ve sent copies to, and for anyone who would like to review The Red Road more formally than, “Yeah it’s cool m8.” – I have set up a new reviews section on my About page. It’ll be a test-run to see whether it’s worthwhile me having reviews, but as my Etsy page is still fresh off the block and review-less.

Remember, you can still purchase your very own copy of The Red Road from my Etsy store for the bargain price of £6!

Anyway, that’s it for now! I have a whole bunch of new University assignments I’m still working out how to make into comics (Shhh… It may just work..!) so it’s back to the grind! I shall be back with an update next week – but for now, over and out! x

 

The Red Road

“Stunningly rendered, and painfully beautiful in its own way, The Red Road is an outstanding debut print offering. Keep your eyes on Rozi Hathaway’s work this year because she’s one of half a dozen or so names I have on my list of self-publishing talents I believe will make the next step up in 2015.”

-Andy Oliver, Broken Frontier – Full review here.

“…Hathaway deserves fulsome praise for delivering something so brutal, so powerful, in such simple terms. This is good comics.”

– Richard Bruton, Forbidden Planet – Full review here.

“Overall, The Red Road is a quietly powerful reading experience and a sure-footed debut from Hathaway. There’s more than enough here to get me really excited for whatever she brings out next as I think her ability to depict difficult emotions with a light touch will translate to a variety of projects.”

-Kirsty Hunter, Big Comic Page – Full review here.

The Red Road Second Edition NOW SOLD OUT!

Copies may still be available from Gosh! Comics, London and Orbital Comics.

The Red Road is a tale of a mentally and physically arduous journey, based on the Native American poem To Walk The Red Road. Encompassing themes of loss and violence, yet also companionship and bravery, The Red Road has also been highlighted in Broken Frontier‘s round-up of January 2015.

Read all about it over on the Blogs page!