Comiket, Assessment and More!

Good afternoon folks!

So, you’ll have to forgive my tardiness this week in getting the ol’ blog out on time. Yesterday was my final, FINAL ever assessment at University in the form of a 20-minute presentation and unfortunately that took over the entire week. But now, as much as it hasn’t really sunken in yet, my degree is finished. In 2-3 weeks I should find out what classification of a degree I’ve received, then there’s just that pesky business of a Degree Show exhibition to finish preparing for, and then graduation is in July. The sweet feeling of freedom is almost in my tired, sweaty grasp and I can confirm that IT FEELS GOOD.

It slipped my mind to take any pictures of the stacks of project sketchbooks on my desk and images on the wall, but just imagine a few arms full of stuff. And a lavvu in the corner. I’ll write up a better synopsis of my final year of university projects after the degree show, but for now I have PLENTY to keep you entertained with.

First up, Comiket! Last Saturday 14th May I willingly dragged myself away from assessment preparations to spend the day in London with my favourite Editor-in-Chief, Andy Oliver of Broken Frontier on the Small Press ‘Six to Watch‘ table at Comica London’s Comiket! Having never been to a Comica event before I wasn’t quite sure to expect, but situated under the Victorian glass-panelled roof between the Central St. Martin’s College of Art and the House of Illustration it was a quaint little market with a great atmosphere. As I’m on the brink of releasing a new comic, and with Sneaky Business being totally sold out, my section of the table was looking a little anaemic, but in all we had a pretty decent day and sold a lot of Small Press Yearbooks.

Apart from drinking copious amounts of Waitrose coffee to keep warm and manning the Six to Watch table, I was incredibly honoured to be a part of Paul Gravett’s Live Drawing Parade! In 25-minute slots, the Drawing Parade featured a whole host of people including the likes of Paul B. Rainey, Jessica Martin, Sean Azzopardi and JAKe. It’s really great to watch people draw live, with some far more sensible people having a composition ready worked out to ink, and then masochistic people like me who decided to freehand draw a composition right then and there. The Drawing Parade was filmed and also projected onto a screen for an audience to watch (look mum, I’m famous!), and the time-slot also included Paul Gravett doing small interviews with us drawing folk. I opted to work on a drawing of the characters from Njálla – not only as promotion but also as I’m really, really used to drawing lots of foxes at the moment. Big thanks to Andy Oliver for taking some snaps of my serious-work-face whilst drawing and painting away! Yes, yes, sadly I’m one of those people with RBF.

I had such a great day at Comiket. It is always a huge pleasure to spend time with comic folk, catching up with familiar lovely faces and meeting new ones is one of the most rewarding parts of working in comics as everyone is so totally down-to-earth. We’re all just a bunch of tired people who understand what it’s like to spend hours drawing alone at all hours. Best job in the world, mind you. Except maybe the panda-hugger. Sadly due to both personal and degree show commitments I’ll be missing out on DIY Cultures at the end of this month and CECAF/ELCAF in June, so I plonked home after Comiket knowing it’ll be a while until the next one. To read a round-up of both Comiket and other goings-on in the Small Press world check out Broken Frontier’s Small Press Round-Up!

In other exciting news, my humble HQ has seemingly turned into a distribution centre as I am now amid packaging, cellophane envelopes, stickers, prints, colouring books and lots and lots of copies of Njálla. Yay! Three big boxes of comics were the last to arrive yesterday evening, with my new friend the UPS man even carrying them up two flights of stairs for me. Spoilt, I tell you. MASSIVE thanks go out to Rich at Comic Printing UK who not only has made Njálla look supple and wonderful (you just wait till you feel that matte-laminate cover, it’s face-strokeably good) but also has been a source of entertainment and support throughout the whole process. If any of you ever decide to create comics I would encourage you to go and speak to Rich and read all his excellent advice blogs.

So now I’m left with the mammoth task of finishing off original artwork commissions for my 12 generous Kickstarter backers, wait for the money to come in and ship off LOTS of comics to their new forever homes. I start shipping out from next week with all my backers the first to receive their copies, and Njálla launching online on my Etsy store from Thursday 2nd June, with the OFFICIAL launch here in Northampton at the NN Café on Saturday 4th June. Yippee!

In a final snippet of other news, last week I mentioned working on a short one-page comic for Good Comics Dead Singers Society Volume 2. You’ll all be relieved to know that I manage to finish it up and shoot it over to those friendly gents in time, and will be featured in the new Dead Singer’s when it’s released. How exciting! If you want to check out the first volume you can get your hands on a copy through the Good Comics online shop here. But for now, here’s a snippet from my comic in the upcoming volume two..

The next anthology project I’ll be working on is a submission for the newly-announced Dirty Rotten Comics #8. The call for submissions runs up until 30th June so I have time aplenty to work on my next 1-5 page black and white idea. The submission is open to all UK emerging comic artists and after my two-page Rejsen comic was successfully printed in Dirty Rotten Comics #5 I’ve been itching to get into their ace anthology again. After that deadline’s passed I’ll be working on Sneaky Business volume 2, so keep an eye out for news on that coming in the next month or so..

Anyway, I’d best get back to it. I have a whole load of commissions to be working on this weekend so rest safe in the knowledge that I’m upping my caffeine intake accordingly. I’ll be back next week on schedule for Wednesday with more news on Njálla and maybe even some more sneaky peeks.. Ooh err! Until next time, have a good weekend all!

 

x

The Next Big Shake-Up

Good morning ladies and gents!

So, it’s mid-March already. When did that happen? You’ll have to forgive my lack of an update last week as I came down with a rather nasty cold/flu type thing which had me floored for the most part of a week. I don’t think I’ve been that ill for so long in quite a few years, but I can assure you being healthy again feels amazing! It actually forced me to have at least four days of doing no work as I could barely see straight let alone do anything else, so I’ve had the joy of coming back to everything vaguely fresh-eyed and brimming with animal knowledge from being propped up in front of David Attenborough documentaries.

One large part of work off my plate is my dissertation, which I finished up and submitted on Monday. Woohoo! I had a pretty good time with my dissertation; it was an interesting subject and I planned and researched a lot of it early on in September/October time. Themed on mental illness as portrayed in contemporary graphic novels, it’s right up my alley and hopefully it gets me a good grade. Now that dissertation business is out the way I’m down to just two main projects, the Creative Conscience awards which I’ll post about when it’s a bit more finished, and.. The Next Big Thing!

As of Monday evening I finished drawing up and inking all 34 pages of story for The Next Big Thing, which is super exciting news – Yay! Although the hard work is far from over, with the next tasks on my list being to scan all the pages in to practice my colour scheme within Photoshop, and at the same time photocopy all the pages so that I can practice colours with paint, and then only when both tasks are complete and I’m happy then I paint my originals. All in all I estimate that this task will take me up to after Easter, into early-mid April. It’s a lot of paint!

I’ve also drawn up and inked the outside cover, but things like the inside pages which don’t contain the story but may have bits of information and title pages, those also need doing. Having never worked on a book of this length before it’s been a pretty long process, especially with having to only work on this for 1-2 days a week whilst working on a load of other projects and preparing for the upcoming Degree Show in June, but it’s starting to feel like the end is in sight!. Especially as I’ve picked the date for my funding..

I can happily announce that my Kickstarter campaign for funding the printing costs of this will begin on Wednesday 6th April! Mark it in your diaries ladies and gents, as for 30-days I will be offering incentives including prints, originals and possibly even my first born to raise the much needed funds to print 250 copies of this project, which has been an integral part of my life since the beginning of the idea’s conception in August 2015. I have poured my heart, soul and everything else I have into making this, and I’ll be excitedly announcing the title along with the launch of the Kickstarter in April. For now, here is the opening two pages of the prelude, uncoloured, because you guys deserve it.

It was incredibly important to me to be able to give some insight into the Sámi people from everything I learnt whilst travelling through Scandinavia, and from books and internet sources, so the prelude (pages 1-2 pictured above) runs over six pages. Think of it like the introduction to a museum exhibit.. But with comics! This part, as you can see, is drawn in a more primeval, rune-like style compared to the rest of the comic which is in my usual way of drawing things. Because I’m feeling generous, here’s some a sneak preview of one of the uncoloured pages mid-way through the comic:

See, don’t say I never give you guys anything! Colour and painting is playing a huge role in this story, so it’s kind of hard to see how it’s going to turn out from scans with no colour, but if you’ve been following my blog for a while when you’ll have seen some hints at what’s coming.

So my life is pretty much being taken over by paint for the coming weeks, although I still have a fair bit of drawing to get through for the Bright Futures Creative Conscience Brief, which I’ve mentioned before. We’re still fundraising for our degree show at UoN too, so if you’re interested in helping to support us pay for the printing of our catalogue and postcard packs then please head over to our GoFundMe page, and check out more of the information on our refreshed website.

AND, before I forget, some exciting news was announced last week! The nine back-up creators for the Broken Frontier Small Press Yearbook were announced to the world, with such super-duper talents as Mike MedagliaGareth Brookes, Owen D. Pomery and Jessica Martin. Things are hotting up with the Small Press Yearbook, and more details are on the way to being announced soon. It’s really exciting to be a part of something so important, and I can’t wait to get hold of my copy. To keep up with Yearbook, you can follow the #BFSPYearbook hashtag on Twitter, and keep an eye out on Broken Frontier.com.

Anyway, I think that’s about it for now! I’d best get back to work otherwise the boss will moan at me. Oh wait… That’s me. Until next time!

x