Good morning ladies and gents.

So, another week is behind us and we’re well and truly into November. There’s a crisp, cold scent to the night air which can only mean the arrival of Bonfire night. Because, y’know, why not celebrate some guy’s failure of trying to blow up the House of Lords in the 17th century when it involves pretty colours and bright lights? Thankfully my week-and-a-half long lurgy seems to be finally tailing off, though it’s been a determined little bunch of germs.

On Monday I managed to drag my coughing and sniffly self into the university print rooms to play with my collagraph printing plates I showed you all last week. Wanna see? Yeah you do!

These prints are all part of the work I’m creating for the Folio Society’s printing of War Horse, and as I mentioned last week this is a competition which calls for three internal illustrations and a book jacket design in the typical Folio Society styling. As the subject matter of War Horse is pretty dark, and the story is told through the eyes of the horse, I didn’t want to go and just draw horses everywhere. Instead, I’m looking at combining these textured backgrounds with washes of paint and some drawn details. The first print is for the shelling at night, the second is muddy brown holes in the snow, and the third is pieces of shrapnel and earth upturned by more shelling. I don’t normally work in an abstracted way so it’s kind of nice to try out this more atmospheric way of presenting a landscape rather than going straight to drawing pens. Fits the story better, I think.

In similar news, I’ve been trying out something different with modelling clay, too! With Thought Bubble Festival only a week and a half away, I’ve been working on a small side project to keep me company over the weekend on my half of table 73. Plus, with the re-release of The Red Road coming THIS FRIDAY, and Thought Bubble being it’s first public appearance, I thought it’s a perfect opportunity to make something  bit different. Now, I’m absolutely no expert in the field of modelling, but after a plea on twitter and speaking to some fellow students at university, I found out my failed attempts were because I needed to make a skeleton structure to support the weight of the clay. Who knew! Low and behold, I’ve just about managed to make a model of Bear and Coyote with air-drying clay and a frame consisting of paper clips, wool and hot glue.

Now, they are pretty crappy. I mean, I was hoping I could sell them, but I wouldn’t wish that upon anyone until I’ve practiced a little more. Also, as you can probably tell, they aren’t to scale of each other – whoops! Making a smaller Coyote would have been really fiddly, and making a bigger Bear would have needed a much larger and more substantial frame. But altogether, not too shabby for a second attempt. Some cracks have appeared in the drying process so I shall be off to get some fine surface filler to fill those in before I paint and glaze my new friends.

Speaking of The Red Road… IT’S ALMOST FRIDAY!! I am so, so excited to be releasing The Red Road for a second time, especially with the changes and additions I’ve made. The story remains the same, but there’s some special extra content in there now, and a couple of other tweaks to make it the best it can be. Yay! Don’t forget, The Red Road launches this Friday (6th November) still for the same price of £6 on my Etsy store, but this time with an extra 4 pages of goodies. Just to make life even more exciting, Richard Bruton’s review came through last week from Forbidden Planet Blog. What a dream come true! Having not only a Broken Frontier review but now a Forbidden Planet review too is an incredibly proud and exciting moment for me. Here’s a snippet, and click here for the full review.

“…Hathaway deserves fulsome praise for delivering something so brutal, so powerful, in such simple terms. This is good comics.”

– Richard Bruton, Forbidden Planet Blog review of The Red Road

Finally, yesterday saw celebrations in the form of Broken Frontier’s Editor-in-Chief Andy Oliver’s Small Pressganged 4th birthday! Wow, that was a mouthful. Anyway, it’s safe to say that without Andy Oliver’s tireless work to embrace small press and independent comics, I would not be on the shelves of comics shops throughout the UK, and I would not have appeared in anthologies and at comics events. What a guy! For myself and countless others, Andy has championed our hard work and given it an amplified audience of dedicated fans and followers. Really, I am so thankful for the great work that he does, and I would just be another uni student desperate to get anywhere without his support and belief in my work. All hail the hat! To celebrate the occasion I draw Andy a nice big hat cake with four candles per hat and a potential flag fire hazard. It’s not exactly my most esteemed work, but as a doodle it gets the message across. Happy 4th Birthday Small Pressganged!

Hat Cake Bonanza!

One from Keara Stewart!

So, that’s about it for now; the Next Big Thing is slowly under way and next on the list is working on my dissertation proposal. (Yep, you thought your Wednesday morning was fun..) Don’t forget to get your shiny second edition copy of The Red Road from Friday, and check back next week for some previews of the second edition additions. Until next time!

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