2015 Reflections

Good afternoon ladies and gentlemen!

So, the Christmas cake is dwindling and I’ve eaten my bodyweight in turkey.. It must be that limbo between Christmas and New Year where I’m not quite sure what day it is and what I’m supposed to be doing, with what feels like a brain full of cranberry stuffing. With that in mind, I thought this would be the perfect opportunity to reflect on a successful 2015 (as it doesn’t take much brain-power, thankfully)..

Work-wise, it’s been a fantastic year. Of course we can’t have it all, and this year wasn’t without it’s fair share of difficulties, with a small health issue of my own in the first few months of 2015, a friend’s recurring battle with cancer (fingers crossed, all looking good this time!), and the very quick and unexpected loss of my uncle in August. It’s all too easy to have regrets and feel as if being too work-centric has left me with the loss of valuable time before it was too late, but, all I can do it look back on the positives.. I have learnt a lot about the way I work in the past year, and I can only hope that my storytelling and comics work is going from strength to strength with each piece completed. Also, my work on illustrations without narrative has improved tenfold since this time last year, and I have dedication and tough marking at University to thank for that.

In all, there’s a lot of people who have helped and supported my work in 2015, and I couldn’t name them all if I tried – but to everyone who has ever bought a piece of my work, a comic, a postcard or even just had a chat at a convention, thank you. Thanks to Andy Oliver at Broken Frontier for naming me one of his Six UK Small Press Creators to Watch in 2015 and for continually supporting and championing my work, helping me with advice when I’ve asked, reviewing my work, and getting us six seen at CECAF. Thanks to Keara Stewart for asking me to be a part of A Bit of Undigested Potato, my first ever anthology comic, and inspiring me to not only take on my own project Sneaky Business, but also for giving my the confidence to apply for Dirty Rotten Comics. Big thanks to my Sneaky Business folks for happily creating work for free, which now sits on comic shelves around the country! Thank you to all those comic shops, Travelling Man Manchester, OK Comics in Leeds, Orbital Comics in London, Gosh! Comics in London, and Nostalgia and Comics in Birmingham for having my work on your lovely shelves. Thanks all the lovely people I’ve met along the way at conventions and selling events, and a special mention to Van Nim and Richy K Chandler for being so wonderfully entertaining at Thought Bubble and keeping me sane. Thank you to my ever patient partner Chris for bring supportive and understanding, to my flatmate for being the best at bouncing ideas off (and supplying me with Jack Daniels), my family, and the supportive bunch of friends I have near and far, so understand when they don’t hear from me for months on end. And, all you readers! You lovely readers, you.. Putting up with my waffling week after week, and making me feel popular. Here’s to 2016 and all the exciting things to come!

I shall be back next week as usual, probably mid-dissertation, in the run up to painting the Laydeez do Comics window display at Gosh! Comics. Woohoo! There is a LOT of exciting things coming up in January and early-February, and my work will be pretty much non-stop. But it’ll be worth it! I’ll have more information on how the year is shaping up next week, but for now I hope you all had wonderful seasonal festivities, and have a Happy New Year! See you next year..!

 

x

Season’s Greetings!

Good morning ladies and gentlemen,

Well well well, it’s almost that time of the year! We are four short days away from the joy of family, feasting, and being propped up in a corner after many glasses of wine. Lovely stuff! Although I always look forward to the Christmas break, it’s felt particularly needed this year.. With a stressful term one of the final year of university down, only two more to go until I graduate. It’s not all tinsel and puddings in the next few weeks, mind you; I’ll most likely be writing the majority of my dissertation over the Christmas break and I have a few other things to do before returning to lectures in the cold and dark reality of January. But, in the spirit of not wishing time away, all that nonsense is in the back corner for now. Phew!

My usual update last Wednesday had to be delayed due to assessment, but that means that I now have even more to tell you all! First up, you may remember the commission I did for the Hope Centre a few weeks ago, for their Christmas appeal. Well, it took a little while but I finally got my hands on a printed copy of the newsletter featuring my illustration. How exciting!

It’s been really nice to see my work in print. I mean, comics-wise I’ve had a pretty dang awesome year and drawing for narrative is my favourite thing to do. However, working on an editorial piece like this and seeing it out there in the world is a rewarding moment and important for my portfolio. Rejoice! The Hope Centre in Northampton, as I mentioned in that previous post is an important charity. If you fancy helping them out at this rather cold time of the year, head over to Just Giving and their Hope for Christmas campaign.

In other news, earlier this month I was interviewed by Tom Mortimer on behalf of Dirty Rotten Comics, following my Rejsen comic being printed in their fifth issue back in August. Thanks to Tom for a genuinely interesting and deep chat about comics, and the guys at Dirty Rotten Comics for having me! Here’s a little extract below.

T : Something I’ve noticed about your work is that, in each case there seems to be a uniting sense of journey. You have a lot of movement through spaces, establishing shots and interactions. There’s also a nice echoed mapping of movement in the visual pacing of the panels and the unfolding nature of it also reflects the way the formation of the narrative itself works. These things surface, and it can be seen as a sign of connection with the medium. How much of this was a conscious decision, was it all planned?

R: I’m very interested in pacing with comics; how movement through a story can be subtly distorted and played with. It’s not really something that can be done in other mediums, so it’s been great to play with it as much as a story allows. It was particularly relevant in The Red Road, as it’s based around the poem which has a similar movement through time, or more lacking any specifics of time. Part of it was definitely a conscious decision, though I’ve learnt a lot more about pacing with every new comic I create.

The Rejsen submission I made for Dirty Rotten Comics was completely incidental, it was more just a reflection on how many different places you end up sitting, standing or waiting on a platform during years of travelling by train to Manchester. The movement in comics and playing with time is still something I’m getting to grips with doing. It’s a constant learning curve!

– To read more, click here to head to the Dirty Rotten Comics interview with yours truly.

Dirty Rotten Comics #6 OUT NOW! Click above for #5

In other news, as I mentioned in my last post, I went to my first ever Laydeez do Comics event held in Gosh! Comics in London last Monday! I didn’t manage to get any photos as I was so enamoured with listened to two such inspiring individuals talking about their work; Rachael Ball and Mike Medaglia. Mike started with talking about his work from the past few years leading up to now, with his success of One Year Wiser – the hugely popular book of 365 illustrated quotes and mantras, the subsequent One Year Wiser the colouring book, and his latest venture of creating comics for the Mindful Life Illustrated on Elephant Journal. Go Mike! Next up speaking was Rachael Ball, the creator of The Inflatable Woman, an einspiring tale of one woman and her life experiences after being diagnosed with breast cancer. I’ve not had a chance to read The Inflatable Woman yet, but Rachael’s inspiring talk about her own battle with breast cancer and how she took on creating this story from scratch was moving, and how she weighted the graphic novel with dark parts equally balanced with humour really shows her talent. And, I mean, she has arguing penguins in the story. What’s not to love? You can buy Rachael’s The Inflatable Woman from any decent book retailer, and Mike Medaglia’s online shop can be found here (though don’t bother him whilst he’s on holiday!). And of course, the wonderful Gosh! Comics have stock of both their work. And lots of other talented people. You should go pay them a visit.

Thanks to Keara, Wallis and the folks at Gosh for being welcoming as always, and I briefly got to see some ever so friendly faces before dashing through Soho on a one-horse open sleigh.. Err.. I mean.. By foot.. to get my train back home to Northampton. I’m really glad I made time to go to a Laydeez do Comics event before speaking as a part of the Broken Frontier themed event in January! Though now the pressure is on to make people believe that I’m actually interesting. Yikes! Saying that, I do have a fondness for making In Design presentations, so I can spend a happy Christmas dropping in images and making it all look rather fetching. So, as I mentioned last time, the next Laydeez do Comics London is on Monday 18th January – tickets are free but must be booked and sell out fast, so if you’d like to come and hear me stutter make sure you get yourself on the mailing list now!!

Finally, as of Friday afternoon, University is now finished for the year and I am free as a festive bird (although not really, as I mentioned at the start.. But I’m pretending for a few days)! War Horse is finished and progress on The Next Big Thing will be continuing over Christmas, and hopefully in January I might have some good news regarding the latter. For now, I’d like to wish all my readers (Hi mum!) a very merry festive season! I will be back in just over a week with an update before the New Year, potentially a compilation special looking back over 2015 and how snazzy it’s been. For now, though, enjoy!!! See you on the other jolly side!

x

 

December Madness and Laydeez do Comics!

Good morning ladies and gents!

So, another week bites the dust and the first round of assessment is looming eerily close by. Although I’m working in a haze which can probably be described as “I’m not really sure what I’m doing anymore”, things are getting ticked off the list and I’m vaguely, quietly confident that I’ll be in good stead by Christmas. Well, as long as I avoid any critique sessions where it’s advised to completely change my work.. Sigh. But anyway, I also decided it would be a marvellous idea to start getting up stupidly early in the week to do some mild exercise or yoga (don’t laugh) before getting to work before 8am, which seems to be helping my productivity somewhat. Though, I’m only on day three so far.. And I ache.

Logos

 

First up, as you may remember from last week, I mentioned that I had something exciting up my sleeve to tell you all. WELL! I am over the moon to announce that I have been asked by the lovely Keara Stewart and Wallis Eates of Laydeez do Comics to speak as a part of the Broken Frontier themed evening, as one of the Six UK Small Press Creators to Watch in 2015! With the small press champion Editor-in-Chief Andy Oliver being the reason for so many people getting a chance of recognition and support, it’ll be a great chance to listen to his worldly comics wisdom. Alongside will be the fiercely talented and entertaining Danny Noble, of Ollie and Alan fame, and myself – probably still a bit love-drunk on brandy butter by that point.

Laydeez do Comics London is held in Gosh! Comics in Soho, who are one of the biggest stores to support small press comics creators. Keara and Wallis have stepped up to take over as London Co-ordinators whilst co-founders Sarah Lightman and Nicola Streeten are taking a break to focus on their respective PhDs. here’s a snippet about Laydeez do Comics (LDC) from their website..

“Launched in July 2009 by artists Nicola Streeten and Sarah Lightman, it is the first women led graphic novel forum in the UK. Artists, academics, publishers and fans from around the world are invited to speak. It is a platform for people to test new works and ideas, where emerging artists present their work alongside more established practitioners. The evenings offer an inspiring experience in a social atmosphere for both those new to comics and those already immersed. Laydeez do Comics now has branches in Glasgow,  Bristol, Leeds, Dublin, San Francisco and Chicago.  Pop up events have also taken place in New York, Toronto, Glasgow and Brighton.”

Exciting stuff! The Broken Frontier LDC night is being held on Monday 18th January, and in MORE exciting news I’ve been working together with Gosh and LDC to create a themed window display for the event! At the moment I’ve just been sketching ideas up, but soon I’ll be getting some final designs to both parties and the work will commence the week before the event. Because I’m feeling overly generous, here’s one character from some preliminary sketchbook work for the window design…

Promo Blog

This coming Monday I’ll be attending my first LDC event as a member of the audience, with guest speakers are Mike Medaglia and Rachael Ball. Both are so excellent at what they do, and I can’t wait to be a part of the audience! And also, it’ll be good to see exactly what to expect a month later when I sit the other side of the table. Tickets for LDC are free, but must be booked and disappear incredibly quickly! If you’re interested in attending the Laydeez night in January, then best to pop over to the Laydeez do Comics website and sign up for their mailing list to be alerted when tickets are available (details are on the home page). So if you want to come and watch me pretend to know what I’m talking about, and see my first attempt at window painting.. Sign up now! But in all seriousness, big thanks to Gosh and LDC for letting my represent their values in the form of a window display and asking me to speak as one of the chosen six – I can’t wait!

In other news, you may recall a few weeks ago me referring to one of my projects being the House of Illustration and Folio Society Book Illustration Competition for War Horse! The competition requirements is to produce a set of three internal illustrations and a binding design, to fit into their minimalist graphic style.The competition ends in January, but with assessment looming and final tutorials this week I’ve been working extra hard to get this ready! It’s been a strange project for me to do given that I didn’t particularly want to approach it in the character-centric style I tend to work in, as the general tone of the cheery children’s book is rather dark. Instead, I wanted to focus on the atmosphere, and use certain scenes and textures to give an effect of how very depressing it all was. I mean, the First World War wasn’t exactly all butterflies and flute music, was it? With that in mind, here’s my work in progress on the project to date..

Layout 1

Spine Text

I’m not entirely happy with the binding (front and back cover spread) just yet, but it’s not too far off I don’t think.. Book covers are not something I ever really did before University and I desperately struggled with the last one for Carrie’s War, so I have been determined to get this one right. As for the internal illustrations, I opted to completely avoid using ink lines for this and painted or printed everything using handmade collagraph plates, using Photoshop to put everything together nicely. Again, these aren’t completely 100% finished yet – but not far off.

Finally, after I had a tremendous sell-out of greetings cards at Thought Bubble last month I’ve gotten round to ordering more and putting them up on my Etsy store! There’s a choice of three at the moment, with this year’s Christmas card design and two others. So, for an extra special card this year, pop on over to my Etsy store and check them out.

Well well well, another busy one. I’ll be back next week after a during stressful assessment period, but hopefully with the Christmassy end in sight! Low and behold I have another week of rather important emails, another commission and further uni work progression. So, with that in mind, and the kettle calling my name.. Over and out.

x

Thought Bubble Festival Round-Up

Good morning ladies and gents,

So, it’s all over! The exciting blur that was Thought Bubble Festival in Leeds this past weekend has been and gone in a flash, and I’m dealing with some serious post-festival blues. It probably doesn’t help that it’s dark and gloomy outside and I’m a bit sleep deprived, but Thought Bubble was so much fun I didn’t really want it to end. But, alas, I’m back into the throngs of university assignments and real life nonsense, which my brain doesn’t seem to be particularly in gear for. Third year woes.

The Thought Bubble Festival held in Leeds was a week-long event with a load of workshops and events, with the pièce de résistance being the comics festival over the weekend. Open both Saturday and Sunday 10am-5pm, I was lucky to be plonked next to some absolutely lovely table buddies, Van Nim and Richy K. Chandler over in New Dock Hall, the biggest of the three halls used for the comic festival. There were many, many lovely comic people to see over the weekend, and I even got given some lovely goodies in the form of the Dead Singers Society and the HOME Art Aid Nepal Anthology, plus a comic-swap with Richy for his Tempo Lush Tales of the Tanoox! Here’s the weekend in a nutshell..

Special thanks definitely has to go to Samuel C. Williams for including me in his coffee runs over the weekend; as you can imagine this comic selling business is a rather tiring affair so I spent the weekend entirely propped up on caffeine. Other highlights include bumping into Andrew Tunney, (who I’d met properly at MancsterCon earlier this year) and helping his vigilante mission against faux-steampunk; witnessing some impressive renditions in the comic-karaoke on Saturday evening (yes Paddy, I’m still in awe); and wondering if those crazed sneezes were even real or not, with Danny Noble, Andy Oliver, Elizabeth Querstret and Matt, and Wallis Eates. AND, I finally got to meet Mike Medaglia, whose work is absolutely beautiful. There were so many people I missed seeing just because of how zombie-fied I was by the end, but it was a great weekend and I couldn’t have wished for better company and conversations! A HUGE thank you to everyone who stopped by my table and said hello, purchased goodies and took the time to chat. Also, extra special thanks to Alan Henderson who picked up my The Red Road original artwork in the alternate colours! Finally, big big thanks to the organisers of Thought Bubble for making it absolutely fantastic to be a part of – it was my first Thought Bubble and it definitely won’t be my last.

Phew, what a weekend. I’m looking forward to finding some time in the next few days to curl up in bed with my new reading material, the HOME anthology and Tales of the Tanoox, but for now I’m in dire need of catching up on university assignment work. Fun times! On the bright side, there are some exciting things coming this way soon.. Next week will see normal service resume with a good catch up on what I’ve been working on. So, until then, have a good week everyone! Over and out.

x

The Road to Thought Bubble

Good morning happy campers!

So, another week has vanished and The Red Road second edition has been released out into the big wide world! It’s been really exciting to revisit the book again and make it even better than last time, it feels like just yesterday that I was ingesting large amounts of caffeine to get the pages inked up in time. With copies now at both Orbital Comics and Gosh London, and the second edition’s first public appearance this weekend at Thought Bubble Festival in Leeds, it’s time to persuade everyone that they really need this comic in their lives. The Red Road second edition is available online through my Etsy store, so off you go!

The Red Road – second edition in Gosh Comics! Alongside Sneaky Business, DRC#5 and A Bit of Undigested Potato..

As you may remember from the last week I’ve been having a crack at clay modelling, making Bear and Coyote for the re-release of The Red Road. Naturally, I got the comparative sizing completely wrong, and after my little creatures had dried they decided to crack. Hmph. HOWEVER, after some useful internet-ing I came across the technique of filling the cracks with fine surface filler before painting them, so off to the local cheap DIY store I pranced. After getting a bit fine surface filler happy, several painting errors and almost throwing a porcelain paint pen out the window, my lumpy, wonky spirit animals are complete!

Even in their lumpy, wonky forms I spent so long on the little darlings that I’ve become somewhat attached to them (not literally, thankfully), so I’ve decided to carry on and bring them to Thought Bubble Festival with me anyway. Because, well, for all the errors of my clay-ways, at least they actually stand on all fours. Small victories must be celebrated! So, if you’re in Leeds on Saturday for Thought Bubble and fancy seeing what it looks like when clay goes wrong, come swing by my table in New Dock Hall (73b)

Speaking of which, only three days to go until the Thought Bubble excitement commences! This weekend will see Leeds full of comic artists and creators, shifting around and giggling in boozy corners. For the entirety of Saturday and Sunday I will be selling The Red Road, Sneaky Business and a selection of prints, greetings cards and postcards amongst the countries finest, and even creators from overseas! Thought Bubble states that it’s the “largest event of its kind – an annual celebration of sequential art in all its forms, including everything from superhero comics to independent and small-press artists and writers”. With three exhibition spaces and further event rooms, the whole bonanza is taking place at Leeds Docks, in New Dock Hall, Royal Armouries Hall, and the Thought Bubble Marquee between the two. As you can see from this lovely map below, I’m down on the other half of table 73 next to Hello, how are you? and her adorable work, with fellow Art Aid Nepal Home artist Richy K. Chandler next to us on table 72. There is so much to see at Thought Bubble this year, and it’s all started already! I’m really excited to be there for the first time so please swing by and say hello if you’re in the area. Also, launching at Thought Bubble is my pal Samuel C Williams‘ new zine Dead Singers Society, with work from a whole host of people including Tim Bird, Alan Henderson and myself. For a complete breakdown of the new releases at Thought Bubble, there’s an excellent guide here from Broken Frontier, so be sure to check that out.

Finally, in amongst the craziness of preparing for the biggest comics event of my career to date (no pressure, of course..) I’ve also been working on all that university malarky. In amongst the essays and the presentations, the tutorials and the seminars and lots of emails I’ve been working on drawing up some designs for a Northampton based band. So far I’ve just been working on some roughs, but hopefully with some feedback I’ll be working towards one final design to be screen-printed onto a batch of t-shirts for the band to sell. How exciting! So far here’s just a peek of what I’ve been coming up with..

So, that’s it for now! As always I have a large pile of work beside me whispering at me and taunting me (not literally… yet) so hi ho and off to work I go. If you’re in Leeds for Thought Bubble this weekend then I’ll see you there! Until next week.

x

Hello, November.

Good morning ladies and gents.

So, another week is behind us and we’re well and truly into November. There’s a crisp, cold scent to the night air which can only mean the arrival of Bonfire night. Because, y’know, why not celebrate some guy’s failure of trying to blow up the House of Lords in the 17th century when it involves pretty colours and bright lights? Thankfully my week-and-a-half long lurgy seems to be finally tailing off, though it’s been a determined little bunch of germs.

On Monday I managed to drag my coughing and sniffly self into the university print rooms to play with my collagraph printing plates I showed you all last week. Wanna see? Yeah you do!

These prints are all part of the work I’m creating for the Folio Society’s printing of War Horse, and as I mentioned last week this is a competition which calls for three internal illustrations and a book jacket design in the typical Folio Society styling. As the subject matter of War Horse is pretty dark, and the story is told through the eyes of the horse, I didn’t want to go and just draw horses everywhere. Instead, I’m looking at combining these textured backgrounds with washes of paint and some drawn details. The first print is for the shelling at night, the second is muddy brown holes in the snow, and the third is pieces of shrapnel and earth upturned by more shelling. I don’t normally work in an abstracted way so it’s kind of nice to try out this more atmospheric way of presenting a landscape rather than going straight to drawing pens. Fits the story better, I think.

In similar news, I’ve been trying out something different with modelling clay, too! With Thought Bubble Festival only a week and a half away, I’ve been working on a small side project to keep me company over the weekend on my half of table 73. Plus, with the re-release of The Red Road coming THIS FRIDAY, and Thought Bubble being it’s first public appearance, I thought it’s a perfect opportunity to make something  bit different. Now, I’m absolutely no expert in the field of modelling, but after a plea on twitter and speaking to some fellow students at university, I found out my failed attempts were because I needed to make a skeleton structure to support the weight of the clay. Who knew! Low and behold, I’ve just about managed to make a model of Bear and Coyote with air-drying clay and a frame consisting of paper clips, wool and hot glue.

Now, they are pretty crappy. I mean, I was hoping I could sell them, but I wouldn’t wish that upon anyone until I’ve practiced a little more. Also, as you can probably tell, they aren’t to scale of each other – whoops! Making a smaller Coyote would have been really fiddly, and making a bigger Bear would have needed a much larger and more substantial frame. But altogether, not too shabby for a second attempt. Some cracks have appeared in the drying process so I shall be off to get some fine surface filler to fill those in before I paint and glaze my new friends.

Speaking of The Red Road… IT’S ALMOST FRIDAY!! I am so, so excited to be releasing The Red Road for a second time, especially with the changes and additions I’ve made. The story remains the same, but there’s some special extra content in there now, and a couple of other tweaks to make it the best it can be. Yay! Don’t forget, The Red Road launches this Friday (6th November) still for the same price of £6 on my Etsy store, but this time with an extra 4 pages of goodies. Just to make life even more exciting, Richard Bruton’s review came through last week from Forbidden Planet Blog. What a dream come true! Having not only a Broken Frontier review but now a Forbidden Planet review too is an incredibly proud and exciting moment for me. Here’s a snippet, and click here for the full review.

“…Hathaway deserves fulsome praise for delivering something so brutal, so powerful, in such simple terms. This is good comics.”

– Richard Bruton, Forbidden Planet Blog review of The Red Road

Finally, yesterday saw celebrations in the form of Broken Frontier’s Editor-in-Chief Andy Oliver’s Small Pressganged 4th birthday! Wow, that was a mouthful. Anyway, it’s safe to say that without Andy Oliver’s tireless work to embrace small press and independent comics, I would not be on the shelves of comics shops throughout the UK, and I would not have appeared in anthologies and at comics events. What a guy! For myself and countless others, Andy has championed our hard work and given it an amplified audience of dedicated fans and followers. Really, I am so thankful for the great work that he does, and I would just be another uni student desperate to get anywhere without his support and belief in my work. All hail the hat! To celebrate the occasion I draw Andy a nice big hat cake with four candles per hat and a potential flag fire hazard. It’s not exactly my most esteemed work, but as a doodle it gets the message across. Happy 4th Birthday Small Pressganged!

So, that’s about it for now; the Next Big Thing is slowly under way and next on the list is working on my dissertation proposal. (Yep, you thought your Wednesday morning was fun..) Don’t forget to get your shiny second edition copy of The Red Road from Friday, and check back next week for some previews of the second edition additions. Until next time!

x

 

The Lurgy Arrives

Good afternoon ghosts and ghouls,

So, I’m blessing you with my presence today whilst battling a fearsome autumnal cold. I’ve been awaiting this beast that’s been going round for a while, and I’ve been managing to happily avoid it until now. Marvellous. Don’t colds just have a way of appearing at the most awkward time? It’s not like I have presentations to give, with the need to think about complex educational things, right? Instead, the inside of my brain is made of marshmallows and I look like Beetlejuice. But hey, I’ve been eating vegetables galore so hopefully I will battle this demon lurgy in time for the weekend!

This past week I’ve started making some headway on ideas for a new project, the Folio Society and House of Illustration Book Illustration Competition. The Book Illustration Competition is a yearly jobby that’s been going on since 2011, though this year is the first time I’ll be entering. This year’s book is War Horse by Michael Morpurgo, and I shall be creating three inner illustrations and the book cover design for this, for completion is early January. So it’s quite a big task, but an exciting one nevertheless. Last week I made some collagraph printing plates ready to do some illustration backgrounds to draw back into; unfortunately I’ve felt too awful to stand in the print room at University and get inky, but fingers crossed my human-self returns soon and I can get my print on. Below are my printing plates, textures and all, ready to go! Aren’t they lovely.

Also, in my eternal search for new and interesting textures that I can add into my work, I had a go at some DIY nail varnish marbling! Because I’m too frugal to buy marbling inks, and I have a sizeable collection of nail varnish already, I decided to give this method a go after finding it on Pintrest. Now, I didn’t use anywhere near as much colour as in the tutorial (see previous point about frugality) to do mine, but they turned out pretty interesting all the same. These experiments are all going towards the preparations for The Next Big Thing..

Who says illustration just needs to be drawing, huh? All of these types of things I like to scan in and add as a layer behind an image to give it a bit more of a textured and interesting look sometimes. Plus it’s kind of fun to try these things, apart from the inevitability of being gassed in my living room by nail varnish. It’s all part of the fun!

In other news, I popped into Travelling Man in Manchester on Sunday to drop off some copies of Sneaky Business! They now sit alongside a remaining copy of The Red Road (first edition), and right underneath Keara Stewart‘s nightmare anthology I created a comic for, A Bit of Undigested Potato. How EXCITING! Don’t forget, you can pick up the last remaining copies of The Red Road from Gosh London, Travelling Man Manchester, OK Comics in Leeds! Sneaky Business is still available to buy from my rather shiny Etsy store, as well as in Gosh, Orbital Comics and now Travelling Man.

And with The Red Road re-release getting ever closer, I’m slowly getting prepared for the two-day comic bonanza that will be Thought Bubble Festival! For those of you travelling to Leeds for the occasion, the comics festival at the weekend is looking absolutely spectacular. I’ll be in New Dock Hall on table 73b, with lots of lovely and talented people around as shown on the map! I have some exciting things up my sleeve for the event, so be sure to pop by and say hello if you’re in the area.

Finally, following the new Star Wars: The Force Awakens trailer being released last week, (and subsequently having to sit through it multiple times) I decided my better half’s excitable squealing was too entertaining to pass up on as inspiration, so I put pen to paper and made him this. Pretty spot on, if you ask me! Anywho, that’s it for now. I need to feed myself something magical to run this cold out of town. Until next time, happy Halloween and stay spooky! x

The Red Road – Round Two

Goooood morning folks!

So, another week vanishes in the blink of an eye, and more sadly, another weekend vanishes even quicker than before. However, lots of good things are brewing here at Rozi HQ, (most important of all being herbal tea) and the excitement takes off the edge of the autumn chill.

Speaking of which, I am incredibly excited and happy to announce that The Red Road is going to print for a second edition run! I’ve been working away in between university assignments to add bonus content to the existing book, and really make it the best it can be. The story remains the same, though there are some new treats in store, including unseen sketchbook work and more..

I am so grateful for everyone who helped make The Red Road a sell-out success in just nine short months! It’s strange to think that this time last year I was beginning to unfold ideas to start creating Bear, Coyote and Lark, and the girl who holds the story together. It’s something I’m very proud of, and I’m not ready to let go of it yet. Watch this space for news of the official re-launch, coming November 2015!

In related news, The Red Road has kindly been reviewed over at Big Comic Page by Kirsty Hunter. Yay! Here’s some lovely extracts;

“A complete sucker for traditional media comics, I fell head over heels for The Red Road from my first look at its simple and striking watercolour cover. Burned skeletons of trees, silhouetted against shadowy mountains with a blazing red sunrise just breaking above these – the image nicely encapsulates the story’s blend of light and darkness.”

“Overall, The Red Road is a quietly powerful reading experience and a sure-footed debut from Hathaway. There’s more than enough here to get me really excited for whatever she brings out next as I think her ability to depict difficult emotions with a light touch will translate to a variety of projects.”

– Kirsty Hunter, Big Comic Page (read the full review here)

Lovely stuff! The Red Road scored a 4 out of 5, and is happily added to my small collection of reviews alongside Andy Oliver’s review from Broken Frontier earlier this year. Fingers crossed another important review might be coming this way soon..

Also, this week my Sneaky Business buddy Samuel C Williams has released the front cover image for his forthcoming zine, Dead Singers Society. To be released at this year’s Thought Bubble festival in Leeds, Dead Singers Society includes comics, illustrations and writing, with my submission being a single page illustration of Muddy Waters (sneak peek below). I always really enjoy working on small pieces for print, especially as a thanks to Sam for his work in Sneaky Business. So, if you’re around Thought Bubble next month be sure to swing by and see Sam’s stall (before you head over to spend all your pennies with me, of course!).

Finally, in some very exciting news, Kripa and Elena have absolutely smashed the target for Art Aid Nepal, finishing up with a whopping £3’300 in donations and over 100 backers! Well done everyone for being a part of something so amazing, I can’t wait to get my hands on my very own printed copy and see all the amazing work that’s gone into this multicultural bonanza of an anthology. Thank you so much to Kripa and Elena for letting me be involved!

That’s it for now, folks! I have a stack of books that need reading and analysing before I can do fun drawing things, and the pile of books seem to be ever growing.. University life. Stay tuned as more awesome things are coming in the weeks to come.. Over and out!

x

Under the Sea

Good afternoon happy campers!

So, another seven days have clocked past and I’m feeling more comfortable with being up to my chin in assignment work. Final year stress? It’s a breeze! Ha.. Famous last words. But whilst I’m enjoying this false sense of security, I have my most recent project to show you all!

So, two weeks ago us happy third years were given a choice of articles to illustrate for an editorial brief. I chose one which was around the idea of the road, the space between places. Entitled ‘Toward Portland’, the already published article is a first person thought trail from an author describing over the course of a one page essay how the road is the place between places, also referencing other non-place places, like the twilight, midnight and abyss zones of the deep sea and all the spookies that reside down there. The writer also mentions his interest in travel starting from a young age, trying to dig to china in his back yard. Out of the two images we had to create, the only real constraint was that the first image, in a magazine setting, would have a crease running down the centre. This basically means I had to offset the image and counterbalance it, so that nothing ‘essential’ would be lost in the middle fold. All good practise, though! So, with all that in mind, you can see finished images below (click for bigger version);

There’s always something exciting about researching a new idea or topic. The deep sea concept jumped out at me immediately, and thanks to this awesome interactive animation I stumbled across on the BBC, I now know far more about the journey to the centre of the earth than I ever have. Fascinating stuff! The antikythera wreck and mechanism immediately jumped out at me, and I used theoretic diagrams in the second image. Also, those deep sea spookies you can see are the likes of amphipods (which didn’t make the final cut, sorry amphipods), the marine hatchetfish, and deep sea jellies such as the comb jellyfish and a sinister looking siphonophore. That last charmer can be up to 40 meters long with millions of stinging cells which it deploys in a net to completely obliterate anything that drifts towards it. With that in mind, I can safely say that I’m more than content on land, and plan not to meet these particular creatures any time soon. But yes, this was a nice change and a fun project full of complex and enticing ideas. Refreshing!

In other news, the ‘HOME’ themed Art Aid Nepal anthology has been reviewed by Andy Oliver at Broken Frontier this week! Check out an extract from the review below;

“Home also provides contributions that invite the reader to construct their own narratives around a single image. Katriona Chapman (Katzine – her page right) is another artist to emphasise that our relationships are integral to our sense of home while Rozi Hathaway (The Red Road and one of our ‘Six UK Small Press Creators to Watch in 2015’) provides a quiet but poignant moment of finding one’s place in the world amidst chaos and disorder. Asia Alfasi similarly highlights the importance of memories in relation to the thematic heart of the anthology.

To a degree it feels almost redundant if not inappropriate to be critically analysing a compilation of work that has been created with such altruistic intentions. However, regardless of the origins of its existence, Home is a reflective and contemplative collection of evocative work that all readers will relate to. Great comics and a great cause in one package. This one deserves your support.”

Andy Oliver, Broken Frontier review of Art Aid Nepal HOME Anthology

As I mentioned last week, this is something I’m incredibly proud to be a part of. Elena Vitagliano and Kripa Joshi have done a fantastic job at raising the hoped £2000 so far, but with 6 days to go there’s still a chance to make more of a difference. Here’s what they say about it..

“By raising £2000 we hope to provide workshops for the children in these temporary shelters. But we don’t want to stop at that… we have bigger dreams too.
If we can raise £2500 we will give each of those children a journal and art materials so they have tools for creative outlet. And if we raise more than £3000 we would conduct teacher training in the worst affected area to equip them with skills on how they can bring creativity into their classrooms through some very basic and easily found materials.
The more money we raise, the more areas we will be able to reach with the training. With your help we hope to reach as many children as possible and continue to provide support.”

You can still donate to the Kickstarter project until Monday 19th October, and you can do so here!

That’s it for now, folks! The Next Big Thing is in the beginning research stages of compiling what I have so far before I progress onto creating the story. Exciting stuff! Well, for me it is, anyway. Until next week..!

x