Andy Oliver

The Laydeez Who Comic

| rozihath

Good morning laydeez and gentlemen!

So, another week bites the dust and Laydeez do Comics has been and gone! It was possibly one of the most nerve-racking experiences of my feeble existence; standing in front of a room full of eager-eyed people actually wanting to hear what I had to say (or at least pretending to, anyway). Even with my neatly arranged cue cards I’m sure I probably missed something important, but overall it was a really fun evening – more about that shortly. In other news, university projects are getting busier than ever and in the next couple of weeks I’ll be starting to draw up the final pages of The Next Big Thing! I’m keeping my working title under-wraps for now, though the reveal will be coming shortly. I’m also debating at the moment whether to move the blog to a fortnightly effort instead of weekly for the duration of this term, just to give myself an extra bit of time to work on my incredibly long to-do list, BUT I’m still mulling it over. So, I’ll let you all know! Now, down to business..

As you may remember from last week, I spend Sunday 10th creating the window display at Gosh! Comics in readiness for the LDC night this past Monday. Somehow the week between doing the windows and turning up to talk went past like a lightening bolt! I settled onto the warm and cosy train to London on Monday night with an 300-man army of butterflies in my stomach – no, not some strange new recipe, just nerves – and bolted across to Soho to meet with Andy Oliver (Editor-in-Chief of Broken Frontier and Danny Noble (Munday Morning, Ollie & Alan) for a calming beverage before the evening’s fun began. Gosh! Comics were wonderful hosts yet again for the Laydeez do Comics evening, and there were many familiar and friendly faces bobbing about. Andy Oliver took the reins for the evening and spoke first about the wonderful work he does at Broken Frontier, and the small press/independent creator focus they look at compared to the largely mainstream comics industry. Next up was my turn, and armed with my carefully designed presentation I managed to bumble on for probably far less time than I was meant to – aside from shaking like a leaf the whole way through I probably spoke at lightening speed too. Agh! After a short break, the last speaker was Danny Noble who entertained us all with her honest and witty comics, whilst talking about her practice and how she uses panels in a really interesting and diverse way. Inspiring stuff! HUGE thanks to Keara and Wallis for having us, and everyone who came out to see us talk!

One of the main focuses of the evening was Andy Oliver’s announcements.. Sadly, after almost a year, the title of ‘Six UK Small Press Creators to Watch in 2015‘ is being filed away and the new Six have been announced! Us 2015 lot are being flung into the wide open world with our belongings in a bindle and are shunted out in to the cold harsh realities of life. Or, something like that. The new Six have been announced at LDC and will be announced officially on Broken Frontier in the coming days. They’re a talented bunch!

In the second batch of wonderful news that was announced by the Patron Saint of Comics, the Broken Frontier Yearbook has been revealed! Here’s a snippet from the press release yesterday on Broken Frontier, which sums it up far more eloquently than I possibly could:

Last night at London’s Gosh! Comics a very special announcement was made to the sell-out audience at the Broken Frontier special edition of the monthly Laydeez do Comics meeting. We’re very excited today to share that news on the site with the extended BF readership.

Currently in pre-production, our inaugural Broken Frontier Small Press Yearbook will be available in the early part of this year. A near 100-page publication, it celebrates the work of our ‘Six UK Small Press Creators to Watch in 2015’ – Rozi Hathaway, Jess Milton, Danny Noble, Emma Raby, Alice Urbino and Adam Vian – in both colour and black & white. Each creator has contributed an 8-10 page story on the theme of “breaking frontiers” and interpreted that broad starting point with their own ever distinctive artistic voices.

A natural extension of a year’s worth of dedicated coverage of these six very talented creators, the Yearbook is the ultimate expression of this column’s philosophy of “unearthing the gems of the small press”, and of bringing the work of comickers we have championed to a far wider audience. In due course you will be able to buy the book both online and from certain UK stores. But the prime philosophy of the Yearbook is to provide a promotional showcase for last year’s participants in our ‘Six to Watch’ initiative. To that end we’ll be sending out copies to selected publishers, micropublishers, and comics commentators as we seek to raise the profile of 2015’s half dozen stars-in-the-making across the medium.

Andy Oliver – Broken Frontier: Announcing the Broken Frontier Small Press Yearbook – Championing our 2015 ‘Six UK Small Press Creators to Watch’ in Print!

Follow the link to read all about it and even see a sample page from each of us! Which now means (for those of you avid readers who remember my ramblings) THE TOP SECRET PROJECT IS NO LONGER SECRET. WOOHOO! From May to September of last year I was working on this project, and although I could hint at it and show some images along the way, I couldn’t really say what it was for or when it’d be released. Low and behold, the 10-page silent comic which Andy kindly spoke of as my ‘best work to date’ will be released in coming months in the bumper Small Press Yearbook alongside the talents of Danny Noble, Emma Raby and more. Alongside the ‘Six’ are other top-name creators who have supplied work to support the project, being announced in the coming weeks – so keep an eye out on Broken Frontier’s Twitter and website for all the details.. Here’s a reminder of some of the work I created, and you can read more about the project from my previous blog post here.

Top Secret Project - announced!
Top Secret Project – announced!

With LDC behind me it’s now full-speed with University work in the run up to Easter (I know, it’s only January.. I have a very busy few months ahead). My dissertation needs finishing, the Next Big Thing needs drawing up, a couple of other competitions need doing, written assignment work needs completing, another commission needs doing, and somewhere between all that some kind of sleep would be marvellous. Oh, and I’m making a lávvu. More about that in a couple of weeks, though! For the meanwhile, here’s another sneaky peek of some development/practice figuring out the best composition before I start on the final pages. Exciting!

And that wraps it up for this week! Back to the grindstone for another week of fun-times, and I shall be back next week with hopefully some more bits ticked off my very large list and more things to show you. For now, over and out.

x

Window Scribbles & Other Tales

| rozihath

Good morning happy campers!

So, I have survived! I endured an entire week of dissertation writing and come out the other side of it, albeit slightly greyer and possibly a bit more eloquent, innit. I must admit, by Thursday I was starting to lose the plot a bit and took some time out to refine my sketches for the Gosh! London window display (more about that shortly), but I powered through difficult circumstances and have 85% of my dissertation done, with two months now to finish it off and polish it up a bit. Phew! I don’t think I’d recommend any creative folk to put down their pencils for an entire week, as I did feel like I was gradually losing my soul.. But hey, it’s most likely the last essay I’ll every write. *air punch*

On Sunday I had the fantastic excuse to put down my books and get an early train down to London, ready for the window-painting bonanza of Gosh! and Laydeez do Comics, which I mentioned previously in my blog here. I arrived in London early and plonked myself down in a coffee shop to read the wonderful Save our Souls magazine (which had been patiently awaiting my attention for well over a week, whoops!), and after I was feeling suitably caffeinated and inspired by David Ziggy Greene’s newest venture, I made my way down to Gosh for it’s opening time. Everyone at Gosh is so lovely, and they helped me out with cleaning off the previous window art and supplying me with a big box of paints and pens, and gave me tips along the way. In the end it took around four-and-a-half hours to create the window, with most of the time taken up with creating the Laydeez do Comics and Broken Frontier text, and getting the proportions correct of the biggest figure. Have a look!

A quick peek from where I was standing inside.
A quick peek from where I was standing inside.
Outside view
Outside view
Another figure just by the door.
Another figure just by the door.

I had a lot of fun working on the windows. It was quite freeing just to be able to draw and colour in something I’d been planning for ages, in public, with a passing audience (and also, it was great entertainment for me to see people looking at what I was doing instead of where they were going, and bumping into other unsuspecting pedestrians). Special thanks to Tom and Nora for helping me out and taking photos!

Photo credit: Gosh! Comics Twitter
Photo credit: Gosh! Comics Twitter

As you may be able to make out in the background on the floor I pre-made some props at home to bring with me, of Danny Noble‘s and my work to jazz the display up a bit – I’ll get some photos of those on the night. Speaking of which, this coming Monday is hurtling towards us at record speed! The Laydeez do Comics evening on Monday 18th is going to be quite the place to be, if I may say so. The Broken Frontier themed special will see talks from Andy Oliver, Editor-in-Chief of Broken Frontier and champion of all things small-press related, Danny Noble, the creative force to be reckoned with, and myself. As I mentioned last week, tickets are all sold out but you can keep an eye out on Twitter for any last-minute cancellations. And, for those of you who miss the wonderful fun we’re all going to have (sorry), as always there will be a guest blogger to take account of everything, which will go up on the site in the weeks after. Andy Oliver will also be excitedly making two announcements on Monday evening, so keep an eye out for the public announcements in the following days!

Although it feels like I’ve barely had a break, University term started up again yesterday after spending Monday doing more of my dissertation, so I have a list as long as my arm of things to do. This includes my presentation for Laydeez do Comics, so I shall endeavour to get cracking on that shortly! Aside from the windows there isn’t that much I can show you all unfortunately, with that pesky essay getting in the way all of last week. I did spend a bit of time yesterday following my tutorials and research time doing some long-missed work on The Next Big Thing, with more to come next week.. Here’s a sneaky peek of some practice page layouts I’ve been working on:

Finally, in more super news, The Red Road has just this morning been named by Broken Frontier as one of the ‘Ten UK Small Press Comics You Need to Own!’ 2015! Alongside the likes of Tillie Walden, Rachael Smith and more talented individuals, it’s a huge honour to be listed. It’s hard to believe that The Red Road was first released to the world almost a year ago, and with it’s second print run over half-sold it’s great to have such positive reinforcement from Andy Oliver and the Broken Frontier team. Thanks all!! Don’t forget you can pick up your super-second edition bumper copy in-store from Gosh!, Travelling Man Manchester, Orbital Comics and Nostalgia & Comics, plus online from my web-store.

But anyway, as my father enjoys saying so much; time is of the essence! And back to work I go. Next week’s update will have all the gossip from Laydeez do Comics and whether I managed to entertain or send to sleep the audience – place your bets! Have a good week everyone. Over and out!

x

December Madness and Laydeez do Comics!

| rozihath

Good morning ladies and gents!

So, another week bites the dust and the first round of assessment is looming eerily close by. Although I’m working in a haze which can probably be described as “I’m not really sure what I’m doing anymore”, things are getting ticked off the list and I’m vaguely, quietly confident that I’ll be in good stead by Christmas. Well, as long as I avoid any critique sessions where it’s advised to completely change my work.. Sigh. But anyway, I also decided it would be a marvellous idea to start getting up stupidly early in the week to do some mild exercise or yoga (don’t laugh) before getting to work before 8am, which seems to be helping my productivity somewhat. Though, I’m only on day three so far.. And I ache.

Logos

 

First up, as you may remember from last week, I mentioned that I had something exciting up my sleeve to tell you all. WELL! I am over the moon to announce that I have been asked by the lovely Keara Stewart and Wallis Eates of Laydeez do Comics to speak as a part of the Broken Frontier themed evening, as one of the Six UK Small Press Creators to Watch in 2015! With the small press champion Editor-in-Chief Andy Oliver being the reason for so many people getting a chance of recognition and support, it’ll be a great chance to listen to his worldly comics wisdom. Alongside will be the fiercely talented and entertaining Danny Noble, of Ollie and Alan fame, and myself – probably still a bit love-drunk on brandy butter by that point.

Laydeez do Comics London is held in Gosh! Comics in Soho, who are one of the biggest stores to support small press comics creators. Keara and Wallis have stepped up to take over as London Co-ordinators whilst co-founders Sarah Lightman and Nicola Streeten are taking a break to focus on their respective PhDs. here’s a snippet about Laydeez do Comics (LDC) from their website..

“Launched in July 2009 by artists Nicola Streeten and Sarah Lightman, it is the first women led graphic novel forum in the UK. Artists, academics, publishers and fans from around the world are invited to speak. It is a platform for people to test new works and ideas, where emerging artists present their work alongside more established practitioners. The evenings offer an inspiring experience in a social atmosphere for both those new to comics and those already immersed. Laydeez do Comics now has branches in Glasgow,  Bristol, Leeds, Dublin, San Francisco and Chicago.  Pop up events have also taken place in New York, Toronto, Glasgow and Brighton.”

Exciting stuff! The Broken Frontier LDC night is being held on Monday 18th January, and in MORE exciting news I’ve been working together with Gosh and LDC to create a themed window display for the event! At the moment I’ve just been sketching ideas up, but soon I’ll be getting some final designs to both parties and the work will commence the week before the event. Because I’m feeling overly generous, here’s one character from some preliminary sketchbook work for the window design…

Promo Blog

This coming Monday I’ll be attending my first LDC event as a member of the audience, with guest speakers are Mike Medaglia and Rachael Ball. Both are so excellent at what they do, and I can’t wait to be a part of the audience! And also, it’ll be good to see exactly what to expect a month later when I sit the other side of the table. Tickets for LDC are free, but must be booked and disappear incredibly quickly! If you’re interested in attending the Laydeez night in January, then best to pop over to the Laydeez do Comics website and sign up for their mailing list to be alerted when tickets are available (details are on the home page). So if you want to come and watch me pretend to know what I’m talking about, and see my first attempt at window painting.. Sign up now! But in all seriousness, big thanks to Gosh and LDC for letting my represent their values in the form of a window display and asking me to speak as one of the chosen six – I can’t wait!

In other news, you may recall a few weeks ago me referring to one of my projects being the House of Illustration and Folio Society Book Illustration Competition for War Horse! The competition requirements is to produce a set of three internal illustrations and a binding design, to fit into their minimalist graphic style.The competition ends in January, but with assessment looming and final tutorials this week I’ve been working extra hard to get this ready! It’s been a strange project for me to do given that I didn’t particularly want to approach it in the character-centric style I tend to work in, as the general tone of the cheery children’s book is rather dark. Instead, I wanted to focus on the atmosphere, and use certain scenes and textures to give an effect of how very depressing it all was. I mean, the First World War wasn’t exactly all butterflies and flute music, was it? With that in mind, here’s my work in progress on the project to date..

Layout 1

Internal illustrations
Internal illustrations
Internal illustrations

Spine Text

I’m not entirely happy with the binding (front and back cover spread) just yet, but it’s not too far off I don’t think.. Book covers are not something I ever really did before University and I desperately struggled with the last one for Carrie’s War, so I have been determined to get this one right. As for the internal illustrations, I opted to completely avoid using ink lines for this and painted or printed everything using handmade collagraph plates, using Photoshop to put everything together nicely. Again, these aren’t completely 100% finished yet – but not far off.

Finally, after I had a tremendous sell-out of greetings cards at Thought Bubble last month I’ve gotten round to ordering more and putting them up on my Etsy store! There’s a choice of three at the moment, with this year’s Christmas card design and two others. So, for an extra special card this year, pop on over to my Etsy store and check them out.

Well well well, another busy one. I’ll be back next week after a during stressful assessment period, but hopefully with the Christmassy end in sight! Low and behold I have another week of rather important emails, another commission and further uni work progression. So, with that in mind, and the kettle calling my name.. Over and out.

x

Thought Bubble Festival Round-Up

| rozihath

Good morning ladies and gents,

So, it’s all over! The exciting blur that was Thought Bubble Festival in Leeds this past weekend has been and gone in a flash, and I’m dealing with some serious post-festival blues. It probably doesn’t help that it’s dark and gloomy outside and I’m a bit sleep deprived, but Thought Bubble was so much fun I didn’t really want it to end. But, alas, I’m back into the throngs of university assignments and real life nonsense, which my brain doesn’t seem to be particularly in gear for. Third year woes.

The Thought Bubble Festival held in Leeds was a week-long event with a load of workshops and events, with the pièce de résistance being the comics festival over the weekend. Open both Saturday and Sunday 10am-5pm, I was lucky to be plonked next to some absolutely lovely table buddies, Van Nim and Richy K. Chandler over in New Dock Hall, the biggest of the three halls used for the comic festival. There were many, many lovely comic people to see over the weekend, and I even got given some lovely goodies in the form of the Dead Singers Society and the HOME Art Aid Nepal Anthology, plus a comic-swap with Richy for his Tempo Lush Tales of the Tanoox! Here’s the weekend in a nutshell..

73b never looked so good.
The Red Road second edition, plus doodled on bags!
Myself with the super talented Van Nim!
HOME Anthology goodies!
My HOME piece in the book.
Dead Singers Society, edited by Samuel C. Williams and Paddy Johnston
Muddy Waters in DSS
Fantastic entry from Alan Henderson
Day two aerial view.

Special thanks definitely has to go to Samuel C. Williams for including me in his coffee runs over the weekend; as you can imagine this comic selling business is a rather tiring affair so I spent the weekend entirely propped up on caffeine. Other highlights include bumping into Andrew Tunney, (who I’d met properly at MancsterCon earlier this year) and helping his vigilante mission against faux-steampunk; witnessing some impressive renditions in the comic-karaoke on Saturday evening (yes Paddy, I’m still in awe); and wondering if those crazed sneezes were even real or not, with Danny Noble, Andy Oliver, Elizabeth Querstret and Matt, and Wallis Eates. AND, I finally got to meet Mike Medaglia, whose work is absolutely beautiful. There were so many people I missed seeing just because of how zombie-fied I was by the end, but it was a great weekend and I couldn’t have wished for better company and conversations! A HUGE thank you to everyone who stopped by my table and said hello, purchased goodies and took the time to chat. Also, extra special thanks to Alan Henderson who picked up my The Red Road original artwork in the alternate colours! Finally, big big thanks to the organisers of Thought Bubble for making it absolutely fantastic to be a part of – it was my first Thought Bubble and it definitely won’t be my last.

Phew, what a weekend. I’m looking forward to finding some time in the next few days to curl up in bed with my new reading material, the HOME anthology and Tales of the Tanoox, but for now I’m in dire need of catching up on university assignment work. Fun times! On the bright side, there are some exciting things coming this way soon.. Next week will see normal service resume with a good catch up on what I’ve been working on. So, until then, have a good week everyone! Over and out.

x

Hello, November.

| rozihath

Good morning ladies and gents.

So, another week is behind us and we’re well and truly into November. There’s a crisp, cold scent to the night air which can only mean the arrival of Bonfire night. Because, y’know, why not celebrate some guy’s failure of trying to blow up the House of Lords in the 17th century when it involves pretty colours and bright lights? Thankfully my week-and-a-half long lurgy seems to be finally tailing off, though it’s been a determined little bunch of germs.

On Monday I managed to drag my coughing and sniffly self into the university print rooms to play with my collagraph printing plates I showed you all last week. Wanna see? Yeah you do!

These prints are all part of the work I’m creating for the Folio Society’s printing of War Horse, and as I mentioned last week this is a competition which calls for three internal illustrations and a book jacket design in the typical Folio Society styling. As the subject matter of War Horse is pretty dark, and the story is told through the eyes of the horse, I didn’t want to go and just draw horses everywhere. Instead, I’m looking at combining these textured backgrounds with washes of paint and some drawn details. The first print is for the shelling at night, the second is muddy brown holes in the snow, and the third is pieces of shrapnel and earth upturned by more shelling. I don’t normally work in an abstracted way so it’s kind of nice to try out this more atmospheric way of presenting a landscape rather than going straight to drawing pens. Fits the story better, I think.

In similar news, I’ve been trying out something different with modelling clay, too! With Thought Bubble Festival only a week and a half away, I’ve been working on a small side project to keep me company over the weekend on my half of table 73. Plus, with the re-release of The Red Road coming THIS FRIDAY, and Thought Bubble being it’s first public appearance, I thought it’s a perfect opportunity to make something  bit different. Now, I’m absolutely no expert in the field of modelling, but after a plea on twitter and speaking to some fellow students at university, I found out my failed attempts were because I needed to make a skeleton structure to support the weight of the clay. Who knew! Low and behold, I’ve just about managed to make a model of Bear and Coyote with air-drying clay and a frame consisting of paper clips, wool and hot glue.

Now, they are pretty crappy. I mean, I was hoping I could sell them, but I wouldn’t wish that upon anyone until I’ve practiced a little more. Also, as you can probably tell, they aren’t to scale of each other – whoops! Making a smaller Coyote would have been really fiddly, and making a bigger Bear would have needed a much larger and more substantial frame. But altogether, not too shabby for a second attempt. Some cracks have appeared in the drying process so I shall be off to get some fine surface filler to fill those in before I paint and glaze my new friends.

Speaking of The Red Road… IT’S ALMOST FRIDAY!! I am so, so excited to be releasing The Red Road for a second time, especially with the changes and additions I’ve made. The story remains the same, but there’s some special extra content in there now, and a couple of other tweaks to make it the best it can be. Yay! Don’t forget, The Red Road launches this Friday (6th November) still for the same price of £6 on my Etsy store, but this time with an extra 4 pages of goodies. Just to make life even more exciting, Richard Bruton’s review came through last week from Forbidden Planet Blog. What a dream come true! Having not only a Broken Frontier review but now a Forbidden Planet review too is an incredibly proud and exciting moment for me. Here’s a snippet, and click here for the full review.

“…Hathaway deserves fulsome praise for delivering something so brutal, so powerful, in such simple terms. This is good comics.”

– Richard Bruton, Forbidden Planet Blog review of The Red Road

Finally, yesterday saw celebrations in the form of Broken Frontier’s Editor-in-Chief Andy Oliver’s Small Pressganged 4th birthday! Wow, that was a mouthful. Anyway, it’s safe to say that without Andy Oliver’s tireless work to embrace small press and independent comics, I would not be on the shelves of comics shops throughout the UK, and I would not have appeared in anthologies and at comics events. What a guy! For myself and countless others, Andy has championed our hard work and given it an amplified audience of dedicated fans and followers. Really, I am so thankful for the great work that he does, and I would just be another uni student desperate to get anywhere without his support and belief in my work. All hail the hat! To celebrate the occasion I draw Andy a nice big hat cake with four candles per hat and a potential flag fire hazard. It’s not exactly my most esteemed work, but as a doodle it gets the message across. Happy 4th Birthday Small Pressganged!

Hat Cake Bonanza!
One from Keara Stewart!

So, that’s about it for now; the Next Big Thing is slowly under way and next on the list is working on my dissertation proposal. (Yep, you thought your Wednesday morning was fun..) Don’t forget to get your shiny second edition copy of The Red Road from Friday, and check back next week for some previews of the second edition additions. Until next time!

x

 

The Red Road – Round Two

| rozihath

Goooood morning folks!

So, another week vanishes in the blink of an eye, and more sadly, another weekend vanishes even quicker than before. However, lots of good things are brewing here at Rozi HQ, (most important of all being herbal tea) and the excitement takes off the edge of the autumn chill.

Speaking of which, I am incredibly excited and happy to announce that The Red Road is going to print for a second edition run! I’ve been working away in between university assignments to add bonus content to the existing book, and really make it the best it can be. The story remains the same, though there are some new treats in store, including unseen sketchbook work and more..

I am so grateful for everyone who helped make The Red Road a sell-out success in just nine short months! It’s strange to think that this time last year I was beginning to unfold ideas to start creating Bear, Coyote and Lark, and the girl who holds the story together. It’s something I’m very proud of, and I’m not ready to let go of it yet. Watch this space for news of the official re-launch, coming November 2015!

In related news, The Red Road has kindly been reviewed over at Big Comic Page by Kirsty Hunter. Yay! Here’s some lovely extracts;

“A complete sucker for traditional media comics, I fell head over heels for The Red Road from my first look at its simple and striking watercolour cover. Burned skeletons of trees, silhouetted against shadowy mountains with a blazing red sunrise just breaking above these – the image nicely encapsulates the story’s blend of light and darkness.”

“Overall, The Red Road is a quietly powerful reading experience and a sure-footed debut from Hathaway. There’s more than enough here to get me really excited for whatever she brings out next as I think her ability to depict difficult emotions with a light touch will translate to a variety of projects.”

– Kirsty Hunter, Big Comic Page (read the full review here)

Lovely stuff! The Red Road scored a 4 out of 5, and is happily added to my small collection of reviews alongside Andy Oliver’s review from Broken Frontier earlier this year. Fingers crossed another important review might be coming this way soon..

Also, this week my Sneaky Business buddy Samuel C Williams has released the front cover image for his forthcoming zine, Dead Singers Society. To be released at this year’s Thought Bubble festival in Leeds, Dead Singers Society includes comics, illustrations and writing, with my submission being a single page illustration of Muddy Waters (sneak peek below). I always really enjoy working on small pieces for print, especially as a thanks to Sam for his work in Sneaky Business. So, if you’re around Thought Bubble next month be sure to swing by and see Sam’s stall (before you head over to spend all your pennies with me, of course!).

I was asked to be a part of the first Dead.. Singers Society
.. and I created this piece of Muddy Waters

Finally, in some very exciting news, Kripa and Elena have absolutely smashed the target for Art Aid Nepal, finishing up with a whopping £3’300 in donations and over 100 backers! Well done everyone for being a part of something so amazing, I can’t wait to get my hands on my very own printed copy and see all the amazing work that’s gone into this multicultural bonanza of an anthology. Thank you so much to Kripa and Elena for letting me be involved!

That’s it for now, folks! I have a stack of books that need reading and analysing before I can do fun drawing things, and the pile of books seem to be ever growing.. University life. Stay tuned as more awesome things are coming in the weeks to come.. Over and out!

x

Under the Sea

| rozihath

Good afternoon happy campers!

So, another seven days have clocked past and I’m feeling more comfortable with being up to my chin in assignment work. Final year stress? It’s a breeze! Ha.. Famous last words. But whilst I’m enjoying this false sense of security, I have my most recent project to show you all!

So, two weeks ago us happy third years were given a choice of articles to illustrate for an editorial brief. I chose one which was around the idea of the road, the space between places. Entitled ‘Toward Portland’, the already published article is a first person thought trail from an author describing over the course of a one page essay how the road is the place between places, also referencing other non-place places, like the twilight, midnight and abyss zones of the deep sea and all the spookies that reside down there. The writer also mentions his interest in travel starting from a young age, trying to dig to china in his back yard. Out of the two images we had to create, the only real constraint was that the first image, in a magazine setting, would have a crease running down the centre. This basically means I had to offset the image and counterbalance it, so that nothing ‘essential’ would be lost in the middle fold. All good practise, though! So, with all that in mind, you can see finished images below (click for bigger version);

There’s always something exciting about researching a new idea or topic. The deep sea concept jumped out at me immediately, and thanks to this awesome interactive animation I stumbled across on the BBC, I now know far more about the journey to the centre of the earth than I ever have. Fascinating stuff! The antikythera wreck and mechanism immediately jumped out at me, and I used theoretic diagrams in the second image. Also, those deep sea spookies you can see are the likes of amphipods (which didn’t make the final cut, sorry amphipods), the marine hatchetfish, and deep sea jellies such as the comb jellyfish and a sinister looking siphonophore. That last charmer can be up to 40 meters long with millions of stinging cells which it deploys in a net to completely obliterate anything that drifts towards it. With that in mind, I can safely say that I’m more than content on land, and plan not to meet these particular creatures any time soon. But yes, this was a nice change and a fun project full of complex and enticing ideas. Refreshing!

In other news, the ‘HOME’ themed Art Aid Nepal anthology has been reviewed by Andy Oliver at Broken Frontier this week! Check out an extract from the review below;

“Home also provides contributions that invite the reader to construct their own narratives around a single image. Katriona Chapman (Katzine – her page right) is another artist to emphasise that our relationships are integral to our sense of home while Rozi Hathaway (The Red Road and one of our ‘Six UK Small Press Creators to Watch in 2015’) provides a quiet but poignant moment of finding one’s place in the world amidst chaos and disorder. Asia Alfasi similarly highlights the importance of memories in relation to the thematic heart of the anthology.

To a degree it feels almost redundant if not inappropriate to be critically analysing a compilation of work that has been created with such altruistic intentions. However, regardless of the origins of its existence, Home is a reflective and contemplative collection of evocative work that all readers will relate to. Great comics and a great cause in one package. This one deserves your support.”

Andy Oliver, Broken Frontier review of Art Aid Nepal HOME Anthology

As I mentioned last week, this is something I’m incredibly proud to be a part of. Elena Vitagliano and Kripa Joshi have done a fantastic job at raising the hoped £2000 so far, but with 6 days to go there’s still a chance to make more of a difference. Here’s what they say about it..

“By raising £2000 we hope to provide workshops for the children in these temporary shelters. But we don’t want to stop at that… we have bigger dreams too.
If we can raise £2500 we will give each of those children a journal and art materials so they have tools for creative outlet. And if we raise more than £3000 we would conduct teacher training in the worst affected area to equip them with skills on how they can bring creativity into their classrooms through some very basic and easily found materials.
The more money we raise, the more areas we will be able to reach with the training. With your help we hope to reach as many children as possible and continue to provide support.”

You can still donate to the Kickstarter project until Monday 19th October, and you can do so here!

That’s it for now, folks! The Next Big Thing is in the beginning research stages of compiling what I have so far before I progress onto creating the story. Exciting stuff! Well, for me it is, anyway. Until next week..!

x

Top Secret Project

| rozihath

Good morning you lovely people, you!

So, it appears to be autumn. I’m not quite warm enough, University is looming once more and my list of jobs to do before third year starts is slowing depleting.. Though I keep thinking of things to add to it, which doesn’t help. Thankfully, stress is low and my stocks of camomile tea are high, so here’s to a good few weeks before the teeth-grinding, alcohol comforted, crying into sketchbooks era of Third Year begins.

Amongst the delights of laughing at my own history of terrible drawings last week, and celebrating the wonders of MancsterCon, you may have seen mentions of the Top Secret Project having reached completion. Now, the Top Secret Project started back around May, though it still feels like a blur of thinking and drawing, with the final painting of my 10 pages taking a week to complete. I still can’t divulge any more details about the Top Secret Project (in case you hadn’t already guessed from the title), but if you can all hold onto your hats for just a couple more months, all will be revealed… For now, though, here are some of the final images; from final inks to varying stages of painted completion. I’m still resting in that uncomfortable zone of “is-this-actually-terrible-and-people-will-laugh-at-me-and-I’ll-have-to-change-my-name-and-become-a-hand-model-and-move-to-a-village-and-hide-forever”, but I’ve come to realise that the fears and worries are a good thing. Emotional investment equals fear of other peoples opinions, and emotional investment means I’ve done the best I can. So, let’s just hope it’s not a flop.

Similarly to The Red Road, I drew all my pages out in pencil, went over them in fancy ink pen, and painted them in varying shades of gouache. Unlike The Red Road, however, I drew everything 100% larger than it’s due to be printed; it’s something my lecturers at University kept telling me I should do to improve my figure drawing, and I actually listened. I’ve been drawing double the size of print since Rejsen, with my comic in Sneaky Business also being double the size of print too. I’m not sure if it’s making me a better illustrator/artist or not, but it works well enough and doesn’t take any extra time.

The one thing I did do different this time, is that I worked on all the pages from rough form on separate paper first, then once the pencils were done-ish I used the light-box to draw everything up on the final fancy paper in pencil again, tightened it all up and inked. The good thing about doing it like this, is that the paper wasn’t left with a multitude of rubbed-out mistakes, and no pencil indents too. I IS LEARNING, LIKE. But yes, with every new project comes a new set of wisdom, and the completion of the Top Secret Project has left me feeling comfortable in the set of processes I have for my upcoming Final Major Project at University (cue: fear).

Last week also saw the review of Down to Your Skivvies #1, by Broken Frontier in Andy Oliver’s new Zinewatch feature! DTYS#1, created by Kamala Roberts, Zara Ward and myself earlier in the year is about celebrating women in the arts, and though #2 is in the making, it’s great to have a little boost with this review – thanks Andy! You can read his review of DTYS here, and purchase a copy on Etsy, here.

Old school zine-style in presentation, Down to Your Skivvies! is an eclectic mix of material that, nevertheless, retains a consistent thematic approach and voice.
– Andy Oliver, Broken Frontier.

Aside from this, the past week has actually been pretty busy with non-work related things, although a couple of lovely new shiny projects have come my way which will give me plenty to do this week, along with that damn pre-uni, ever growing check-list. So, I shall leave you all rest-assured that I am continuing my delicate balance of staying warm, drawing lots, and doing my very best not to go into hibernation mode. I am off on a few day escape to Amsterdam next week so I will be back with my blog on Friday instead of it’s usual mid-week presence, but picture me happily cycling around canals in the rain whilst stuffing my face full of poffertjes and wheels of gouda. Until next week!

x

Sneaky Business

| rozihath
Sneaky Business!
Work by Pete Hindle
Work by Peter James Norman
Work by Alex Hahn
Work by Samuel C Williams
Work by me!

Sneaky Business

Sneaky Business is a comics zine created by myself, showcasing the talents of a select few UK independent comics creators, around the theme of ‘Stealth’.
Design and editing by Rozi Hathaway

Contributions by Alex Hahn, Rozi Hathaway, Pete Hindle, Peter James Norman and Samuel C Williams.

Sold out! Issue two coming soon..

Reviewed by Andy Oliver at Broken Frontier;

“There’s something incredibly appealing about the almost ephemeral zine-like approach of Sneaky Business; something smaller scale that, nevertheless, acts as a concise showcase for a number of self-publishing talents in one affordable and welcoming package. Let’s hope that Hathaway returns to this format again sooner rather than later because this one could run and run…”