Comics

Wait for it

Comic panel preview of an Orca's seletal system and it's body hanging mid-motion in a warehouse
| rozihath
Comic panel preview of an Orca's seletal system and it's body hanging mid-motion in a warehouse

So, it’s somehow mid-August already. Yet again, time flies.

I keep coming back in my mind to that quote in Ferris Bueller’s Day Off: “Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.”

Moving forward I need to find a better split. Work smarter, not harder.

But while I figure that out, I still have plenty to update you on!

Legacy

Remember that comic I wrote and was inking about the Natural History Museum London and whale oil earlier this year? It’s done! Titled Legacy, it’s been finished since March and is now sitting quietly waiting for publication. I’m hoping to bring it out in late 2024/early 2025 as part of a collection.

But while I’m working away on the next story for the collection, here are some sneak peeks!

Having finished this one up a few months ago it’s so exciting to share some previews with you. I can’t wait to bring Legacy out into the world. As well as being about the Cetacea Research Collection in London, it’s also about grief. It includes a bonus mini-comic Appendix I about how this collection links to my experiences. AND some incredibly nerdy and interesting content about how an institution like the NHM prepares whale, dolphin or porpoise specimens for research and display

Again, I can’t wait for you all to see it.

The effect of a very busy existence

So along with regular NHM research visits, writing, drawing and having a day job – alongside trying to spend time with my love, my family, friends, a baseball team and having a home to try and keep tidy – comes the slightly annoying after-effect of feeling run-down. And what happened in April? I got ill. Sofa-bound, violent coughing kind of ill. Something was going round at that time, but my shitty asthmatic lungs didn’t do me any favours and I was signed-off work and x-rayed to assess how bad it all was (spoiler: it wasn’t great).

So my imaginary deadline of launching a Kickstarter by the end of summer had to get canned.

On the plus side, having longer to think about comic #3 has been an unexpected joy. It’s given me time to really look at what I want to talk about.

The initial topic is broad: sound and communication. If you know anything about whale/dolphin/porpoise vocalisations you’ll know they can produce a range of sounds. But let me tell you – there’s SO much more to it than that. Varying Hertz levels, underwater sound channels, the changing shape of a beluga’s melon (supposedly named after the French hat rather than the fruit) when making certain sounds. It’s wild.

Side note: Check out Tom Mustill’s How to Be a Whale poetic sound journey if you’re interested in hearing the variety of sounds certain species produce.

So far my research and notes total 30 A4 pages. But I’m getting there, and with new technology and theories in abundance, it’s an exciting time to be working on this topic. So, watch this space!

It’s finally happened

That’s right my friends. I’ve finally seen a whale in the wild 🐋

I was lucky enough to be in Boston, Massachusetts with family last month, and of course I took the opportunity to go on a 4-hour whale watching adventure. And when we saw nothing the first time, you bet I went back out again two days later.

And there they were, beautiful female humpback whales near Stellwagen Bank on the humpback whale migration path. I just about managed to fumble this recording through stunned silence and sheer awe.

I also saw a fin whale in the distance, and around 50 Atlantic white-sided dolphins including calves.

It’s something I’ll never forget.

And that’s it for now!

…excuse me while I nose-dive back into my not-at-all overwhelming pages of notes about whale vocalisations. Writing is always the most stressful part. Drawing is the fun bit. Wish me luck!

Until next time.

Rozi x

Cetacean stations

Image of a cropped spreadsheet
| rozihath
Image of a cropped spreadsheet

Hello! 

It’s been six months to the day since I last updated you all on what I’ve been up to. And it’s been a busy six months, for sure. 

Between tying the knot with my best friend, playing in a handful of baseball games (and consequently being injured a handful of times), reading 20 books (3 of them about whales), continuing my research on whales, rebuilding the Good Comics website, tackling some family mental health crises AND going away a couple of times, it’s been… intense.

Intensity aside, it was a pretty incredible 6 months, and I’m grateful for it all.

(apart from the baseball injuries. Honestly, those things fly at you so fast…)

So, last time I posted an update I’d just finished working on Sermersuaq, and was getting ready to put everything aside to throw a big party thing called a wedding. After honeymooning in Lisbon (yes it was beautiful, and yes I wanted to try and get out to see some dolphins – but sadly it was too windy), it was time to get back on top of everything. 

And first up was arranging a visit to the Natural History Museum’s off-site collection of whale skeletons.

Yep, you read that right.

Earlier this year I got in touch with Richard Sabin, principal curator of mammals at the Natural History Museum (NHM) in London to show him my Sato’s beaked whale comic. Luckily for me, he loved it, and invited me along to take a look at the off-site collection. There were already a few artists and illustrators working there, and after an incredible day of conversations and studying the immense amount of bones, I came home excited and exhausted.

And so the visits have continued, travelling up early from the south coast to spend a day looking through the collection, standing face-to-face with Britain’s stranded cetaceans and casualties of our whaling past.

Initially, my focus was to continue looking into my research on the Bryde’s whale complex, which I’d started looking at much earlier in the year. Which I have been doing, but if you know anything about Bryde’s whales, it’s a very complicated story to tell and will take me a while longer to process it all into a story.

Visiting the collection and talking with Richard gave me loads of ideas for other areas I could research, including what I’ve been focussing on for the last couple of months: whale oil still pooling on the bones of skeletons prepared decades ago.

It’s taken me a while to get my head around exactly what I want to say in this comic. After a lot of planning and drafts, working closely with my spouse, (fellow Good Comics editor extraordinaire Sam), I have a script. There are a few gaps, but I’m mostly on the way to roughing it out and turning it into a ~40-page comic. Woohoo!

Close up image of a notebook with writing about whale oil
Photo of a mind-map on the wall with post-it notes and lines plotting out a comic

Still, it’s the early days of thumbnail sketches and working out spreads, so I’ll have more to update you on soon.

If you haven’t heard of the NHM’s secret cetacea collection, there’s a really good article about it here. Honestly, it’s one of the most incredible experiences of my life, and I’m so lucky to have had the chance to go.

That’s about it on where my head is right now. That and finally revelling in having very few plans and I can finally sit and write, draw, stare lovingly at the dog and enjoy the quiet(ish) life.

Until next time!

Rozi x

Sermersuaq

| rozihath

It’s nearly Spring, friends.

Though, if you live in the UK it probably doesn’t feel like that. I could say that I finished a new comic to coincide with the cold and recently snowy conditions outside, but honestly, I’m not that organised.

This new short comic, Sermersuaq, is about the Greenland Ice Sheet – titled with its Greenlandic name.

I picked up a book at the beginning of January called The Ice at the End of the World by Jon Gertner, which seemed at the time like a good winter read. What I didn’t expect was to be totally absorbed by the mystery and isolation of Greenland, and the stories that came from Americans and Europeans ‘discovering’ and crossing the ice.

One thing that really stood out is those human stories, and in taking a break from whale research I thought I’d turn this into a short comic. Well, short in story length. Long in depth. You’ll see what I mean further down…

But similar to creating whale comics about scientific research, I was again condensing large amounts of information and research into a short, succinct, accessible format. All to tell a love story (aww).

I also chose to use the Greenlandic language terms for both the ice sheet (Sermersuaq) and Greenland itself (Kalaallit Nunaat). You can learn more about the Greenlandic language here.

I had the idea of how to present this comic fairly early on, and once I’d finished it digitally I decided to get it giclee printed as one long piece to read. Nearly 1.5 meters long, to be specific. And it turned out better than I’d hoped! There is a limited run of three copies available to buy online if you’re interested in owning an obscenely long comic folded down into an A4-sized concertina.

For a screen-friendly version, you can check it out below.

Read the hi-res comic in full here

Get a physical copy – limited run

I really enjoyed working on something like this with a totally different final format. And something so largely abstract with paint washes. It felt good!

It’s been an interesting foray into glaciology and history, but it’s time to go back to whales. Following the release of Karasu I’ve had some really interesting conversations with some really interesting people – and I’ll have more to share on that shortly.

Besides, I might also take some time off because I’m getting married soon! And co-founded a new baseball team, with our first season kicking off shortly.

Until next time!

x

Whale hello, 2023

| rozihath

Happy New Year!

What a wild and busy start to the year it’s been.

First up, my Sato’s beaked whale comic Karasu is now out in the world! I printed a handful of copies in time for the Winchester Comics Fair back in November – and you can get a copy online from my Etsy store. It comes complete with a bonus explainer about mitochondrial DNA and how it’s used to confirm whale species.

But that’s not where it ends. Things have gone from great to even more incredible.

You may remember from my last blog, but I first picked up on this as an idea for a comic from Devon Biddal’s brilliant article in Hakai magazine. Once I’d finished the comic and gone through rounds of revisions picking up any pesky errors, I sent it over to the editors at Hakai – and they loved it so much they asked to publish the comic in its entirety online!

You can read the full story via Hakai’s website here.

I’ve been totally blown away by the comments from people all over the globe. Deciding to focus my time solely on creating comics about whales has felt a little lonely at times, but the incredible reception I’ve had for my Sato’s piece has been nothing short of amazing.

And of course, I’m so, so happy these beaked whales and Hal Sato are getting some much-deserved attention! Here’s a selection of the incredible feedback I’ve had on socials:

And that doesn’t even begin to cover the emails I’ve had from whale experts around the world. It all feels like a dream! Thank you to everyone who has reached out, it’s honestly made me so happy and proud to be a part of an incredible scientific and citizen science community 💙

As I mentioned earlier, you can get your hands on a physical copy of Karasu from my Etsy store. Or, if you’re in and around the Oban area, the Ocean Explorer Centre at SAMS (Scottish Association for Marine Science) have a handful of copies. The centre is also an incredible place that deserves your time and attention (and donations).

Cover of my Sato's beaked whale comic, Karasu.
Close-up of cetacean family tree inside the comic
Close up detail of a spread within the comic, featuring beaked whales from above.

So, that’s most of my busy start to the year. I have a couple of possible new things up my sleeve, but I’ll share more when I can.

For now, I leave you with how Devon and I have made it into the reference section of Wikipedia’s article on Sato’s beaked whale! Big thanks to Dr Amanda Whitmore at Stanford University’s Hopkins Marine Station Library for this. Fingers crossed it stays in!

Until next time! x

Beaked whales and a recap

| rozihath

Hi everyone,

It’s been a while! With a gap of this long since my last website update, it’s hard to know where to begin. Thirteen months is a long time, and most of it has been spent with my nose in books, journals, articles and other sources of information. And I’ve been loving it, too.

You’ll see from scrolling through the last couple of posts before my hiatus, I’d been working on a bigger, longer project in the background, about whales. I don’t think it was long after my last post that I started putting all my energy into this. There is something oddly addictive about researching a fairly broad group of animals… I recommend giving it a whirl if you have some spare time.

The thing I’d forgotten about researching something so intensely – which I last did at university – is how every single article, book, or piece that you read then leads you to another thread to follow, and before you know it, you have a Miro board that looks like a stationary store has thrown up. (And the below screenshot isn’t even half of my notes.)

And that’s probably how I lost a year.

Well, kind of.

I did bring out a short comic about the changing of the seasons at the very beginning of this year, so if you’re interested in seeing more of that you can check it out on my Etsy store. It’s called This won’t be forever and it’s inspired by very old Japanese travelling poetry and the changes that come with the difference in weather and fluctuating daylight.

With Good Comics, I’ve also been fairly busy. Earlier this year we worked with the local University’s Zine Society, to do a talk about comics publishing, and then opened submissions for their own anthology comic with the students. We’ve also done comics shows, getting straight back into the wonderful atmosphere of talking comics with people after the pandemic brought it all to a close.

So, enough of this catch-up, let’s talk whales. Beaked whales to be precise, and even more precise – Sato’s beaked whales.

Whale go on then

It’s been nearly three years since I started researching whales for a longer-length comic I knew was going to be bigger than I could dream of. And after spending all this time researching so many avenues, species and areas of history I was starting to get completely and totally lost in academia and writing. With not much to show for it, though I have been keeping a sketchbook going.

And then in May, one of the many articles I absorbed kind of stuck with me as something I could do as a short comic. This article was about Sato’s beaked whales, posted by the fantastic Hakai magazine (they always have great articles, so check them out if they align with your interests). And, it got me thinking. Isn’t it nuts that we’re still discovering new species of whales? How did they even do this?

Illustration of Sato's beaked whales

So, as I’d been elbows deep in researching, I thought it might be fun to just make a short comic to get some of these thoughts out. I read what I could of publically-available journal articles and internet articles and just started writing, re-writing and editing a short script for a comic about these mysterious guys.

And now, a few months later and a lot of exciting emails back-and-forth with one of the co-authors of the scientific paper, I am nearly NEARLY finished with this comic. It’s 6-pages long, but it’s changed my whole perspective of what I’m doing with this whole longer-length comic I want to make. And I’m so excited.

I could go on and on, but we all probably need a break from looking at the screen and I need to curb my excitement with some camomile tea. But keep an eye out for the finished comic. Even if you don’t, I probably won’t shut up about it, so you’ll see more soon.

Thanks for reading!

Rozi x

Autumn light

| rozihath

Hi all,

We’re already halfway through October, three-quarters of the way through the year, and I’m about two-thirds of the way through my second coffee of the day. How poetic!

After the madness of the school summer holidays, I’ve spent the last couple of months getting my priorities in order – trying to focus on looking after myself and my goals, whilst juggling work, kids’ school, my relationship and not being an inactive blobfish. I’m in a pretty good place right now, which is a bonus considering the days are closing in and I got rained on yesterday. So here’s a little recap of what I’ve been up to.

Zanna submission

Back in early September, I spotted a call for submissions from a magazine/art collective called Zanna. I first heard of them from an alumni talk by Taya Martin (where I also presented) back in March this year. And I’ve been following them on Instagram ever since!

Zanna has some great opportunities out there, and its ethos is all about breaking down barriers to art and promoting affordability and fun initiatives. This is absolutely necessary, and I am a big supporter!

Back to the submission: as some of you may know, I’ve always been a huge fan of short comics – a lot of my first work was published in places like Dirty Rotten Comics anthologies and the Good Comics Dead Singers Society zines. So this seemed like a fun opportunity to mix things up a bit and work to a new theme/brief: Candyland. I submitted my 2-page comic just in time for the deadline, and I’m thrilled to have been accepted into Issue 10!

It’ll be on sale soon, so keep your eyes peeled and follow Zanna on Instagram for all the latest.

Whales, whales, whales

As you may have seen in my last blog, I’m currently working pretty intensely on a new comic. It’ll be far longer and in-depth than anything I’ve published to date, and all I’m willing to tell you about for now is that it’s about whales. The big, beautiful mammals that are so admired and yet so alien to our everyday life.

Here are a few more sketchbook pages for now, but rest assured, things are brewing in my ol’ headbox. Big things cometh soon.

A mural for our community garden

Finally, full-admittance that I’m now officially a crazy dog lady. Or, I care about our community garden. Or both!

Earlier this year it was proposed that our local nature-filled community garden should be concreted over, along with adjacent paths and a public car park to make way for more unaffordable flats. Thanks, capitalism. I use the garden a lot with my fur-child Malibu, so as well as petitioning against the proposed development, I decided to make a mural to spruce up the garden and show what it means to me and my dog.

The chipboard I used for the project was free from a neighbour, so all I needed was the primer, paint and waterproof varnish to protect it against the elements. It was pretty new for me to work on a larger scale and with acrylic, but I had a lot of fun doing it. It’s been out in the garden for a couple of months now, and we’re waiting to hear the outcome of our neighbourhood-wide opposition to the building work. Check it out:

And that’s it for now! As always, be sure to check out what we’re up to over at Good Comics and keep my pens and coffee fund well-stocked by visiting my store.

Stay warm and cosy, folks. Until next time.

x

Recent soul-warming books to recommend:

Autumn Light by Pico Iyer
The Day the Whale Came by Lynne Cox
Home Body by Rupi Kaur
Before the Coffee Gets Cold by Toshikazu Kawaguchi
(please buy books from your local bookshop, hire them from your library, or failing that, Hive is great)

An Ode to Sparenting

| rozihath

Good morning all!

Welcome to November. I have something special for you all today, a new comic that I’ve been creating on-and-off since June. Although it’s not that long in pages, it took some time to finish purely because of the subject matter and its personal nature.

Also, it’s in a new format for me. One long, continuous comic that is available online for free, and as of yet I have no plans to print.

For anyone outside of close friends and family, I don’t often talk about the struggles of being in very close, emotional proximity to an ongoing and often unpleasant argument over separation and childcare. Some days I manage just fine, and some days I don’t. But, being in this situation for a couple of years now means I’ve been able to reflect on who I am and what my job title should be.

There’s probably not a huge amount I can say as a foreword to my newest comic Sparenting, but here’s something nice from my good friend and fellow comrade at Good Comics, Dr Paddy Johnston. He wrote this to share Sparenting on the Good Comics blog, but it seems perfect for here too:

This week’s Good Friday is something very different, and very personal for the three of us as publishers. I’m lucky enough to have Sam and Rozi not just as co-publishers, but as close friends too. We all met through comics, but if we were to stop doing it, we’d still be close friends, and there’s so much that we share and have shared on the journey of friendship over the last few years.

As such, I was really touched when Rozi let me be the first person (apart from Sam) to see her latest comic, which totally floored me, and not just because it tackles her own personal emotions and a subject I’m aware of contextually. If I didn’t know her at all this comic would still have really affected me, because it nails the art of sharing the personal and emotional whilst still offering an accessible story. Any one of us could be the person she describes, the exhibit in a museum she draws, the empty name tag stuck partially to a shirt not made for name tags to stick to. 

This is why we do what we do, and why comics are often the best kind of medium for what we at Good Comics want to share. Rozi’s words and her pictures are for all of us here. If you’ve enjoyed Rozi’s previous works such as Cosmos, you’ll be familiar with her style and tone, but I’ve never known her work to be this open or this raw. I really hope you enjoy it and connect with it as much as I did.

Paddy

Without further delay, here’s Sparenting.

x

Now you sea it, now you don’t…

| rozihath

Good afternoon all!

This week I’m going to talk a little about digital painting. Now, as I’m sure you’re all aware by now, I’m a linework-and-paint kinda creator. I have a very set way of working which I’ve used for the past few years, which has made now a perfect time to try something new. Change is the spice of comics, as the saying goes.

Being a sea-dweller, what better to try out digital drawing on than the source of inspiration for so many, and my nearby natural neighbour. Check out the process shots:

  • 1. Sketch
  • 2. Inks
  • 3. Improved inks
  • 4. Flatting – ocean
  • 5. Remaining flats

The process of making artwork stayed largely the same, aside from using zero paper to create it. It’s definitely a quicker process as there’s no light-box involved and it’s incredibly easy to erase any mistakes or resize elements that aren’t quite right.

I started drawing with a digital file size of A4 but I found the quality of the digital brush I used at that size to be a bit too fuzzy, so I used the first ‘inked’ drawing I did (image 2) and resized it and traced over it onto an A3 digital file. Much better!

LHS: New version / RHS: First inked drawing

Block colouring with flat colours (“flatting”) is a useful tool I’ve used in digital drawing before, although as it doesn’t give the true effect of a nice slap of paint I used a digital watercolour brush over the top to add in some grit.

There are some really amazing benefits to digital painting that I’ve found so far. For one, there’s no buckling effect from wet paint on paper. This usually makes scanning difficult, and involves a lot of post-scan editing (also, digital painting = no scanning!). Also, being able to work on the same document, adjust layers and get rid of things that haven’t worked it a massive bonus. This cut down my creating time massively.

6. Final page

I’ve also been really impressed with the new software I’ve tried. The most common creative package is the Adobe Creative Suite (Photoshop, Illustrator, InDesign) which is around £50 a month for an individual (gulp), and I can safely say there is nothing I spend that much a month on than household bills. Yikes. Instead, I opted for the Affinity Photo which is a flat licence fee of £50 – though it’s currently on offer with 20% off. I used pre-loaded brushes plus the DAUB Watercolour & Washes set to finish it off.

So.. what do you guys think? Cool, right? It’s definitely been a fun process and I think I’m interested in trying out a few more comics in the same style. Who knows, maybe my next book will be full digital – after I’ve printed my rocks, of course. Which reminds me, I have some printing to do…

Until next time!

x

Moon

Moon preview
| rozihath

Moon – Newspaper comic – 24 pages

Based on a conversation with a four-year-old, Moon is an original comics story with plenty of imagination, a look at familial relationships, and a nod the Chinese legend of Chang-e and the Mid-Autumn Festival.

Moon was successfully funded via Kickstarter, printed by The Newspaper Club and released on 22nd-23rd September 2018 at Thought Bubble Festival in Leeds, UK.

Available to buy here

…Our first port of call was to catch up with some familiar faces, and we started off with Good Comics’ Sam Williams, Rozi Hathaway and Josh Hicks who were all bunched in on a row together. Rozi was showcasing her new book Moon and this was our first chance to see it in print and the newsprint finish really made the most of Rozi’s beautiful artwork.

Alex Thomas, Pipedream Comics – Show Report: Bristol Comics & Zine Fair 2018

Moon preview