House of Illustration

Comiket, Assessment and More!

| rozihath

Good afternoon folks!

So, you’ll have to forgive my tardiness this week in getting the ol’ blog out on time. Yesterday was my final, FINAL ever assessment at University in the form of a 20-minute presentation and unfortunately that took over the entire week. But now, as much as it hasn’t really sunken in yet, my degree is finished. In 2-3 weeks I should find out what classification of a degree I’ve received, then there’s just that pesky business of a Degree Show exhibition to finish preparing for, and then graduation is in July. The sweet feeling of freedom is almost in my tired, sweaty grasp and I can confirm that IT FEELS GOOD.

It slipped my mind to take any pictures of the stacks of project sketchbooks on my desk and images on the wall, but just imagine a few arms full of stuff. And a lavvu in the corner. I’ll write up a better synopsis of my final year of university projects after the degree show, but for now I have PLENTY to keep you entertained with.

First up, Comiket! Last Saturday 14th May I willingly dragged myself away from assessment preparations to spend the day in London with my favourite Editor-in-Chief, Andy Oliver of Broken Frontier on the Small Press ‘Six to Watch‘ table at Comica London’s Comiket! Having never been to a Comica event before I wasn’t quite sure to expect, but situated under the Victorian glass-panelled roof between the Central St. Martin’s College of Art and the House of Illustration it was a quaint little market with a great atmosphere. As I’m on the brink of releasing a new comic, and with Sneaky Business being totally sold out, my section of the table was looking a little anaemic, but in all we had a pretty decent day and sold a lot of Small Press Yearbooks.

Apart from drinking copious amounts of Waitrose coffee to keep warm and manning the Six to Watch table, I was incredibly honoured to be a part of Paul Gravett’s Live Drawing Parade! In 25-minute slots, the Drawing Parade featured a whole host of people including the likes of Paul B. Rainey, Jessica Martin, Sean Azzopardi and JAKe. It’s really great to watch people draw live, with some far more sensible people having a composition ready worked out to ink, and then masochistic people like me who decided to freehand draw a composition right then and there. The Drawing Parade was filmed and also projected onto a screen for an audience to watch (look mum, I’m famous!), and the time-slot also included Paul Gravett doing small interviews with us drawing folk. I opted to work on a drawing of the characters from Njálla – not only as promotion but also as I’m really, really used to drawing lots of foxes at the moment. Big thanks to Andy Oliver for taking some snaps of my serious-work-face whilst drawing and painting away! Yes, yes, sadly I’m one of those people with RBF.

I had such a great day at Comiket. It is always a huge pleasure to spend time with comic folk, catching up with familiar lovely faces and meeting new ones is one of the most rewarding parts of working in comics as everyone is so totally down-to-earth. We’re all just a bunch of tired people who understand what it’s like to spend hours drawing alone at all hours. Best job in the world, mind you. Except maybe the panda-hugger. Sadly due to both personal and degree show commitments I’ll be missing out on DIY Cultures at the end of this month and CECAF/ELCAF in June, so I plonked home after Comiket knowing it’ll be a while until the next one. To read a round-up of both Comiket and other goings-on in the Small Press world check out Broken Frontier’s Small Press Round-Up!

In other exciting news, my humble HQ has seemingly turned into a distribution centre as I am now amid packaging, cellophane envelopes, stickers, prints, colouring books and lots and lots of copies of Njálla. Yay! Three big boxes of comics were the last to arrive yesterday evening, with my new friend the UPS man even carrying them up two flights of stairs for me. Spoilt, I tell you. MASSIVE thanks go out to Rich at Comic Printing UK who not only has made Njálla look supple and wonderful (you just wait till you feel that matte-laminate cover, it’s face-strokeably good) but also has been a source of entertainment and support throughout the whole process. If any of you ever decide to create comics I would encourage you to go and speak to Rich and read all his excellent advice blogs.

POSTAGE

So now I’m left with the mammoth task of finishing off original artwork commissions for my 12 generous Kickstarter backers, wait for the money to come in and ship off LOTS of comics to their new forever homes. I start shipping out from next week with all my backers the first to receive their copies, and Njálla launching online on my Etsy store from Thursday 2nd June, with the OFFICIAL launch here in Northampton at the NN Café on Saturday 4th June. Yippee!

In a final snippet of other news, last week I mentioned working on a short one-page comic for Good Comics Dead Singers Society Volume 2. You’ll all be relieved to know that I manage to finish it up and shoot it over to those friendly gents in time, and will be featured in the new Dead Singer’s when it’s released. How exciting! If you want to check out the first volume you can get your hands on a copy through the Good Comics online shop here. But for now, here’s a snippet from my comic in the upcoming volume two..

The next anthology project I’ll be working on is a submission for the newly-announced Dirty Rotten Comics #8. The call for submissions runs up until 30th June so I have time aplenty to work on my next 1-5 page black and white idea. The submission is open to all UK emerging comic artists and after my two-page Rejsen comic was successfully printed in Dirty Rotten Comics #5 I’ve been itching to get into their ace anthology again. After that deadline’s passed I’ll be working on Sneaky Business volume 2, so keep an eye out for news on that coming in the next month or so..

Anyway, I’d best get back to it. I have a whole load of commissions to be working on this weekend so rest safe in the knowledge that I’m upping my caffeine intake accordingly. I’ll be back next week on schedule for Wednesday with more news on Njálla and maybe even some more sneaky peeks.. Ooh err! Until next time, have a good weekend all!

 

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December Madness and Laydeez do Comics!

| rozihath

Good morning ladies and gents!

So, another week bites the dust and the first round of assessment is looming eerily close by. Although I’m working in a haze which can probably be described as “I’m not really sure what I’m doing anymore”, things are getting ticked off the list and I’m vaguely, quietly confident that I’ll be in good stead by Christmas. Well, as long as I avoid any critique sessions where it’s advised to completely change my work.. Sigh. But anyway, I also decided it would be a marvellous idea to start getting up stupidly early in the week to do some mild exercise or yoga (don’t laugh) before getting to work before 8am, which seems to be helping my productivity somewhat. Though, I’m only on day three so far.. And I ache.

Logos

 

First up, as you may remember from last week, I mentioned that I had something exciting up my sleeve to tell you all. WELL! I am over the moon to announce that I have been asked by the lovely Keara Stewart and Wallis Eates of Laydeez do Comics to speak as a part of the Broken Frontier themed evening, as one of the Six UK Small Press Creators to Watch in 2015! With the small press champion Editor-in-Chief Andy Oliver being the reason for so many people getting a chance of recognition and support, it’ll be a great chance to listen to his worldly comics wisdom. Alongside will be the fiercely talented and entertaining Danny Noble, of Ollie and Alan fame, and myself – probably still a bit love-drunk on brandy butter by that point.

Laydeez do Comics London is held in Gosh! Comics in Soho, who are one of the biggest stores to support small press comics creators. Keara and Wallis have stepped up to take over as London Co-ordinators whilst co-founders Sarah Lightman and Nicola Streeten are taking a break to focus on their respective PhDs. here’s a snippet about Laydeez do Comics (LDC) from their website..

“Launched in July 2009 by artists Nicola Streeten and Sarah Lightman, it is the first women led graphic novel forum in the UK. Artists, academics, publishers and fans from around the world are invited to speak. It is a platform for people to test new works and ideas, where emerging artists present their work alongside more established practitioners. The evenings offer an inspiring experience in a social atmosphere for both those new to comics and those already immersed. Laydeez do Comics now has branches in Glasgow,  Bristol, Leeds, Dublin, San Francisco and Chicago.  Pop up events have also taken place in New York, Toronto, Glasgow and Brighton.”

Exciting stuff! The Broken Frontier LDC night is being held on Monday 18th January, and in MORE exciting news I’ve been working together with Gosh and LDC to create a themed window display for the event! At the moment I’ve just been sketching ideas up, but soon I’ll be getting some final designs to both parties and the work will commence the week before the event. Because I’m feeling overly generous, here’s one character from some preliminary sketchbook work for the window design…

Promo Blog

This coming Monday I’ll be attending my first LDC event as a member of the audience, with guest speakers are Mike Medaglia and Rachael Ball. Both are so excellent at what they do, and I can’t wait to be a part of the audience! And also, it’ll be good to see exactly what to expect a month later when I sit the other side of the table. Tickets for LDC are free, but must be booked and disappear incredibly quickly! If you’re interested in attending the Laydeez night in January, then best to pop over to the Laydeez do Comics website and sign up for their mailing list to be alerted when tickets are available (details are on the home page). So if you want to come and watch me pretend to know what I’m talking about, and see my first attempt at window painting.. Sign up now! But in all seriousness, big thanks to Gosh and LDC for letting my represent their values in the form of a window display and asking me to speak as one of the chosen six – I can’t wait!

In other news, you may recall a few weeks ago me referring to one of my projects being the House of Illustration and Folio Society Book Illustration Competition for War Horse! The competition requirements is to produce a set of three internal illustrations and a binding design, to fit into their minimalist graphic style.The competition ends in January, but with assessment looming and final tutorials this week I’ve been working extra hard to get this ready! It’s been a strange project for me to do given that I didn’t particularly want to approach it in the character-centric style I tend to work in, as the general tone of the cheery children’s book is rather dark. Instead, I wanted to focus on the atmosphere, and use certain scenes and textures to give an effect of how very depressing it all was. I mean, the First World War wasn’t exactly all butterflies and flute music, was it? With that in mind, here’s my work in progress on the project to date..

Layout 1

Internal illustrations
Internal illustrations
Internal illustrations

Spine Text

I’m not entirely happy with the binding (front and back cover spread) just yet, but it’s not too far off I don’t think.. Book covers are not something I ever really did before University and I desperately struggled with the last one for Carrie’s War, so I have been determined to get this one right. As for the internal illustrations, I opted to completely avoid using ink lines for this and painted or printed everything using handmade collagraph plates, using Photoshop to put everything together nicely. Again, these aren’t completely 100% finished yet – but not far off.

Finally, after I had a tremendous sell-out of greetings cards at Thought Bubble last month I’ve gotten round to ordering more and putting them up on my Etsy store! There’s a choice of three at the moment, with this year’s Christmas card design and two others. So, for an extra special card this year, pop on over to my Etsy store and check them out.

Well well well, another busy one. I’ll be back next week after a during stressful assessment period, but hopefully with the Christmassy end in sight! Low and behold I have another week of rather important emails, another commission and further uni work progression. So, with that in mind, and the kettle calling my name.. Over and out.

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Commission time, studio and whine.

| rozihath

Good morning, faithful readers!

So, it is December. The Christmas month is upon us – and Star Wars, let’s not forget – so I can finally start throwing around the festive terms without being glared at for it being “too early”. Yay! In the days when I worked long hours in retail I really was not Saint Nick’s biggest fan. One day off for Christmas in which I was too tired to appreciate all the deliciousness of the food, and usually ill from some charming member of the general public spreading their germs, so wine was also out of my grasps. However, now I am a one-man-illustrating-band with nothing to fall back on, I can recline into the Christmas spirit with only.. 5 reflective statements that need writing, 4 lecturers confusing me, three incredibly important projects looming, two pounds sterling to my name.. and a partridge in a pear tree!

Onto jollier things, these past few weeks I’ve been communicating back and forth on a couple of exciting commissions. First things first, through a mutual friend I managed to land a job creating a t-shirt design for local Northampton band Jagged Little Thrills, who have recently been signed to Blow The Roof Records! Their debut record ‘The Last Alibi’ will be released on 26th February 2016 through their new record company, and little old me has designed their promo. Lovely stuff!

Band Name (opp)

Final Image 4

I really enjoyed working on this for the gents of Jagged Little Thrills; it’s been a pleasure! From creating a hand-lettered font for the design, to drawing up something for screen-print (which the process involves only printing in block colours with no gradients), it’s been a refreshing challenge and a joy to do. So, thanks to the band for having me create this for them! The record release show events are up already, so if you’re local to the area then please do come down to The Charles Bradlaugh on Friday 26th February, or The Victoria Inn on Saturday 27th February. Plus, if you need any more convincing, it will be my birthday weekend and also two weeks until my dissertation is due.. I’ll need all whiskey I can get!

The second commission I’ve been working on recently is for the Northampton Hope Centre, a charity which focuses on helping people in need such as; the homeless, vulnerably housed, people with alcohol and/or drug related issues, people with physical and mental health issues, refugees and asylum seekers, elderly people experiencing poverty, and anyone who is down on their luck. The Hope Centre offers a warm and safe environment with basic essentials such as hot food and showers, second hand clothing, creative activities and life skills workshops, all the important things to try and help people get back on their feet. I approached the Hope Centre to see if they needed anything doing, and thankfully they got in touch for some meetings and I’ve ended up creating an image for their Christmas Campaign.

Christmas Campaign Final Image 2 v2 RGB

The image, which is to be used in their newest newsletter and hopefully the website too, is working towards appealing to businesses to help out with such an important level of care for vulnerable people in and around the local community. Hopefully in the next couple of weeks I can get my hands on a hard copy of the newsletter and see my work in editorial print for the first time!

In other news, this past Sunday I attended the local Northampton Comic Mart, the first of it’s kind run by Jeff Chahal; the owner of Northamton’s comic shop Close Encounters (also in Bedford and Peterborough). It was a small and cosy event in the back room of The Racehorse pub on Abington Square, mostly focused on the store selling back issue comics at a discounted rate, though with independent creators and small press also having a couple of tables. I was there with my talented uni friend Alex of How To Buy A Ninja, and Martyn Lorbiecki selling our finest comicy goodness, and on the other side of my companions also happened to be Paul B Rainey who also created work for Samuel C Williams‘ Dead Singers Society zine. What a small world! It was a chilly but fun afternoon, meeting new people and watching people giggle at Alex’s comic strips.

Mr. How To Buy A Ninja, Alex Tawns @ Northampton Comic Mart

With both the commissions and the event ending up at the same time, it’s been a bit of a stressful week or so making sure I juggle everything in the right order. So, this week my challenge is to get fully stuck back into my university assignments! With less than two weeks until my presentation assessment, I’ll be madly finishing off the work I’ve been doing for the House of Illustration and Folio Society Competition entry for War Horse, which I hinted at last month with some collagraph printing, more dissertation reading, and further progress on The Next Big Thing. Busy busy. Though, I have some more exciting things up my sleeve to tell you all about next week, with an news regarding the lovely Laydeez do Comics in London! So keep an eye out for that.. Though for now, I’d best get back to the grindstone. Coffee calls! Until next time..

 

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