Kuretake Zig

The Comics Break

Good afternoon all!

I’m writing this in the clutches of the latest cold that’s going round, which has me coughing for hours on end, so please send cake and medicine to me whilst splutter out this update…

So, I hope you’re all up for something a bit different today, as I’m going to tell you a story. Make yourselves comfortable! Once upon a time, after Cosmos & Other Stories came out, and after I finished up pieces for Dirty Rotten Comics #10 and The Broken Frontier Small Press Yearbook 2017, I decided to take a short break from comics. I think, doing this kind of work, it’s all too easy to feel like you have to keep churning out work so people don’t lose faith or forget you exist. But after a tough personal spell and using work as a crutch to keep me going, it was time to let my mind go and deal with life, and try to regain my health.

The break from comics didn’t come naturally, and I still worked on commissions both for private clients and other more illustrative work (the Kickstarter print with Emily B. Owen’s Brain Shoodles, and a piece for the Habitat anthology). But, the break from direct comic work was there all the same, and it gave me valuable time to promote the work I’ve already done and work out where best to move next. And, play with some different materials and techniques. Check it out:

Having time to play around with new processes and materials has been golden, and given me a chance just to draw or create for the sake of drawing again. I’ve played with creating stamps from soft lino,drawing with Kuretake Zig Brush pens, the Tombow ABT Dual Brush Pen and some Graphitint pencils, as well as other experiments in fabric and dying, clay and wood. Taking that pause really did help to clear my mind and work on new concepts, and it gave me new skills and new challenges to hone in on to keep improving.

And that leads us to my new project! Due to be released in September in time for Thought Bubble Festival, I’ve been working on a small comic which I’ve gone thorough the scripting and layouts of already, when the inking coming next. Have a look at some sketches:

One thing I’ve been taking note of is how my painting accounts for the majority of the atmosphere in my work. So, remove the painting, do I still give that effect? This new project I’m working on is not only vastly different and physical application, but also different from my usual storytelling too, being totally autobiographical rather than based in imagination. It’s been challenging, and new, and exciting all at the same time. And I really hope people like it!

I do miss splashing about with gouache and I’ll definitely keep evolving the way I paint, but for now, get ready for something new and exciting and totally paint-free! -gulp-

And that’s where I leave you for now! I’ll be back soon with more news, but until next time have a good week/weekend everyone. I’m off to visit family and get plied with food to mend this illness once and for all. Laters!

 

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