2015 Reflections

Good afternoon ladies and gentlemen!

So, the Christmas cake is dwindling and I’ve eaten my bodyweight in turkey.. It must be that limbo between Christmas and New Year where I’m not quite sure what day it is and what I’m supposed to be doing, with what feels like a brain full of cranberry stuffing. With that in mind, I thought this would be the perfect opportunity to reflect on a successful 2015 (as it doesn’t take much brain-power, thankfully)..

Work-wise, it’s been a fantastic year. Of course we can’t have it all, and this year wasn’t without it’s fair share of difficulties, with a small health issue of my own in the first few months of 2015, a friend’s recurring battle with cancer (fingers crossed, all looking good this time!), and the very quick and unexpected loss of my uncle in August. It’s all too easy to have regrets and feel as if being too work-centric has left me with the loss of valuable time before it was too late, but, all I can do it look back on the positives.. I have learnt a lot about the way I work in the past year, and I can only hope that my storytelling and comics work is going from strength to strength with each piece completed. Also, my work on illustrations without narrative has improved tenfold since this time last year, and I have dedication and tough marking at University to thank for that.

In all, there’s a lot of people who have helped and supported my work in 2015, and I couldn’t name them all if I tried – but to everyone who has ever bought a piece of my work, a comic, a postcard or even just had a chat at a convention, thank you. Thanks to Andy Oliver at Broken Frontier for naming me one of his Six UK Small Press Creators to Watch in 2015 and for continually supporting and championing my work, helping me with advice when I’ve asked, reviewing my work, and getting us six seen at CECAF. Thanks to Keara Stewart for asking me to be a part of A Bit of Undigested Potato, my first ever anthology comic, and inspiring me to not only take on my own project Sneaky Business, but also for giving my the confidence to apply for Dirty Rotten Comics. Big thanks to my Sneaky Business folks for happily creating work for free, which now sits on comic shelves around the country! Thank you to all those comic shops, Travelling Man Manchester, OK Comics in Leeds, Orbital Comics in London, Gosh! Comics in London, and Nostalgia and Comics in Birmingham for having my work on your lovely shelves. Thanks all the lovely people I’ve met along the way at conventions and selling events, and a special mention to Van Nim and Richy K Chandler for being so wonderfully entertaining at Thought Bubble and keeping me sane. Thank you to my ever patient partner Chris for bring supportive and understanding, to my flatmate for being the best at bouncing ideas off (and supplying me with Jack Daniels), my family, and the supportive bunch of friends I have near and far, so understand when they don’t hear from me for months on end. And, all you readers! You lovely readers, you.. Putting up with my waffling week after week, and making me feel popular. Here’s to 2016 and all the exciting things to come!

I shall be back next week as usual, probably mid-dissertation, in the run up to painting the Laydeez do Comics window display at Gosh! Comics. Woohoo! There is a LOT of exciting things coming up in January and early-February, and my work will be pretty much non-stop. But it’ll be worth it! I’ll have more information on how the year is shaping up next week, but for now I hope you all had wonderful seasonal festivities, and have a Happy New Year! See you next year..!

 

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Top Secret Project

Good morning you lovely people, you!

So, it appears to be autumn. I’m not quite warm enough, University is looming once more and my list of jobs to do before third year starts is slowing depleting.. Though I keep thinking of things to add to it, which doesn’t help. Thankfully, stress is low and my stocks of camomile tea are high, so here’s to a good few weeks before the teeth-grinding, alcohol comforted, crying into sketchbooks era of Third Year begins.

Amongst the delights of laughing at my own history of terrible drawings last week, and celebrating the wonders of MancsterCon, you may have seen mentions of the Top Secret Project having reached completion. Now, the Top Secret Project started back around May, though it still feels like a blur of thinking and drawing, with the final painting of my 10 pages taking a week to complete. I still can’t divulge any more details about the Top Secret Project (in case you hadn’t already guessed from the title), but if you can all hold onto your hats for just a couple more months, all will be revealed… For now, though, here are some of the final images; from final inks to varying stages of painted completion. I’m still resting in that uncomfortable zone of “is-this-actually-terrible-and-people-will-laugh-at-me-and-I’ll-have-to-change-my-name-and-become-a-hand-model-and-move-to-a-village-and-hide-forever”, but I’ve come to realise that the fears and worries are a good thing. Emotional investment equals fear of other peoples opinions, and emotional investment means I’ve done the best I can. So, let’s just hope it’s not a flop.

Similarly to The Red Road, I drew all my pages out in pencil, went over them in fancy ink pen, and painted them in varying shades of gouache. Unlike The Red Road, however, I drew everything 100% larger than it’s due to be printed; it’s something my lecturers at University kept telling me I should do to improve my figure drawing, and I actually listened. I’ve been drawing double the size of print since Rejsen, with my comic in Sneaky Business also being double the size of print too. I’m not sure if it’s making me a better illustrator/artist or not, but it works well enough and doesn’t take any extra time.

The one thing I did do different this time, is that I worked on all the pages from rough form on separate paper first, then once the pencils were done-ish I used the light-box to draw everything up on the final fancy paper in pencil again, tightened it all up and inked. The good thing about doing it like this, is that the paper wasn’t left with a multitude of rubbed-out mistakes, and no pencil indents too. I IS LEARNING, LIKE. But yes, with every new project comes a new set of wisdom, and the completion of the Top Secret Project has left me feeling comfortable in the set of processes I have for my upcoming Final Major Project at University (cue: fear).

Last week also saw the review of Down to Your Skivvies #1, by Broken Frontier in Andy Oliver’s new Zinewatch feature! DTYS#1, created by Kamala Roberts, Zara Ward and myself earlier in the year is about celebrating women in the arts, and though #2 is in the making, it’s great to have a little boost with this review – thanks Andy! You can read his review of DTYS here, and purchase a copy on Etsy, here.

Old school zine-style in presentation, Down to Your Skivvies! is an eclectic mix of material that, nevertheless, retains a consistent thematic approach and voice.
– Andy Oliver, Broken Frontier.

Aside from this, the past week has actually been pretty busy with non-work related things, although a couple of lovely new shiny projects have come my way which will give me plenty to do this week, along with that damn pre-uni, ever growing check-list. So, I shall leave you all rest-assured that I am continuing my delicate balance of staying warm, drawing lots, and doing my very best not to go into hibernation mode. I am off on a few day escape to Amsterdam next week so I will be back with my blog on Friday instead of it’s usual mid-week presence, but picture me happily cycling around canals in the rain whilst stuffing my face full of poffertjes and wheels of gouda. Until next week!

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