So, it’s 2019. Happy New Year, everybody!
It’s that undeniably exciting time of year again; the tin of Quality Street is finally dwindling, there’s a new calendar on the wall, and it’s time to look ahead to a new year and everything that could possibly be. Daunting for some, the start of a new year is my very favourite time of the year.
It wouldn’t be a new year without looking back at the previous, so get comfy with a cuppa and join me in some light New Year’s Day reflections.
This year kicked off in style with Cartoon County in Brighton, hosted by Alex Fitch. Cartoon County is a monthly meet-up of comic creators, and I was honoured to be the January guest. Other guests this year have included Rachael Ball, Julian Hanshaw and Wallis Eates. I’ve been in good company! Cartoon County still hosts its monthly meet-up, and for more information on their gatherings, you can follow them on Twitter.
2018 also saw the re-release of Cosmos & Other Stories, published by Good Comics. Cosmos was originally released in March 2017 but sold out by the end of that year, so we re-released it in an extended format at the beginning of 2018. The new version had a totally brand new story included, which involved some fun Olmec and Aztec research. Sadly, Cosmos is now very-nearly sold out again – act quickly if you’d like to pick one up before it’s gone!
Last year also saw me create three more short stories; one which has since been published in BBE Collective’s Barriers anthology, and one for the Good Comics Reader charity anthology (see some of my progress pictures here). The other unpublished story is available for Patreon subscribers.
I also started working on my long-form story which will be coming out in the next couple of years. The decision to start working on a longer story came naturally and is something that will be slowly plugging away for a while. You can catch up on some of my early sketchbook work here!
Other goings-on included the launch of The Inking Woman book by Myriad Editions, based on The Cartoon Museum exhibition from 2017. Myself and other female creators are published in this first-of-its-kind book, and was truly an incredibly experience.
This past summer also saw my first ever keynote speech at the International Graphic Novel and Comics Conference here in Bournemouth. It was one of the absolute highlights of my comics career, and I am so grateful for the team at ICGNC for welcoming me.
2018 was also the year of Moon, my newest comic. Successfully funded through Kickstarter (thanks to some wonderful backers!), Moon came to be in time for Thought Bubble 2018 in September. I put everything I had into making Moon, and I’m absolutely thrilled with how it came out. If you’d like to get your hands on a limited copy, they’re available in my shop.
Whilst Moon may dabble in deities, it’s message is intimate and unassuming. Set against the backdrop of a Chinese shipping docks, Moon tells the story of an inquisitive grandson’s discovery of what his grandfather hides from him in one particular shipping container. More akin to a snapshot than a story, Moon‘s warm colours and dockside setting lends it a detached, melancholic flavour. Printed in a bespoke, mini-tabloid format, Moon is a small, enchanting read.Fred McNamara, A Place to Hang Your Cape
Finally, 2018 drew to a close with the announcement that I’ve officially joined Good Comics. Keen to support grass-roots creators, establishing and developing themselves in a growing community, Good Comics aims to be a hand-up for a handful of creators. I’ve been working alongside the co-founders of Good Comics a lot this year, and I’m thrilled to be joining them in the Good cause for 2019 and beyond.
And that rounds it up! It’s been a busy year, and I’m so grateful for everything that has come my way. A huge thank you to all of you who support my work and speak to me at shows, who backed my Kickstarter, or who just dig my work. You’re all the best, and here’s to another year of making new stories!
Happy 2019, everyone!