Good evening, happy campers!
So, it’s been another productive week at Rozi-HQ. More postal orders have been shipped out to some lovely folks around the UK, and even to the land of the free over in the USA – thanks everyone! Special thanks to Andy Oliver for his relentless promotion of The Red Road, alongside his wonderful article I mentioned last week. All the feedback I’ve received has been glowing, and I’m really pleased that people have enjoyed the envelope doodles I’ve been sending out with postal orders. I’ve also received my first feedback on my Etsy store, yippee! It’s all very exciting, and slowly the manic pace of launch and getting out the first bundle of orders has slowed down to a steady trickle, and back to reality I shuffle.
In the interest of new and upcoming things, I spent a very happy morning in the university print rooms on Friday morning creating mountains. That’s right. I’ve been making MOUNTAINS. Well, prints of mountains.. At the ol’ University, we not-quite-blindingly-stressed-yet second year students have two practical projects going at the moment, and I thought I would make the most of the free print-room facilities by making some collagraph prints to use for both of these projects. Now, for those of you who are unaware of a collagraph print is, you basically make your own ‘stamp’ with card or board, by adding textures or cutting into it. You then get your groove on with some oil based paints, mixing them up and rolling them on like there’s no tomorrow – followed by rolling the ‘stamp’ and some damp paper through a hefty printing press to make wonderful looking things that take a couple of days to dry. I made two different sets of mountains, because quite clearly I have an ongoing obsession theme with mountainous scenery and I wanted to use them in both projects. So, here we are;
These prints will be digitally collaged up with some proper pen and ink drawings, as per my usual style! As these two projects have no room for comic making, I thought it would be a great time to test-drive using some different techniques in my work to set it apart from every other pen and ink reliant like myself. Hopefully, if in reality they will look like what I perceive in my head, if not better, then I will be one happy bunny. Apart from that, I can’t tell you any more otherwise I’d have to.. Nah, I’m kidding. But, all will be revealed in the coming weeks!
Also, in more exciting news – for a separate project at university I’ve been in touch with my fellow HOAX‘er Hannah Berry who is kindly letting my interview her! Now, if you don’t know who Hannah Berry is, you can check out her work here, and you should definitely buy it. Buy it all. She works in a very distinct style, reminiscent of Belgian and French comic artists, much different than mainstream comics illustrators here in the UK. There’s something very unique about her style, and as she’s also a fantastic storyteller I am very much looking forward to her responses to my nerdy-art-student questions! The interview will be primarily printed for this particular assignment, but if I remember to share it I’ll pop some extracts up on here.
Right, I think that’s it for now. Remember kids, tell all your friends and family about how awesome comics are, and THEN point them in my direction for a copy of The Red Road. We’re not all just about superheroes, right? Keep an eye out for another weekly update in, well, about a week’s time for more exciting (potentially) news! Peace out x
