Greetings friends!
So, another comic event has drawn to a close leaving just one final show before the year is done. Where did 2017 go, huh? Bristol Comic & Zine Fair (BCZF) had an absolutely electric environment this year, with an expanded space and over 100 creators behind 80 tables. I was in the smaller side-section of the venue known as The Kitchen, right next to the food and coffee (useful) and in an immense stroke of luck, the person I was due to be tabling next to had cancelled at short notice, meaning a) I could spread out and b) I didn’t have to sit in a pillar. You wouldn’t believe some of the pillars and chairs you end up getting squished next to at comic fairs over the years… It’s not all glamour, I tell you.
The beauty of Bristol is that it has an eclectic mix of students, local artists and generally interested general public. With the event being free to enter it brought in a lot of people and made the whole event a really exciting place to be. Having my table located off in a side-venue would normally mean a quieter day, but the organisers managed to put a lot of complimentary creators/publishers together, and regardless of my location it was an incredibly busy day! Tabling next to a pillar was a little lonely at times, but I had a lot of interesting conversations with people and had a chance to catch up briefly with Dave of Avery Hill Publishing and Alex Thomas from Pipedream Comics. I also met Bryony Attenburrow, who did the Laydeez do Comics blog back in January last year when I spoke alongside Andy Oliver and Danny Noble, who is really nice! The whole day was a bit of a whirlwind, meeting new people and catching up with comics’ chums, but it was a really great day. Huge thanks to the BCZF organisers for doing such a spectacular job, and of course to everyone who swung by my table to say hello!
Off course, it wouldn’t be a good day at a comic fair if I didn’t get the chance to pick up some sweet new zines. Between myself and Sam we managed to pick up a nice haul of new things – some of which I’d been after for a long while. Check it out!
As you can see, I also managed to get my mitts on a copy of the Pull List which included my interview! So shiny! You can pick up your digital copy of the Pull List here. I’d been wanting to pick up the Laydeez do Comics zine Hometown for quite a while, and similarly the Desert Island Discs Fanzine hasn’t been out all that long and I’d always intended to do something for it. There’s a really interesting correlation between comics and music, something you can see in the Dead Singer’s Society zines too – you can’t beat the passion of reading about someone’s connection to a particular song, album or artist. It’s like listening to Professor Brian Cox talk about the solar system or physics; I’m not wholly familiar with those long words he’s using, or totally understand what he means, but damn it’s interesting.
Another cool thing I picked up purely by it taking my fancy, is this really cool fold-out double-sided illustration/poster by Jo Berry! It quite literally caught by eye as I was walking back to my table with £3 burning a hole in my pocket – it’s a really interesting way of working and something I’ve been keen to try out for a while, the folded paper method of narrative and building out to a bigger picture. I can’t find much information on Jo or where to by Zoology, but she has an Instagram page here.
In other news, I’ve been clocking away and doodling away daily for this year’s Inktober! I’ve managed to always miss taking part the past few years, usually due to being busy working on twelve other things. So this year I decided I would truly throw myself into it and have a good go at it. And so far I have just about managed to keep on track, with only a few “I can’t be bothered to clamber into the house for WiFi to post this tonight, I’ll do it tomorrow” moments.
For those of you unaware, Inktober is essentially 31 days of 31 drawings. Every year cartoonists, comic artists, illustrators, creatives, librarians, doodlers and anyone who wants to, picks up a pen and does one ink drawing every day for an entire month. It keeps you drawing even if it’s only 5 minutes a day, and for others who spend longer on their pieces can add real refinement to their drawing. Me, I’m just a doodler, so I’ve spent the last 10 days making one ink drawing with a couple of Kuretake brush pens and some added highlights to make a narrative about a fox and a butterfly. All the drawings are posted up on my Twitter, but keep an eye out on here as at the end of the month you’ll get to see the entire story.
Also, remember me talking about that illustration submission with the bamboo and two other drawings I was making progress on? Well! It was originally for the Collective Arts Brewing Submission, and for those who don’t know what this is, this is how they explain themselves:
Collective Arts Brewing is a grassroots craft brewer based in Ontario that aims to fuse the creativity of craft beer with the inspired talents of emerging artists, musicians and filmmakers. Matt Johnston and Bob Russell founded Collective Arts Brewing on two beliefs: The first that creativity fosters creativity. And the second, that creativity yields delicious pints.
Each of our beers is a work of art. On the inside, we proudly brew some of the most well-crafted beers with the help of our brewmaster, Ryan Morrow. On the outside, we feature limited-edition works of art by artists and musicians that change every few months. Added bonus? Through the augmented reality technology of our partner Blippar, all labels come to life through the free Blippar mobile phone app. Simply scan the label to hear the music, see the videos and view artist bios.
Sadly, due to moving, I just missed the deadline. But, that’s no reason not to finish it up anyway as it’s valuable experience. Have a look at my designs below:
As you can probably tell, this set was hugely influenced from a couple of months ago when I was watching documentaries on Life in Japan and their arts and culture, prompted by the Hokusai exhibition at the British Museum. It was really nice to do something without any people/figures, and also it was good to do something a little more branded and physical, even if I didn’t make the submission deadline. I’ll try again next time – the new call for art is already up with the deadline of April 2018.
Anyhow, that’s it for now! Check back next week as I’ll be gearing up for the final show Loogabarooga Comic Fair in Loughborough. Until then, peace out.
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