So, another week has passed and I’m getting used to my new working schedule – huzzah! I’m even somehow managing to keep productive despite slowly melting in this unexpected English heat. The good news is that as I’m writing this the humidity has actually dropped down to 38% from our usual balmy 80-90%, though I’m sure it won’t last for long.. But this beautiful sunshine today perfect for working on the bright summery colours for my entry to kuš! comics, so I’ll enjoy it whilst I can.
As you may recall from last week I was just finishing up inking the final few pages before working on the colours for my BFF themed submission. Usually I come up with my colour scheme before I even start drawing up the roughs, but this time I threw caution to the wind and figure out the colours as I was going along, and picked the final swatches far later on. Here’s a little taster of the colour palette and progress on how I get the spreads figured out:
Mini-spreads galore, with VERY rough digital colours.
Working back into some digital rough colouring.
Yep, my practice colours look like a child going nuts, but as it only acts as a guide I’m usually safe in the knowledge that no one sees this stage. But y’know, you guys won’t tell anyone.. Right? The next step for me is to put these very rough colours into painterly practice on some photocopies, just to make sure it all flows as I want it to. From there, as long as that all looks good I’ll carry on to the final pages and work my way through those. Long-winded, huh? But it works! Keep an eye out next week for some painting progress..
In a more sneaky kind of news, work has continued on the design of the covers and inner pages for Sneaky Business vol. 2! For the most part I want it to keep the original vibe of Sneaky Business vol. 1, but bigger and better. I’ve also been tagged in a handful of sneaky progress shots for SB from the likes of Alex Hahn, KLY R and more, and if you want to keep up with it all be sure to follow me on Instagram or Twitter for all the updates as they happen. I already have 4 comics finished and submitted by some awesome small press creators including the infamous Danny Noble, so in case you haven’t quite guessed from this past paragraph: Sneaky Business vol. 2 is going to be seriously good. There is still two and a half weeks to submit your 1-2 page sneaky comics, so come and join in the fun! All the details are available here.
Finally, thanks to all those who came to visit the NN Table Top Sale this past Saturday at NN Contemporary here in Northampton. I think we were all relieved to find the event moved inside given the gales and rain (it’s August in England, and far too much of a common occurrence). I was sharing a table with the very talented Naomi Rose Johnson, and although it was a pretty quiet afternoon it was still pretty fun! As far as tabling and appearances, that’s it now until 1st October at Bristol Comic & Zine Fair, so time to focus on getting these comics done and Sneaky Business edited and sent off to print! You’ll all be glad to know I have plenty to keep me busy, so keep an eye out next week for further progress on my colourful kuš! comics entry and more. Until next time, peace out.
First up, as you may recall from last week I was scurrying away to finish up my submission to Dirty Rotten Comics #8. It’ll be a year since I first appeared in DRC, with my autobiographical comic Rejsenprinted in Issue #5 of the anthology. For those of you who don’t know, Dirty Rotten Comics is a British comics anthology published three times a year and the guys who run it are dedicated to championing small press comic creators, big and small. To continue with my short stories with Danish titles theme, this time around I created Sørgedag, meaning mourning/bereavement (direct translation is sad-day). After finishing Njálla, which not only was a mammoth task but also very much all-ages family-friendly compared to my track record of work, I felt the need to get back to my dark roots and go with something a little more gloomy. I’d had the idea in my head for Sørgedag for a while, but in the end I tweaked the setting and played around a lot with atmosphere and panels and added in a whole new way of colouring; rough acrylic paints.
I had a LOT of fun working with acrylic paints, and it brings a whole new kind of texture and feeling to the comic. As for the technical details, I began working in the usual way; plot, script, sketches, rough out pages on layout paper and ink up the line-work on heavyweight cartridge paper. Usually I paint directly onto the cartridge paper with my linework, but this time I used my lightbox to layer over another piece of cartridge paper and get all messy with paint to the lines underneath. The whole thing turned out great, and though DRC is strictly black and white I painted it in colour so I have the option to republish it on my own at a later date in colour. Woohoo! Here are some work-in-progress previews:
Printed purely in black and white with colourful covers, Dirty Rotten Comics anthologies feature around 70 pages of work, 1-4 pages in length for the bargain price of £4; hopefully I find out soon whether I’ve been successful or not – fingers crossed!
Last year I hand-picked four comics pals to create 1-2 page comics under the theme of ‘stealth’ and ‘sneaky’, as something a bit different and lighthearted from my usual repertoire; Alex Hahn, Pete Hindle, Peter James Norman and Samuel C. Williams happily agreed to create something new for the comics-zine, and I also created a comic too, ’cause, y’know.. I’m the boss. The 12-page comics-zine was sold online and in comic shops around the UK at the lowest price possible to break even on printing costs. This time around I decided to expand on the idea and open up submissions to everyone, and that I have done! Who knows how many pages it’ll end up being? But the ethos remains the same, with Sneaky Business as a community platform for entertaining stories made as accessible to readers as possible.
Sneaky Business vol.1
Last year’s contributors
If you’re interested in submitting or want to check out more information, the Call for Submissions page is live and has everything you need to know! Submissions are open for 10 weeks, and close just before midnight on Monday 12th September.. Get your thinking caps on and get involved, it’s going to be snazzy.
Finally, I’m spending a lot of time in London this week, not only for the D&AD New Blood festival in Shoreditch as a graduate of the University of Northampton (got a First, by the way. Boom), but also as this Saturday is the first ever Small Press Day! What is this new, fantastic sounding day, you ask?
A celebration of self-publishing, DIY culture, and grassroots comics across the U.K and Ireland on Saturday 9th July.
An idea born on twitter led to a series of nationwide events in a matter of weeks. The reaction and the support of our aim (to spotlight the possibilities of small press publishing via store-based events and signings, in the first instance, and to bring its practitioners to the far wider audience they deserve) has been absolutely phenomenal. Join us on 9th July for the inaugural Small Press Day at one of the stores listed on the map below and meet the next generation of superstar comic creators, zine makers, and DIY micro publishers.
So, it’s a busy time again. Apologies for the lack of the usual weekly update last week; truth be told I was out of the country for almost a week and had nothing to show on my return.. But I have plenty now! The degree show has ended, and amongst comic submission work and expanding my illustration portfolio I’m also getting ready to head down to London next week for the D&AD New Blood festival, as a near-graduate on the University of Northampton stall. I seem to be spending so much time in London over the next week and a half I might as well be a local!
It was such a fun evening! I mean, the words ‘drink and draw’ kind of give the impression that it’s a fun evening of entertainment, but it really exceeded any expectations I had. Life can get stressful, and just sitting back and drawing random things has such a fun and calming influence. Drawing themes from the night included alter-egos, something or someone you lost as a child, and what if other mammals shaved their legs too. There was also a collaborate comic making its way around the pub, and competitions and prizes for attendees. As a non-Londoner (CUH, right?) I had to shoot off before the end, but huge thanks to Nora and Andy for hosting such a fun evening! Here’s my doodles from the themes listed above..
In other news, the submissions deadline for Dirty Rotten Comics #8 is fast approaching! With submissions closing on Thursday 30th (tomorrow, yikes!) and only rough sketches in front of me I have a fair bit of work to do to finish it all off.. But thankfully the gents over at Dirty Rotten Comics are fairly relaxed about the deadline, so if like me you’ve managed to accidentally be incredibly unorganised, you still have a bit of time to submit! See their submissions page for all the details and a link to their FAQ. For now, here’s a very sneaky-peek of a bit of my thought process for this submission; scripting from notes and painting..
So, you can guess what I’m doing for the rest of today and tomorrow, right?
Finally, as some of you may remember me mentioning it, work is commencing on Sneaky Business vol. 2 very, very soon! How soon, you ask? WELL! Monday, to be precise! Sneaky Business vol. 1 was very much a small, unique collection from comics creators that I personally asked to be involved. However, after being inspired by the guys over at Good Comics and what they’re doing with Dead Singer’s Society zine, I’ve decided to approach vol. 2 in a much more open way. Which means, from Monday 4th July I’ll be opening up submissions to all! I’m looking for 1-2 page comics, colour or black and white, under the theme of stealth or sneaky in some way.
The call for submissions with all the details will be posted up on my Twitter and Facebook from Monday, and I’ll have more coverage in next week’s blog – so keep an eye out!
Finally FINALLY finally, I’ve updated and improved my website! Things have moved a little, and the ‘Collaborations’ and ‘Commissions’ have been removed and merged into new or existing posts in two clear-cut sections; Illustration and Comics. The front page has everything, and with a SHINY NEW ‘infinity scroll’ you can now see all my work in one place, or head to the category links for the specifics. Nice, right?
Anyway, I’d best get back to this Dirty Rotten Comics submission as it most definitely won’t create itself.. Until next week (for certain this time), have a good Wednesday everyone!
So, we’re done! As of Friday morning Njálla’s Kickstarter campaign finished with a whopping £2502 pledged from 139 lovely backers. WE DID IT! Thank you so much to all my wonderful backers, it wouldn’t have been possible without your keen interest in my story. It’s been an overwhelming 30 days and I’m still a little bit in shock from the whole campaign process. But, no time for that dazed nonsense, there is work to be done!
I managed to get really organised and sent all the completed pages over to Rich at Comic Printing UK on Thursday of last week, so we’re ahead of schedule for the comic itself. Rich has worked his matte laminate magic and gotten some proof copies over to me at super-speed, so I’m working on some small final amendments before the final 250 copies are ready to fly out of the Comic Printing printer. This week I’ve also sent off my order for colouring books, prints and stickers, so you’ll all be glad to hear that everything is in motion.. Yippee! Organised is my middle name, don’tcha know.
In more exciting news, I’m very happy to reveal to you all… the cover! Kickstarter backers had the grand unveiling last week, so you’ll have to excuse them if they’re sticking their tongues out and going ‘nerr’ at you non-backers from behind their screens. Here it is:
Exciting, right? Right?! I’m excited. Especially since receiving my matte laminate covered proof copies and seeing this in all it’s physical glory.. Swoon. In the coming weeks I’ll be working on original artwork and finishing up university assessment stuff, and then all physical backer pledges will be sent out the week prior to Njálla’s release. Time is drawing ever closer to Njálla’s release to the world, and that familiar terrified/exciting feeling is going to be a perma-fixture for the foreseeable future. Yikes!
In other news, this weekend is the highly anticipated Comica Comiket in London! On Saturday 14th from 11-6pm Comiket will be held underneath the Victorian glass-roofed shed between the House Of Illustration and the Central St Martins College of Art, not far from Kings Cross St. Pancras. As I’m just a couple of weeks shy of a new book release I didn’t apply for a table myself, however I’m joining in the fun at the Broken Frontier’s Six to Watch table to help promote and sell the Small Press Yearbook as well as selling some copies of The Red Road and Down to Your Skivvies zine! There will also be an array of Six to Watch comics for sale on the table, including the likes of Emma Raby and Rebecca Bagley. So, if you’re in or around London on Saturday pop down and say hi! The whole event is free and there’s loads of things to see and do as well as visit stalls, it’s shaping up to be an excellent event.
In other news, I’ve been taking some time to wind down after working on a couple of such hefty projects (both Njálla and the Unilever animation) to work on a short 1-pager comic for the upcoming volume 2 of Dead Singers Society! After the success of the first issue, of which I created a single page illustration of Muddy Waters, the gents at Good Comics have had their call for submissions out for a while in preparation for the second issue. I’ve only just had a chance to dive into this one, but I’m really excited to be creating a short comic for this particular dead singer. All will be revealed in time, but for now, here’s a sneaky preview of what I’ve been working on…
If you fancy submitting for Dead Singers Society vol. 2 and you like to leave it last minute like I have, you still have time! Submissions end at 11pm on Sunday 15th, and for all the information and more from Good Comics you can head over to their Twitter page here.
Finally, in the madness of the Kickstarter it completely slipped under my radar, but I have now officially sold out of Sneaky Business! The short comics-zine I created with submissions from Pete Hindle, Samuel C. Williams, Alex Hahn and Peter James Norman last summer has flown the coop, with potential copies left in various stores around the UK (note to self: I should check on that). Now Njálla is reaching completion I’ll be looking into volume 2 of Sneaky Business, so although it won’t be for a little while if you’re interested in potentially contributing then get in touch (I sit alone at a desk all day, I could certainly do with a conversation that isn’t with myself).
Anyway, that’s about it for now! Assessment work needs to be done for next week and the kettle won’t boil itself. Keep an eye out next week for more visual goodness and a run-down on Comiket! Until then..
So, we’re now down to less than 24 hours of the Njálla campaign on Kickstarter and things are getting exciting! My palms are slowly getting a bit more clammy as I get that same anxious feeling I had when I launched The Red Road, putting something out into the world that I’ve so lovingly laboured over for months on end. There is something vaguely terrifying about putting new work out to the world, but thankfully(?) with University assessments and final deadlines approaching I don’t really have that much time to sit and think about it, I have a final degree classification to worry about too!
After last week’s long hours I managed to finish up painting the final ten pages of Njálla and get it all scanned in and tweaked, so the story is officially done! This week I’ve been working away on the surrounding pages of the story, the covers, and any hand-lettering that remains. I’m fairly on schedule, with the final pages being sent off to Comic Printing UK tomorrow afternoon. Panic! Also, my lovely backers will have received the schedule for production in their inbox’s this morning, and all is still on track for that..
Over the last few weeks I’ve been trying to arrange something special, and I’m delighted to announce that the NN Café, part of the NN Contemporary Gallery in Northampton, is hosting a launch party for Njálla! On Saturday 4th June (two days after the online launch) I will be celebrating the success of the Kickstarter campaign as well as the launch of the comic online and in UK small press friendly comic shops, with drinks and good times. Huge thanks to Peter James Norman, contributor to Sneaky Business, who co-runs the NN Café and has helped me to make this launch happen. For more information and to RSVP to the event please visit the dedicated Facebook event page – all are welcome, so come and join in the fun and celebrate independent comics! I’ll be selling copies of Njálla as well as other goodies, and signing on request too – and depending how many beverages I have, my signings could become more and more abstracted as the night goes on!
Speaking of launches, this past Friday saw the long anticipated launch of the Broken Frontier Anthology and the Small Press Yearbook at Gosh! Comics in London! It was a fantastic night, with the six of us UK Small Press Creators to Watch in 2015 being all together for the first time ever. A whole host of back-up contributors for the Yearbook also attended, alongside creators from the Broken Frontier Anthology in a joint event with a wonderful atmosphere and a true showcase of the spectrum that Broken Frontier supports. Thank you so much to Gosh! for hosting the event, everyone who attended and especially those who asked me to scribble in their copies of the Yearbook. I won’t go overboard on the details as Broken Frontier posted excellent coverage including photography of the night from Mauricio Molizane De Souza (included in gallery below), but trust me, if you weren’t there you missed out.
I think that’s about it for now! I have rather a lot to do in the way of finishing touches for Njálla before I crawl into bed tonight.. Don’t forget, if you haven’t pledged yet you have until 9am Friday morning to do so, and pledges equal freebies! Check out the Kickstarter for more details. Next week I’ll be back with more Njálla news, plus with one assessment complete and preparing for the next one I’ll be potentially a bit greyer and a bit more tired by then too. Until next week!
So, I’m blessing you with my presence today whilst battling a fearsome autumnal cold. I’ve been awaiting this beast that’s been going round for a while, and I’ve been managing to happily avoid it until now. Marvellous. Don’t colds just have a way of appearing at the most awkward time? It’s not like I have presentations to give, with the need to think about complex educational things, right? Instead, the inside of my brain is made of marshmallows and I look like Beetlejuice. But hey, I’ve been eating vegetables galore so hopefully I will battle this demon lurgy in time for the weekend!
This past week I’ve started making some headway on ideas for a new project, the Folio Society and House of Illustration Book Illustration Competition. The Book Illustration Competition is a yearly jobby that’s been going on since 2011, though this year is the first time I’ll be entering. This year’s book is War Horse by Michael Morpurgo, and I shall be creating three inner illustrations and the book cover design for this, for completion is early January. So it’s quite a big task, but an exciting one nevertheless. Last week I made some collagraph printing plates ready to do some illustration backgrounds to draw back into; unfortunately I’ve felt too awful to stand in the print room at University and get inky, but fingers crossed my human-self returns soon and I can get my print on. Below are my printing plates, textures and all, ready to go! Aren’t they lovely.
Also, in my eternal search for new and interesting textures that I can add into my work, I had a go at some DIY nail varnish marbling! Because I’m too frugal to buy marbling inks, and I have a sizeable collection of nail varnish already, I decided to give this method a go after finding it on Pintrest. Now, I didn’t use anywhere near as much colour as in the tutorial (see previous point about frugality) to do mine, but they turned out pretty interesting all the same. These experiments are all going towards the preparations for The Next Big Thing..
Who says illustration just needs to be drawing, huh? All of these types of things I like to scan in and add as a layer behind an image to give it a bit more of a textured and interesting look sometimes. Plus it’s kind of fun to try these things, apart from the inevitability of being gassed in my living room by nail varnish. It’s all part of the fun!
Finally, following the new Star Wars: The Force Awakens trailer being released last week, (and subsequently having to sit through it multiple times) I decided my better half’s excitable squealing was too entertaining to pass up on as inspiration, so I put pen to paper and made him this. Pretty spot on, if you ask me! Anywho, that’s it for now. I need to feed myself something magical to run this cold out of town. Until next time, happy Halloween and stay spooky! x
So, another week vanishes in the blink of an eye, and more sadly, another weekend vanishes even quicker than before. However, lots of good things are brewing here at Rozi HQ, (most important of all being herbal tea) and the excitement takes off the edge of the autumn chill.
Speaking of which, I am incredibly excited and happy to announce that The Red Road is going to print for a second edition run! I’ve been working away in between university assignments to add bonus content to the existing book, and really make it the best it can be. The story remains the same, though there are some new treats in store, including unseen sketchbook work and more..
I am so grateful for everyone who helped make The Red Road a sell-out success in just nine short months! It’s strange to think that this time last year I was beginning to unfold ideas to start creating Bear, Coyote and Lark, and the girl who holds the story together. It’s something I’m very proud of, and I’m not ready to let go of it yet. Watch this space for news of the official re-launch, coming November 2015!
“A complete sucker for traditional media comics, I fell head over heels for The Red Road from my first look at its simple and striking watercolour cover. Burned skeletons of trees, silhouetted against shadowy mountains with a blazing red sunrise just breaking above these – the image nicely encapsulates the story’s blend of light and darkness.”
“Overall, The Red Road is a quietly powerful reading experience and a sure-footed debut from Hathaway. There’s more than enough here to get me really excited for whatever she brings out next as I think her ability to depict difficult emotions with a light touch will translate to a variety of projects.”
Also, this week my Sneaky Business buddy Samuel C Williams has released the front cover image for his forthcoming zine, Dead Singers Society. To be released at this year’s Thought Bubble festival in Leeds, Dead Singers Society includes comics, illustrations and writing, with my submission being a single page illustration of Muddy Waters (sneak peek below). I always really enjoy working on small pieces for print, especially as a thanks to Sam for his work in Sneaky Business. So, if you’re around Thought Bubble next month be sure to swing by and see Sam’s stall (before you head over to spend all your pennies with me, of course!).
I was asked to be a part of the first Dead.. Singers Society
.. and I created this piece of Muddy Waters
Finally, in some very exciting news, Kripa and Elena have absolutely smashed the target for Art Aid Nepal, finishing up with a whopping £3’300 in donations and over 100 backers! Well done everyone for being a part of something so amazing, I can’t wait to get my hands on my very own printed copy and see all the amazing work that’s gone into this multicultural bonanza of an anthology. Thank you so much to Kripa and Elena for letting me be involved!
That’s it for now, folks! I have a stack of books that need reading and analysing before I can do fun drawing things, and the pile of books seem to be ever growing.. University life. Stay tuned as more awesome things are coming in the weeks to come.. Over and out!
So, with a sweep of windy and rainy weather we are now knee-deep in October. University has thrown me into the cold, harsh realities of becoming a final-year student, and with an entire eight months of work laying in front of me it’s all to easy to be intimidated. However! Now I have unshackled the responsibilities of part-time paid shelf-stacking work I am feeling somewhat stressed but also somewhat Zen. I will survive this year. I will. (I hope) -sob-
After a small editorial brief which will conclude next week, most of the work I’ll be producing is long-term projects. With that in mind, I will shortly be taking off my top secret cape! Meaning, you can expect a lot more of the work-in-progress kind of posts from me, along with quiet-yet-public-mental-breakdown posts and drunk-on-camomile-tea posts. Although I have to give a fair amount of concentration to all projects and briefs this year, the main focus of the next eight months is The Next Big Thing. My yet-to-be-named longer length comic will be the final push, incorporating everything I’ve learnt over the past two and a half years since I really started my comics career with HOAX: Psychosis Blues, up until the Top Secret Project which is due to be revealed next month.
Sneaky Business now at Orbital Comics
Sneaky Business and the last few remaining copies of The Red Road now in stock at Gosh! London
First things first, this past rainy Monday I headed on down to The Big Smoke for half a day to visit the bees knees of comics shops! Sneaky Business is now available at both Orbital Comics and Gosh! Comics in London – yay! Don’t forget that Sneaky Business is still available from my online Etsy shop for just £2, perfect for those people who have everything, yet you still need to get them something for Christmas. Cuh, you know, THOSE people. Awkward souls.. Anyway, whilst I was in Gosh I dropped off the final five copies of The Red Road in a proud yet slightly sad moment. My children have flown the nest, and are all out there in the great wide world! So, that’s it folks. All one hundred copies are gone, with a few remaining at Gosh!, Travelling Man in Manchester (and last time I checked, there was one copy left at Nostalgia & Comics in Birmingham).
Do not fear, though; Bear, Coyote and Lark are far too special to disappear forever. Keep an eye out on my social media (Facebook, Twitter, Instagram) over the next couple of weeks for some exciting news, and of course here on the blog you’ll get all the insider gossip too!
November is turning out to be a pretty exciting month, with Thought Bubble on the horizon and Top Secret Project’s grand reveal.. and now some The Red Road news? Well, who needs Christmas! On that note, time to get back to the grind! Don’t forget to back the Nepal Art Aid Anthology if you haven’t already – the clock is ticking. For now, as always, over and out.
So, we’ve arrived into September in traditional British style; downpours of rain, a chill in the air and darker mornings. Which is different from the British August, which is downpours of rain but with warmer air and lighter mornings. This past week has seen another busy spell at Rozi HQ, with a Top Secret Project in it’s final stages (which I finally finished yesterday, yay!) and the wonderful, welcoming and warm-hearted MancsterCon event in Manchester.
MancsterCon is an entirely volunteer led event showcasing the independent talents in the North-West; everything from comics and zines to game development, and custom-made lighting to kawaii wigs. Some of you may remember that I attended last year as a visitor and loved the atmosphere so much that I asked to be considered as an honorary Northerner to be a part of this year’s event. Thankfully, they said yes! Even better, they asked me to be a part of an interview panel with Andrew Tunney, Tom Ward, Chris Welsh and Debbie Jenkinson called, ‘So you want to get into comics?’. Held at the University of Salford’s Media City campus, the atmosphere was just as warm and fuzzy as last year even with a much larger hosting space compared to last years – something which I don’t imagine is that easy to do, so kudos to Florence and the team for making it work so well! Plus, even with Manchester Pride and a Manchester City home game on, the turn-out was still pretty decent and it made for a fantastic day with many friendly faces.
Sneaky Business! On sale now.
The Red Road – only six copies remain..!
‘So you want to get into comics?’ panel.
The interview panel was actually really fun, too! A little daunting at first, but everyone is just so incredibly friendly it just felt like a bunch of strangers watching us have a chat. It’s always really interesting to hear how other people got into the comics field, and even though I saw sat alongside people who are far more successful and further along in their careers than I am, it was genuinely great to hear them speak about their experiences and ideas. Although, probably best not to mention Steampunk to Andrew Tunney any time soon.. Thank you to Florence for being an excellent interviewer, and for the audience for laughing at my joke. That would have been awkward otherwise. I’m not entirely sure if there’s a video of the interview being uploaded to the interwebs, but if there is I shall dutifully share that with you all.
So, in all, it was a great day. Thank you MancsterCon!
In other news, it’s a time for celebration, folks; Monday 31st August was my four-year blogiversary – let there be cake! For those of you who haven’t been with me for the entire long-haul, I started my small blogspot account back in 2011, doing updates of various illustration and arts related things I liked, saw and was doing. Just over a year ago I moved to this site, but the blogspot still exists with all my old drawings I thought were not-so-bad at the time. Now, however, I can sit back and laugh at how awful they are.. So what better way to celebrate than to get you all to laugh with me? Lets have a look at what the ol’ account has to offer..
Here we have an example I’d like to call.. ‘Why I didn’t get accepted into UWE’. The reason I started my blog was to improve my drawing, so I can’t really look back at my terrible beginnings and hate it, because it got me where I am today. But yes, after I finished art college at the tender age of eighteen I fell into full-time work and got kinda stuck doing important things for not-that-much money. After a while I decided to get back on that proverbial horse and create a portfolio and apply for University. So, with full time work and drawing all evening I slowly created a portfolio of my best work, all from scratch. The selection day involved everyone putting their work out in a room, going off for a tour of the campus, then returning for an interview. Get this; I was politely taken aside and told I would not be interviewed as my work didn’t meet their standards. Ouch! Then I cried on my mum’s shoulder in the middle of Bristol, because I’m level-headed and strong independent woman like that. On the bright side.. After that I umm’ed and aah’d about whether to give up on my dreams of being an illustrator or jack the job, move back home, draw a lot, and try again for university. Thankfully, I chose the latter, so that’s what I did. And this blog was a way for me to track my progress.
As far as I can remember, this was my first time drawing a comic – which actually isn’t terrible! I believe I finished this around September time, so already there is a big improvement from the portfolio work I was making back in the earlier part of the year. After this things steadily improved, with the likes of my Denver Union Station piece being created in January time of the following year.
Of course, how could I forget! Alan Rickman on a pillow. That was quite obviously painted with assistance from a light box, but damn if that isn’t one of the best presents I’ve ever given. Saying that, the gift was for my dearest BFF and flatmate, and I definitely haven’t seen this in a while.. Should I be offended?
Ah yes – now this was my first time making a comic-style set of images which I thought of, wrote and drew myself, back in June-July 2012. Not too shabby either! Whatever I was doing, I was doing something right as by the end of 2012, early 2013 I was asked by Ravi Thornton to illustrate some pages for HOAX: Psychosis Blues – and as they say, the rest is history. I’ve still made some completely awful things since, and I probably will continue to! Hopefully I don’t look back on the work I’ve created in the last year and regret everything, as that would be somewhat awkward.. But yes! That’s a small highlight real of my humble beginnings. If you’d like to see more things I made back when I was just a young ‘un, you can find all the archives on blogspot, here. I warn you, not all of it is pretty. And there’s a good few years on there, it may take a while..
It’s quite funny really, I sometimes think I started getting serious about drawing a lot later than others, and maybe it didn’t serve me well as I’m now a financially crippled twenty-five year old going into my third year of university surrounded by people four years my junior. But then, I have old-lady perspective. Old-lady perspective is very useful indeed! Because.. I did all my awful work BEFORE university, which means that if I went there in my youth I’d probably have messed it up and hated it anyway.
Anyway, enough romanticising, I’d best get back to some actual work otherwise in another four years I’ll be looking back and weeping over what I lost. Thank you to all of you, whether you’re an occasional reader; a dedicated reader (hi mum!); or a new reader, for making me stick with the blogs and have something to show for myself, especially in those early stages where motivation is so hard. Like the well trained puppy that I am, I’ll be back next week with some more sneak previews of the recently finished Top Secret Project, and more.. Peace out!