self-publishing

A Whole New Kind of Busy

Good afternoon ladies and gentlemen!

So, please forgive me for the gap in broadcasts last week; I’m more than accustomed to being busy with various projects, but busy with various projects AND flat hunting, job hunting and giving notice on everything at my current home in favour of my new home 120 miles away has been rather… strenuous. I slept for most of this past weekend and now feel vaguely human again. Hooray!

First up, entries for Sneaky Business vol.2 closed in spectacular style last Monday, with a more submissions than I could’ve ever expected! I want to extend my huge thanks to absolutely every single person who submitted to SB2, you’re all amazing and I was truly overwhelmed with the support and interest in my little creation. Aside from things like Down to Your Skivvies and the university degree show catalogue, it’s the first time I’ve really had to sit down and look at the order of things and who to include, and sadly who to not include. Ultimately SB2 has reached a whopping 36 pages with some incredibly entertaining comics from 18 talented creators, listed below!

Please give a warm welcome to the comic artists of Sneaky Business Vol.2!

Alan Henderson, Alex Hahn, Alex Tawns, Danny Noble, David Robertson, Elias Bevan, Elizabeth Querstret, Evan Stamps, Jason Song Quinn, Jessy Oddie, K. LY R, Lorne Colt, Martyn B. Lorbiecki, Phu Vuong, Isa Enriquez, Jamie Me, Rica March, Wallis Eates, and yours truly.

Sneaky previews of Sneaky Business. Doesn’t it look beautiful? *wipes tear*

Sneaky Business vol.2 is officially launching at Bristol Comic & Zine Fair on Saturday 1st October, with pre-orders going on my Etsy site a few days before and being posted out on Monday 3rd October. This 36-page bundle of joy can be all yours soon, and it is going to be great. Trust me..

In other news, my entry to kuš! is finished and emailed off to await judgement! I’ve really enjoyed this one, although a shorter comic it was still a lot of work at 16 pages total length. From their website, which coincidentally has a week extension on the deadline if anyone’s interested in getting something in before next Monday, I should find out along with everyone else if I’m successful by mid October. You know the drill: fingers and toes crossed, people! Here are a couple of final previews to leave you excited before the comic sees the light of day later in the year:

In some final but equally if-not-more important news, I have an auction live on eBay at the moment raising much needed funds for the local homeless charity, the Northampton Hope Centre. I have a total of seven hand numbered and signed prints available for bidding, with prices starting at just £5.00 for a high quality giclée print sized at 35cm x 26cm. The prints are from two different ink and watercolour illustrations I made when I first moved to Northampton, of two abandoned buildings which have since been renovated; the Henry Harday shoe factory building and the old Neon Signs buildings, both in close proximity to the Hope Centre and town centre. The auctions end on Friday 23rd September at 5pm BST, so please help in supporting the Hope Centre through illustration! 75% of proceeds go towards the charity, and you can see all the prints available to bid for here.

Here in Northampton the weather has been pretty warm, but the nights are getting longer and the chill is starting to set in. I’m lucky enough to have my health and a home to sleep in every night, but others are not so fortunate. Starting bids at £5 isn’t much, so get your hands on a nice print and feel darn good about it at the same time.

And I think that about wraps it up for now! I shall be back next week with a bundle of copies of Sneaky Business to tempt you all with, and the run up to Bristol Comic & Zine Fair in full swing. Until then, have a great week everyone.

x

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Hello, August.

Good afternoon ladies and gents.

So, it’s August! Where did that come from, huh? July seemed to vanish in a flash, with more new comic work (Sørgedag – due out in Dirty Rotten Comics this month) and plenty of skill-expanding illustration work in the form of recipe illustrations and some rather colourful maps. July also included the wonders of Small Press Day, D&AD and towards the end of the month my very own graduation. No wonder I’m tired..

In one final excellent bundle of good news to finish up July, I’ve been offered a half-table at the Bristol Comic & Zine Fair on Saturday 1st October! I originally applied to BCZF months back and was very gutted to be turned down, however some kind soul backed out of their half table and apparently I was at the top of the reserves list – hooray! I’m absolutely THRILLED to be behind a table in Bristol for the first time. I fell in love with the city back in 2010/11 when I (unsuccessfully) applied to study at UWE. Thankfully, they’re letting me back in the city and I will be at BCZF with bells on. Check out all the information on BCZF here, and the Facebook Event Page here.

Seemingly lots of great comics people are all going to be under the one roof for BCZF, so as well as doing my selling thing I’ll be able to catch up with my favourite kind of people; small press comics people. The even better news which leads on from this is that Sneaky Business Vol. 2 will now officially launch at BCZF 2016! Double hooray! You still have just under 6 weeks to submit to Sneaky Business Vol. 2, so go forth and draw young Padawans.

Onto more creative business, last week through to this week I’ve been getting seriously stuck into the next short-story comics project; a creation for submission to Kuš! comics next anthology. Kuš #27 is open to submissions of comics 4-16 pages in length, with the theme of BFFs (for the non-millennials, BFF means “Best Friends Forever”). I’d been mulling over the possibilities of this story for a little while but I’ve finally been able to sink some time into it, and so far I’ve written, scripted, scribbled and mocked-up the comic. Now I’ve reached the point of sketching up the final pages onto draft paper, and at a whopper of 16 pages – the maximum allowed for this particular call for submissions – I have plenty to keep me busy. The downside of working to the maximum page number of a submission like this is that a niggling voice in my head says that it’s less likely to be successful in getting into the anthology.. But what is life, if to not be challenged and overcoming that looming self-doubt and a future of possible “sorry but no thank you”s.

Anyhow, above and below are some progress shots I’ve taken so far; from the very loose thumbnail sketches – used to work out the ultimate page count of the story and looking at areas I can exploit (in terms of surprising page turns and maintaining interest) – to the mock-up book which has more refined composition and speech, to the final draft pages – the over-size A3 pages I draw on, rub out, get angry at and scribble on – which when finished will be laid underneath the final paper on my fancy-pants light box and I free-ink the final images over the top. Now you all know my secret process – don’t tell anyone, yeah?

A6 mock-up comic on the left, with full A4 pages (A3 spread) behind)

I’ve currently finished drawing up just over half of the pencils for this, so I’m hoping with another couple of solid days work and lots of determination I’ll be able to start inking before this week is over. The deadline for Kuš #27 is Monday 19th September and you can find out all the information about it here – yes, yes, I am getting my comic done surprisingly early considering the deadline isn’t for another 6 and a half weeks, but with Sneaky Business’ covers design and my own comic needing doing I thought I’d best get ahead of the curve.

So, that’s about it for today! I shall be back next week as ever, though how much I’ll actually have to show is debatable, given that I’m away from my desk this weekend and start a new job on Monday, but I’ll do my best. Until next time, peace out.

x

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Njálla

 

Previously alluded to as The Next Big Thing, Njálla (pronounced nyaah-lah) is my latest self-published comic released online on Thursday 2nd June. The printing of Njálla was made entirely possible to to a successful Kickstarter Campaign. What’s it about? Well..

Njálla is an original comic story, based around the myths and legends of the Sámi people, indigenous to northern Europe’s Arctic Circle; which today includes parts of Norway, Sweden, Finland and the Kola Peninsula of Russia. Lieđđi, a young Sámi girl, and her reindeer Unni end up on an unexpected adventure after coming face to face with the guovssahasat, the northern lights. Njálla is an atmospheric and magical comic for all ages, unearthing the legends of the Sámi through friendship, mystery and adventure.

Njálla is an A5 (148 x 210 mm), 48-page full colour comic, in a limited run of 250 copies, perfect bound. See the successful campaign for Njálla on the Kickstarter page here, and read previous posts about my work leading up to this point using the tag ‘The Next Big Thing’, or follow this link.

Read the blog announcement of Njálla here.

Read Andy Oliver’s announcement on Broken Frontier here.

Read the exclusive preview of Njálla from Broken Frontier here.

Read the review of Njálla from Broken Frontier here.

Njálla is an obvious labour of love, respectfully crafted and diligently researched. It also embodies everything I have come to admire and enjoy about Rozi Hathaway’s comics over the last couple of years – their humanity, their empathy and their pure visual splendour. A stunning synthesis of unearthly mystery and endearing innocence, Njálla underlines once again the subtle potency at the heart of Hathaway’s craft.

– Andy Oliver, Broken Frontier – Njálla – Rozi Hathaway Brings the Legends of the Sámi to Magical Life in a Spectacular All-Ages Offering

Read the review of Njálla from The Quietus.

There’s an image early on of two people sitting around a stove in a lavvu, the tents used by the Sámi, and the way Hathaway’s watercolours cast light and shadow is so effective. A heavily repeated motif is the use of circles. They are everywhere – in the lighting, the movement, the sky, the land, the interiors. They convey so many different things – the excitable energy of a child, the rough forces of nature, the Northern Lights, the enclosed space of a lavvu. It’s this natural, restrained quality that really stands out here – the minimal dialogue allows the images to tell the story, about a child, myths of the Sámi and the Northern Lights. Njálla is a confident, assured book, well worth tracking down.

– Pete Redrup, The Quietus – Behold! July’s Quietus Comics Round Up Column 

Available to buy online now!

Huge thanks to all of my wonderful Kickstarter backers who made this happen:

Claire Parmley / Anastasia Hiorns / Alan Henderson / Bridget / Andy Oliver / Chris Bates / Cecily Kennemore / James McLaughlin / Dave White / Ricky Miller / Mike Medaglia / YoMma / Zara / Alex Smith / Richard Redfern / Sueleen McQueen / MarineMonstress / Christina / David Ogley / Simon Wallis / Malcolm / Sandra Bates / Emma Raby / Sarah Crosby / Tim Wiltshire / Mattias Vermeersch / Martin Cooper / NB / Nor Azman / Len Ahgeak / Pippa Bailey / Nicola Edwards / Marlon Mapstone / Paddy Johnston / Rafael  / Chris Welsh / Chiara Montresor / Conori Bell-Bhuiyan / Comichaus.com / Michael Huntley / Annie / Selina / Matthieu Boussard / Jordan Franklin / Amy Crawford / lyrik / Andrew Walsh / Tora Stridh / Thomas Henn / Joanna Turner / Billy Dayton / Te Hao Boon / xphiler06 / Lucy McLoughlin / Jordan / Dries Dewulf / Megan Smith / Rebecca / Chantel Beaven / Craig Galloway / Bo Rosén / Alex McNelis / Dimitri Mavroudis / Brittney / Ellen Power / Kim Schwanhaeusser / Rhiannon / iamshirtacus / Sonny Gibson / Jill / Cheryl Fisher / Johanna Wedin / Jasmin / Jennifer Sheer / Derek Freeman / Paul Jordin / Bernadette Siddall / Diane Fox / Milou / Beth Ray / Martyn B. Lorbiecki / Matthew Kuzio / Anje van der Veen / Maaike van Eekelen / Luke Marquart / Froze / Andrew Lee / zombiejojo / Rachel Harris / Douglas Harrower / Amber / JM / Bennett / Jessica Poppke / Peter Evans / Jonne / Carole Fletcher / Lily / Petra Pavlikova / Blake Sykes / Charlotte / Katie Whittle / Ben Dunn / Dave Green / Gius / Peter Hartman / Aninia Schwan / Lucy / Martin / Naomi Rose Johnson / Barbara Gabrys / Lara N / Alexander Gudenau / Ignasi Pizarro / Heidi Elliott / Tze-Wen Chao / Andrew Belding / Mike Meltzer / Markisan Naso / Tamara Slaten / Stephanie Wischhusen / Sam Chi Cken Evans / Vincent Laine / Kasele Deitz / Azucena Cauich / Mer / SecretBaroness / Kamila Tyran / Jeanette Wennerstrand / Chris Banser / Holly Brown / Caitlin Jane Hughes

For more information about the research that went into this project, please visit my dedicated page here: rozihathaway.com/njalla-research/

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The Next Big Thing

Good morning ladies and gents!

So, apparently winter has arrived in full force as I sit for long hours at my desk with 5 layers of clothing on with my new best friend, the kettle. Thanks to my father I’m largely anti-central heating, so in true British style I can sit and moan about the weather safe in the knowledge that at least I’m not spending any more money on heating than I need to. Living the dream! On the plus side, when the colour DOES return to my fingers I can continue working on.. -drum roll-.. The Next Big Thing!

Now, as I mentioned a while ago, even though I normally love to keep projects secret until the grand reveal, I’ve decided to do things a little differently this time. The Next Big Thing is a comic I’m creating for my Final Major Project (FMP) at University, which generally has to be to some level of completion by mid-late March, though I will most likely have it finished and to print in May-June ready for my degree show (Ahhh! Panic!). The grand scheme for this project started back in August when I travelled around Scandinavia with my other half. The spectacular views and crisp air left me with many ideas, but after gathering together rather a lot of information I decided that I wanted to create a story around the Sámi.

Norway in August
Norway in August

In a nutshell, the Sámi (also: Sami, Saami) are the indigenous people of northern Norway, Sweden, Finland and Russia, who first settled at least 5’000 years ago, with ancestral rock carvings dating back to around dating back to around 4’200 BC. Mind-blowing, right? Even more amazing is how the Sámi culture is still present and celebrated today, even after years of heavy exploitative taxation from both Sweden and Norway, the taking of land and many more various types of oppression. Since shuffling around the museums of Norway and Sweden and learning what I could out there, I came home to start exploring the Sámi in more depth with books, documentaries and websites. Although cultural appropriation is a key topic at the moment and something to be wary of, I’ve been doing everything I can to be as respectful and clued-up as possible, because I think it’s important to inform people about other cultures.. Plus, it’s interesting! I should’ve been an anthropologist.. Anyway, I finally finished writing and scripting my story last week so here’s some of the sketchbook work I’ve been doing…

I have the story at 36-pages long, though I’m going to try and trim it down by 1-2 pages to make it 34, so that gives me the covers and 4 extra pages making the book a nice even I-will-feel-this-age-by-the-time-I’ve-finished 40. So, a bit of a challenge! On the bright side, I’m making good progress to have the mock-up done by Christmas and that gives me more time for character development before drawing up 40 pages of wonderfulness. There isn’t anything I’d rather be doing! Well, maybe sitting on an sunny beach having a massage, but apart from that.. There isn’t anything else I’d rather be doing!

In other news, I’ve been busy working on a couple of commissions this past week too. As you may remember I mentioned designing a t-shirt for a local band, which is all going through nicely! The band, Jagged Little Thrills are releasing their album in February next year, so the design will compliment their social media campaign nicely, and hopefully get them a whole load of t-shirt sales on the launch night! I’m drawing up the final design this week, along with an illustration for a local charity newsletter that is going out in time for a Christmas appeal. Here’s a peek at both, t-shirt design on the left, close up progress of the charity illustration on the right!

Anyway, that’s about it for now. My first layer of paint on the charity commission is now dry and I’m on deadline for that, so back to it! I shall be back next week as always with the final images on these two commissions, and hopefully some more progress everywhere else.. Until next time, peace out.

x

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Hello, November.

Good morning ladies and gents.

So, another week is behind us and we’re well and truly into November. There’s a crisp, cold scent to the night air which can only mean the arrival of Bonfire night. Because, y’know, why not celebrate some guy’s failure of trying to blow up the House of Lords in the 17th century when it involves pretty colours and bright lights? Thankfully my week-and-a-half long lurgy seems to be finally tailing off, though it’s been a determined little bunch of germs.

On Monday I managed to drag my coughing and sniffly self into the university print rooms to play with my collagraph printing plates I showed you all last week. Wanna see? Yeah you do!

These prints are all part of the work I’m creating for the Folio Society’s printing of War Horse, and as I mentioned last week this is a competition which calls for three internal illustrations and a book jacket design in the typical Folio Society styling. As the subject matter of War Horse is pretty dark, and the story is told through the eyes of the horse, I didn’t want to go and just draw horses everywhere. Instead, I’m looking at combining these textured backgrounds with washes of paint and some drawn details. The first print is for the shelling at night, the second is muddy brown holes in the snow, and the third is pieces of shrapnel and earth upturned by more shelling. I don’t normally work in an abstracted way so it’s kind of nice to try out this more atmospheric way of presenting a landscape rather than going straight to drawing pens. Fits the story better, I think.

In similar news, I’ve been trying out something different with modelling clay, too! With Thought Bubble Festival only a week and a half away, I’ve been working on a small side project to keep me company over the weekend on my half of table 73. Plus, with the re-release of The Red Road coming THIS FRIDAY, and Thought Bubble being it’s first public appearance, I thought it’s a perfect opportunity to make something  bit different. Now, I’m absolutely no expert in the field of modelling, but after a plea on twitter and speaking to some fellow students at university, I found out my failed attempts were because I needed to make a skeleton structure to support the weight of the clay. Who knew! Low and behold, I’ve just about managed to make a model of Bear and Coyote with air-drying clay and a frame consisting of paper clips, wool and hot glue.

Now, they are pretty crappy. I mean, I was hoping I could sell them, but I wouldn’t wish that upon anyone until I’ve practiced a little more. Also, as you can probably tell, they aren’t to scale of each other – whoops! Making a smaller Coyote would have been really fiddly, and making a bigger Bear would have needed a much larger and more substantial frame. But altogether, not too shabby for a second attempt. Some cracks have appeared in the drying process so I shall be off to get some fine surface filler to fill those in before I paint and glaze my new friends.

Speaking of The Red Road… IT’S ALMOST FRIDAY!! I am so, so excited to be releasing The Red Road for a second time, especially with the changes and additions I’ve made. The story remains the same, but there’s some special extra content in there now, and a couple of other tweaks to make it the best it can be. Yay! Don’t forget, The Red Road launches this Friday (6th November) still for the same price of £6 on my Etsy store, but this time with an extra 4 pages of goodies. Just to make life even more exciting, Richard Bruton’s review came through last week from Forbidden Planet Blog. What a dream come true! Having not only a Broken Frontier review but now a Forbidden Planet review too is an incredibly proud and exciting moment for me. Here’s a snippet, and click here for the full review.

“…Hathaway deserves fulsome praise for delivering something so brutal, so powerful, in such simple terms. This is good comics.”

– Richard Bruton, Forbidden Planet Blog review of The Red Road

Finally, yesterday saw celebrations in the form of Broken Frontier’s Editor-in-Chief Andy Oliver’s Small Pressganged 4th birthday! Wow, that was a mouthful. Anyway, it’s safe to say that without Andy Oliver’s tireless work to embrace small press and independent comics, I would not be on the shelves of comics shops throughout the UK, and I would not have appeared in anthologies and at comics events. What a guy! For myself and countless others, Andy has championed our hard work and given it an amplified audience of dedicated fans and followers. Really, I am so thankful for the great work that he does, and I would just be another uni student desperate to get anywhere without his support and belief in my work. All hail the hat! To celebrate the occasion I draw Andy a nice big hat cake with four candles per hat and a potential flag fire hazard. It’s not exactly my most esteemed work, but as a doodle it gets the message across. Happy 4th Birthday Small Pressganged!

So, that’s about it for now; the Next Big Thing is slowly under way and next on the list is working on my dissertation proposal. (Yep, you thought your Wednesday morning was fun..) Don’t forget to get your shiny second edition copy of The Red Road from Friday, and check back next week for some previews of the second edition additions. Until next time!

x

 

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I Amster-back.

Good morning Friday fans!

So, although a little later than normal, I am dutifully back with this week’s update on what’s been going on at the HQ. After returning from a short break to Amsterdam yesterday, I barely feel like I’ve been away for one day, let alone three. As my company for the trip were not particularly interested in the art side of things and the weather was a good eclectic mix of tourrential downpours and drizzle, we ended up just having a good ol’ wander around the city and stopping to eat as much incredible food as possible. Not bad, right? Oh, and the pancakes.. Be still, my beating heart.

Down to business, as some of you may or may not have seen, I gave my website a bit of a refresh last weekend. It was rather over-due, and if you waltz on over to my homepage you’ll see it looks a bit more snazzy and full of comic goodness. I changed some of the links and information too, so the Contributions page is a little more streamlined, with more information linked elsewhere. Phew! It was in desperate need of bringing up to date, and yet another thing crossed of my pre-University list.

So, we now have sections for the Top Secret Project (to be announced in the coming months… And it’s going to be REALLY good, I promise.), Sneaky Business, Rejsen as a part of Dirty Rotten Comics, and Locomotion as a part of A Bit of Undigested Potato. One of the good teaching points of University was that keeping your website alive and rejuvenated is very important.. If the homepage stays the same, it looks like I do nothing for months on end. And I can promise you, from my premature ageing and stress lines, that is most definitely not the case. Anyway, head on over to the home page for a little explore, and tell me what you think! It’s very comic-centred right now which is great, though I’m definitely looking forward to flexing my illustration muscles soon.

website

Speaking of which, I arrived home from rainy Amsterdam to a wonderful message from Eastfield Academy to say that they’ve received my Bullfinch! For those who are unaware, back in June I signed up for the Access Art Share-a-Bird project; the project was aimed at artists to create a bird in any medium, and donate it to the Access Art charity which would then send the birds out to schools in the UK who signed up for the project. As artists, we also got to write an inspirational message to the younger generation about how important art is, and it’s not all about stuffy old textbooks and things that happened centuries ago. It’s about making cool stuff and enjoying it, and a decent arts education helps. As I’ve said before, art in school pretty much bored me to tears; there was nothing engaging about drawing a still life of an apple as an 11-year-old Game Boy fanatic. Though, I’m lucky really, as those afternoons as a very young person drawing things in the garden with my mum taught me how much I wanted to be better (that same stubborn and competitive child is still inside somewhere). Here’s to hoping that my Bullfinch might inspire some small person, if only for a few hours.

 

 

Finally, last week I completed a piece for a friend of mine who is creating his own zine of comics, text and images around the theme of Dead Singers. The zine itself is being released to coincide with Thought Bubble Festival in Leeds, from 14th-15th November which I shall be attending with bells and whistles on. After some careful consideration and pondering, and having lists of names sent to me from my better half, I settled on Muddy Waters. Here’s a sneak preview of my finished stand-alone illustration for the project. Thanks to Sam for letting me be involved!

Anyway, that’s it for now! I have an exciting project coming up to get my teeth stuck into, and the third year of university awaits.. Until next week!

x

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A Bit of Undigested Potato

 

A Bit of Undigested Potato

A bad dreams and nightmare anthology, edited by Keara Stewart

Contributions by Alex Potts, Abraham Mann, Andy Poyiadgi, Annabel Dover, Cathy Lomax, Corinna Spencer, Danny Noble, David Robertson, EdieOP, Ella Dawson, Elizabeth Querstret, Francesca Cassavetti, Gareth Brookes, John Riordan, Justyna Burzynska, Karen Rubins, Karrie Fransman, Keara Stewart, Kelly Froh, Kim Clements, Martin Eden, Mary Blomley, Matilda Tristram, Mike Medaglia, Nick Soucek, Paul Shinn, Pete Hindle, Rachael Ball, Richy K. Chandler, Robert Wells, Rozi Hathaway, Ruth Collingwood, Sally-Anne Hickman, Sean Azzopardi, Steven J Harris, Tim Bird, Tom Ryling, Una, Viviane Schwarz and Wallis Eates.

Cover by Gareth Brookes.

On sale now from Keara’s webstore, priced £5.00. Also reviewed by Andy Oliver on Broken Frontier.

“Noble is, of course, one of my ‘Six UK Small Press Creators to Watch in 2015’, as is Rozi Hathaway who, once again, lives up to that designation with a desperately touching, panel-bursting short.”
-Andy Oliver, Broken Frontier

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It’s Printing Time!

Good evening ladies and gents!

So, I have big, happy shiny news that glistens in the sunlight (though not like one of those weird Twilight ‘vampire’ things..). It also scares me somewhat, but I’m just going to ignore that for now:

My comic, The Red Road has evolved over the past few months. It emerged as from a single idea, from there is became lines and paint on numerous pieces of paper, and then to the long process of editing and piecing together on a screen. And finally, as of this week, over to the local printers who are finishing the process by making 100 beautiful copies. Printed onto an off-white eco-friendly paper, with perfect binding (i.e. stapling), The Red Road will be in my warm and loving arms by Thursday!

Ooo

Preview2

Preview3

Like anything created and then thrown out to the world, it is a anxious time.. Although this time it’s worse – financing the printing has been an odd feeling, one of which started very happily and then as time has gone on in the past week I’ve started wondering what on earth I’ve done. Y’know, the usual happy thoughts! Thankfully, after only a couple of meltdowns I’m ready to go and just waiting.. I’m usually pretty good at being patient, but now I have a dent in my finances I just want to see what happens!!

Anyway! Down to the important business.

I have rejuvenated my Etsy shop which you can go have a look at here >> https://www.etsy.com/uk/shop/rozihathaway

It is looking a little empty at the moment, but I’m working on it! From Thursday The Red Road will be available for purchase from here for the grand, epic total of £6. Each copy is numbered out of 100, and will be posted out in it’s own little cellophane envelope and board-backed packaging to ensure that it arrives in perfect condition. The comic is A5 in size, and as previously mentioned printed onto recycled eco-friendly paper at a weight of 140gsm. To read more about the story itself please look at my previous post here!

Anyone who parts with their hard earned cash to purchase something that I made is a hero in my eyes, so thank you to anyone who is interested in my work. It’s a never-fading compliment to have a story I nurtured and put so much into sitting in someone’s home, making people smile. This story is close to my heart for many reasons, but working with these characters for all this time I really can’t wait to see and hear what people think. So, before I get too soppy, head on over to my Facebook page and enjoy the daily countdown starting from tonight.. See what happens tomorrow and I hope you’re all as excited as I am! For now – laters! x

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Season’s Greetings

Good evening folks!

Well, well, well. It’s that time of year again. The university deadlines are down from a long list to just one more presentation, and I’ve been gradually wrapping the stockpile of gifts I’d been hiding in my wardrobe for months. Having a Christmas with no immediate project work to attend to means I’ll be happily filling myself with mulled wine and turkey for about three weeks, before it all starts up again of course. Time flies when you’re having fun! Or stressed.

So, I have been a busy bee working on several things at once, but last week saw the completion of my graphic short story that I submitted for the V&A’s Illustration Awards 2015 in the student submission category. Although, I won’t lie, the V&A was just a formality and university requirement for this brief. I couldn’t wait to write and draw my own story with so much time allocated! The story itself is hard to summarise, though my best attempt would be this; Influenced by the text ‘To Walk The Red Road’, a Native American poem by an unknown author, I developed a story based on a young woman and her spirit animals – Bear, Coyote and Lark. The story is about a physically and mentally arduous journey, ascending up the Rocky Mountains; exploring themes of violence and sexual abuse, alongside companionship, bravery and areas of Native American beliefs. Here is an obligatory snapshot:

The Red Road cover
The Red Road cover
Oooh.. shiny.
“What’s going on there?” – I hear you cry!

 

This project was my baby from start to finish, I absolutely loved it. Never before have I had the chance to really cultivate my own story for such a length of time, and with all the practise I made myself do over the summer with Lost and Found, and then the Christmas Tale, I finally had a chance within university to put it all to good use. I started with the poem, and then came up with some ideas that I wanted to include in the story, and then slowly but surely put the story together. From there I wrote it out into a graphic novel script, and after some sketchbook work and a mock-up book with my thumb-nailing I went straight to paper. The story is a total of 24-pages, not including the covers and somehow I managed to write and create the whole thing in 8 weeks. Nifty, eh? There are some logistical kinks that need working out, and I need some willing un-biased readers to give me their opinion on the content, but all going well after editing I’m looking into getting this story printed to sell. How exciting! It’s a new kind of nervous for me – I’m used to having my drawings thrown in peoples faces for judgement.. But writing? Well, apart from waffling on here and there, crafting stories is only something I’ve been practising in the last year or so. Let’s hope people like it!

Aside from this project I’d been working on a few other things but nothing I really felt as passionate for as this. Most of my university assessments are well under way and I’ll be looking forward to some nice, positive (hopefully) feedback from tutors over the winter break. Going into term two of second year, I believe the evil ‘D’ work is going to start being thrown around.. Dissertation. Eurgh. But on the positive, hopefully there will be lots more projects I can sink my teeth into and really make into something I love. Anyway, I will be around and updating things a bit more over the holidays so keep an eye out for more updates! Over and out x

 

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