Welcome to the shiny new-look for my site! I realised a month-or-so ago that I’d had my existing website theme for nearly 5 years (ways to feel old list, number 6) so it’d been long overdue for a refresher.
It took a while, but here it is! What do you think? Have a browse around and let me know how easy it is to use. Send your answers on a self-addressed envelope to the comments section below.
So, on with the blog! Firstly, let me talk to you about what’s been going on in my head. Aside from this.
I’ve been in a period of reflection recently, in which I’ve looked at how I want to move forward professionally. For one, I’ve been super busy on Good Comics projects – it’s been an incredibly rewarding experience and is changing the way I want to approach my own work. The community spirit and engaging with people is what makes the comics community so great to be a part of, and for me personally, that shouldn’t be hampered by charging for content.
This led me to the decision to end my Patreon creator page and go back to posting work freely on Instagram, Twitter, Facebook and here. For some people, it may work really well, but Patreon never quite worked for me. And, the idea of sheltering my work from people unless they paid left me in a morally weird area for a while.
Patreon cancelled and website refreshed, I feel revitalised and ready for future challenges, projects and experiences. Bring it on!
Onto more physical creations, I’ve been carefully editing the large layout sheets I drew and painted my rocks comic onto, and have been setting them up to print. Check these panels out:
Now I’ve cut out each individual panel it’s made it easier to smooth out some of the paper buckling/ridges that occurred from putting watercolour on paper not suited for wet media. It’s still definitely more of a rough-and-ready comic, which is why I’m thinking of printing it DIY style at home instead of through a professional printer. Whatever the method, I’m going to bring it out in time for Swindon Zine Fest at the end of July. Rock on!
In other news, Sam and I had a really fun commission recently from comics scholar Dr Harriet Earle who is writing a book for Routledge’s New Critical Idiom series on comics. She got in touch for a couple of diagrams to go alongside specific areas of the book, and we got to draw up some fun pieces for it! Check out my umbrella of comics:
It may not be the most water-resistant piece of kit, but I’m happy with how it turned out!
And that’s about it for now! I’ve been testing the waters on some digital drawing tools so keep an eye on social media (Instagram, Twitter, Facebook) for some previews, and check back here again soon for some progress shots.
This broadcast is brought to you by the team of thank-heck-it’s-stopped-raining and why-can’t-I-feel-my-shins.
Good afternoon folks!
We’re now mid-way through the shortest month of the year, and the days are getting that little bit longer. Longer days means less time on the cusp of a nap (11-4pm are currently my struggle-hours), which means productivity should be going through the roof come May. Woo-hoo!
Regardless of my drooping lids, it’s been a pretty busy start to the year so far. At Good Comics HQ (not to be confused with GCHQ) we’ve been launching the site, the blog and the podcast, and at Rozi HQ I’ve been splitting my time between sewing projects, zine ideas and an illustration for a magazine submission. Keen to hear more? Keep on reading!
In early January I started working on a new illustration, after seeing a call for submissions for Severine magazine – Severine is a UK-based literary and art journal which both gets printed and is available online.
The theme was “between”, and I really wanted to work on something fairly mysterious and ethereal that felt like it had a story attached to it. As primarily a comics creator I sometimes struggle to make non-narrative illustrations as I feel like I lack an emotional connection with the character, and therefore feel distant to it all.
For Between, I tried to work on it slowly over a longer period of time and had it hanging up so I could keep looking at it and keep coming back to how she came to be here with her dog. I’m still on the fence as to whether this helped or not! Although, Sam’s darling daughter quipped that it looked like a woman being eaten by an alligator. Does anyone else see this? If so, it totally changes the concept… Between the jaws?
Thanks to a) bruising the bone in my hand falling off my skateboard, and then b) spending a week mostly horizontal clearing up a nasty chest infection with antibiotics, it did take me the entire month to make this piece, scraping in at the last minute to submit. Whether it’s successful or not, we’ll see – fingers crossed everyone! If you’re interested in the entire process of how I created this, down to colour testing and the initial sketches, check out my Patreon page!
It’s been really fun pushing this out to the world, and we didn’t just stop with the website and podcast. We’ve also started a new feature on the blog called Good Fridays, where we’ll be posting up short comics from creators. First up was the excellent Nadiyah Rizkis with her short comic That Time of Year. It’s fantastic – go check it out immediately!
So that wraps up a very busy month and a half. Us three wise folks of Good Comics are also deep into our baseball movie podcast Big Boys Don’t Bunt, so if you’re interested in hearing Paddy, Sam and me talking about baseball movies (it’s more interesting than it sounds. Or, at least I hope it is!) then you can check that out here.
What’s next? I think mid-Feb to March is a time to look at zines and zine art. Maybe make some mini-comics? Who knows! To see what happens as it happens you can subscribe to my Patreon and get all my late-evening creating straight to your inbox. Otherwise, I’ll see you next time!
It’s that undeniably exciting time of year again; the tin of Quality Street is finally dwindling, there’s a new calendar on the wall, and it’s time to look ahead to a new year and everything that could possibly be. Daunting for some, the start of a new year is my very favourite time of the year.
It wouldn’t be a new year without looking back at the previous, so get comfy with a cuppa and join me in some light New Year’s Day reflections.
This year kicked off in style with Cartoon County in Brighton, hosted by Alex Fitch. Cartoon County is a monthly meet-up of comic creators, and I was honoured to be the January guest. Other guests this year have included Rachael Ball, Julian Hanshaw and Wallis Eates. I’ve been in good company! Cartoon County still hosts its monthly meet-up, and for more information on their gatherings, you can follow them on Twitter.
I also started working on my long-form story which will be coming out in the next couple of years. The decision to start working on a longer story came naturally and is something that will be slowly plugging away for a while. You can catch up on some of my early sketchbook work here!
Other goings-on included the launch of The Inking Woman book by Myriad Editions, based on The Cartoon Museum exhibition from 2017. Myself and other female creators are published in this first-of-its-kind book, and was truly an incredibly experience.
Whilst Moon may dabble in deities, it’s message is intimate and unassuming. Set against the backdrop of a Chinese shipping docks, Moon tells the story of an inquisitive grandson’s discovery of what his grandfather hides from him in one particular shipping container. More akin to a snapshot than a story, Moon‘s warm colours and dockside setting lends it a detached, melancholic flavour. Printed in a bespoke, mini-tabloid format, Moon is a small, enchanting read.
Fred McNamara, A Place to Hang Your Cape
Finally, 2018 drew to a close with the announcement that I’ve officially joined Good Comics. Keen to support grass-roots creators, establishing and developing themselves in a growing community, Good Comics aims to be a hand-up for a handful of creators. I’ve been working alongside the co-founders of Good Comics a lot this year, and I’m thrilled to be joining them in the Good cause for 2019 and beyond.
And that rounds it up! It’s been a busy year, and I’m so grateful for everything that has come my way. A huge thank you to all of you who support my work and speak to me at shows, who backed my Kickstarter, or who just dig my work. You’re all the best, and here’s to another year of making new stories!
Crikey, it’s mid-July already. It’ll be Christmas before we know it. It’s been busy as ever over the past four weeks, with my first ever keynote speech done and dusted, another comics’ fair under my belt and a short zine lovingly crafted, printed, stapled and bound in my own living room. But, I’ve still had time to enjoy the summer months down in Bournemouth with plenty of swimming in the sea and running around on the beach! Here are the highlights:
Since last time:
I attended and spoke at the International Graphic Novel and Comics’ Conference
My sketchbook for codename: The Biggest One Yet (TBOY) is becoming plumper still
I tabled at the South London Comic & Zine Fair with Good Comics
Sam and I made a new zine together
I was accepted into Bristol Comic & Zine Fair in October – woo!
And, I picked up an old car called Billie. Road trips!
First up, the International Graphic Novel & Comics Conference (IGNCC) was a blast. Julia and the other organisers did a wonderful job, and once I’d stopped shaking from my speech, I had a fantastic time listening to other people present their papers and keynote speeches, all on varying subjects within the field of comics. Having studied illustration at university I’m fairly well rehearsed in listening to comics’ being talked about in depth in such a way, but it was still such a powerful, inspiring experience to hear about so many subjects within a few days.
Mid-speech at the IGNCC
Sadly I did miss a few things I really wanted to see; Woodrow Phoenix’ exhibition and talk on She Liveswould have been spectacular (but the downside of a new car was the pre-booked MOT taking up valuable conference time…). But overall it was an excellent few days! Thank you so much to the whole IGNCC team for hosting such a great event – and right on my doorstep too.
Next up, I spent this last Saturday in the overly muggy climates of Croydon, at the South London Comic & Zine Fair (SLCZF)! Between Paddy, Sam and myself we managed to eat a Caribbean feast whilst selling comics and zines to the throngs of people strolling past our table. Although, the heat did seem to affect my brain so my apologies to anyone who felt like they were talking to a spongy wall – that was just me!
The Hathaway Corner
For SLCZF, Sam and I decided to make a little hand-printed zine together as we haven’t had the chance to make one before. As Sam is a parent, we have split custody and both work full-time jobs, the time we actually have alone together is precious. Before I relocated to the coast and we were long-distance, we had a sketchbook that we posted back and forth to each other with all the things we’d like to do together when we finally lived in the same place, and this new zine felt like an extension of that idea, and finding peace in the time we get which is truly ours.
We hand-picked some G. F Smith paper and printed it all up on my laser printer, then Sam stapled and trimmed each one by hand. You can pick one up from my Etsy store for £2 plus postage! And yes, the cover is one example of me balancing things on Sam’s head whilst he sleeps.
Finally, my sketchbook is still well underway for my new project under the codename The Biggest One Yet (TBOY). Although with the conference and the zine I’m a little behind, you can still find all my progress over on Patreon. I also have another project coming up which will be really exciting, so sign up now before you miss anything.
And that’s about it for now! Me and Billie the car will be planning our next research adventure… watch this space.
This humidity/hayfever combination has me all a’funk. Even more so when I sit down to write my blog, and can’t recall what I ate for dinner two days ago let alone what I’ve been doing for the past nearly six weeks. I can hear you all now, reading this, muttering affectionately… “ah, that’s what happens when you start getting older”. Thanks.
Thankfully I’m a lady of lists, so here I am to look back through them all and get you up to date at what’s going on at HQ.
Since we last spoke:
I’ve been researching and writing my keynote speech
My sketchbook for codename: The Biggest One Yet (TBOY) is becoming plumper
I went to Bournemouth University’s Festival of Learning
I’ve been on a copywriting course through my work (expect jazzier headlines in anything I write from now on)
And, drove around my living room swerving to avoiding Pokemon and wild animals*
So! Keynote speech. It sounds impressive, it feels impressive, and a solid 10% of me is not nervous at all.
Genuinely, I’m really looking forward to speaking at the International Graphic Novel and Comic Conference; it’s something I couldn’t have ever dreamed of doing a few years ago, and really, to talk about comics for half an hour to a keen audience is practically a dream. Try introducing yourself as a comics artist to anyone who isn’t a comic artist – it’s exhausting. Even trying to answer the question of ‘what kind of comics do you make?‘ is a tricky one, as really, people only know of a very few genres. Superheroes, political/newspaper cartoons, and possibly if they live in a metropolitan city with an excellent bookshop, they may also know of autobio/biographical and journalistic comics. All-ages-anthropological-sociological-travel-fantasy is a bit of a jumble, let’s face it. So being able to talk to a semi-engaged audience sounds delightful!
The theme of the conference is Retro! Time, Memory, Nostalgia. My speech is on Retrospective Storytelling: From Childhood to Characterisation, on Wednesday 27th June. So if you’re booked onto the conference please do come and say hello! You can find the full programme here.
Next up, I’ve been chugging away slowly at a sketchbook I picked up specifically for working on my next comics’ project in. For The Biggest One Yet (TBOY) I really wanted to grow an idea though sketching and external inspiration, rather than starting with an idea. I have a few things I’d like the story to encompass and a route for it to take, but the finer details are something I’d like to stumble upon during the process. I’ve been posting regular updates and sketchbook pages on Patreon, so if you have FOMO of TBOY then YKWTD: https://www.patreon.com/rozihathaway
I couldn’t possibly leave you with nothing, so here’s a taster:
This past week I also made a special trip on the number 17 bus to Bournemouth University for their Festival of Learning. They’ve had a whole host of interesting events on, but the only one I could make it to was the fantastic Storytelling from India talk from Tara Douglas. Sadly I couldn’t make it to the screening of the animations that the talk was based on, but it was still incredibly interesting all the same. The talk of India’s caste system reminded me a lot of an exhibition I went to a couple of years ago at the International Slavery Museum in Liverpool; which, FYI, is a fantastic museum and if you haven’t been there already I highly recommend it. Back to the talk – Tara led us through the process of making a series of animations based on tribal stories, myths and legends. Using local storytellers, narrators and artists it made for a really interesting and beautiful project. If you’re interested, you can see a full article from Bournemouth University here, or check out the website here.
And that just about wraps it up! As I said above, I have been lucky enough to go on a copywriting course with my day job – so have I convinced you through my words? I’m not sure what I would be trying to convince you of… Maybe I need more practice.
Until next time!
*driving around my living room swerving to avoid Pokemon may or may not be in the imagination of myself and four-year-old Saul.
So! It’s been a busy month as ever here at HQ.. First up, The Inking Woman Book Launch! On Thursday 15th March I took a half-day at my day job and hopped on the 3 hour coach up to London for The Inking Woman/Marie Duval book launches from Myriad Editions. You know me – ever the traveller. With a quick pit-stop in the V&A and The Science Museum beforehand, I bundled over to the launch party with a skip in my step and after a short while, prosecco in my hand.
The atmosphere was electric, just as much as it had been at the original Inking Woman exhibition at The Cartoon Museum almost a year ago! Thank you so much to Corinne Pearlman, Cath Tate and Nicola Streeten for all their hard work in putting such a fantastic book together. Below you can see me lurking in the back with a handful of the Inking Women featured in the exhibition/book – I’m so proud to be among them! The whole experience took a little while to sink in – travelling back the same night probably didn’t help in making it all feel rather surreal. But, low and behold I am published in a Myriad book amongst so many wonderful cartoonists.
Picture credit: Cath Tate Cards
Look mum, I’m in a real book!
In other news, I spent most of March finishing up something new for a new anthology; the Good Comics Reader! Those chaps at Good Comics decided it’d be nice to do an anthology featuring all the creators whose work they have published so far. How could I resist? My new four-page comic will be launched in the Reader on Saturday 14th April at Leamington Spa Comic Con, and copies are available to pre-order now.
The Reader is also raising money for charity, with 50% of the proceeds going to Young Minds. Here’s a little bit about them from their website;
We’re leading the fight for a future where all young minds are supported and empowered, whatever the challenges. We’re here to make sure they get the best possible mental health support and have the resilience to overcome life’s difficulties.
The crisis in children and young people’s mental health is real and it is urgent. More children and young people than ever before are reaching out for help with their mental health. But for those who take that brave step, help is much too hard to find.
Together, we are changing this. We’re fighting for young people’s mental health. Join our fight.
In other Good Comics related news, this Friday is the launch party of their newest release The Times I Knew I Was Gay by Eleanor Crewes at Gosh! Comics in London. PAR-TAY! As an honorary member of Good Comics I’ll be at the launch with a glass in hand celebrating this really excellent book – if you’re a Buffy the Vampire Slayer fan like I am, you’re in for a treat – so if you’re local to London then come on down as it’s going to be amazing!
It’s me, your friendly neighbourhood Houdini. I know, I know, I said I was back properly last time, and then didn’t reappear again until now, nearly six weeks later. About five weeks ago, I had some news which made me weigh up my options and reflect a little on my working practices, including writing about what I do. This blog doesn’t get the views it used to, and my daily structure has changed a hell of a lot in the past six months. That, and teamed with some changes going on at my day job, has left me with the decision to pare down my blogging on here and start posting shorter and more regular updates on a subscription website called Patreon. It’s not been an easy decision to make, and I’m certainly not disappearing off here any time soon, but hopefully that explains why I keep vanishing from my ‘weekly’ blog. More on Patreon a little later on, as I’m sure you’re all eager to hear what I’ve been up to…
Last time I caught up with you all I was getting ready to gallop over to Brighton for January’s Cartoon County meet-up; and what a blast it was! Alex Fitch was an excellent interviewer, with interesting and carefully considered questioning – I’ve been interviewed a handful of times, and I must say it’s one of the greatest compliments to be interviewed by someone who has either a keen interest or has taken the time to learn about my work. Thanks so much, Alex! I had a chance to catch up with a few faces I don’t see all that often, and I also managed to put names to faces for a few creators which is always really nice. Thanks so much for having me, Brighton. Plus, your burgers are really really good.
This one has been a really fun comic to do, even if it took me way longer than I ever intended it to. But, it was fun to flex my short story skills once more, and it meant I got to delve into the depths of ancient Aztec history, with reference books such as The Art of Mesoamerica: From Olmec to Aztec by Mary Ellen Miller, and more serious titles such as Horrible Histories Angry Aztecs by Terry Deary and Martin Brown. I’m really pleased with how Cosmos looks in it’s new reprinted format, and really grateful that Good Comics have helped me reissue this comic again exactly how I wanted it. Thank you to everyone who picked up an original copy, and those who also buy a new one!
Cosmos Additional Story Work in Progress
Cosmos Additional Story Work in Progress
The Art of Mesoamerica: That face when you can’t find any gnarly Olmec grinds for your skateboard…
Next up, as you may remember I had been creating a short autobio comic for Dirty Rotten Comics submission! Sadly, I didn’t make the cut this time. But, it’s been great practice to work on something a little more based in reality than my usual tales of magical arctic foxes and fallen stars. Have a look at this sneak peek!
Preview from Bear – unsuccessful comic submission.
Preview from Bear – unsuccessful comic submission.
Even though this comic, Bear, won’t be in the latest Dirty Rotten Comics, I have a few other ideas for it yet.. so watch this space! (Maybe not on a full-time basis, as you might be watching for six weeks at a time with how busy everything is right now… I wouldn’t want to give anyone eye-strain!)
So, that’s what I’ve been doing! So to round-up, here’s a little more about my decision making process is moving over to blogging on Patreon rather than here..
The Patreon Story
Now, as I mentioned above, this blog doesn’t seem to get the reach it once did. Writing a large post like this takes at least a couple of hours, and if I was doing weekly posts like I used to it’d be around an hour a week of writing an editing, and extra time documenting everything I do and preparing preview images. Which, was fine and wonderful when I was a full-time student or when I graduated and worked in a creative job that allowed me time to write. However, now things are a little different with my personal circumstances. Prior to six months ago I was in a very lonely and isolated position of not really having much else to do apart from work (as I’m sure Self-Care & Vegetables readers are aware). Now, I’m happy. I understand it’s important to have time off to look after myself, read and enjoy life. I have a wonderful partner who I love spending time with, and I also have his two kids in my life who are funny, gnarly and sweet. So as you can tell, my time has to be spread a little more evenly, which is nicer and healthier. But that meant something had to give.
I hear you ask.. “but why are you moving over to somewhere where I have to pay to see the same things I’ve seen for free all this time?” – well! I will still aim to update here every four-six weeks. It’ll be more of a round-up than an in-depth analysis of every stage, kind of like this blog as been today! You’ll still see pencils to inks and sketchbook stages, right the way through to final previews. My tiers of subscription on Patreon give you more than you could ever have here. Let me show you:
$2 or more per month – you can access exclusive blog posts about what I’m up to, work-in-progress photos and previews only available to patrons. i.e. you will get more regular updates and photos.
$5 or more per month – you get the above, plus 10% off in my Etsy store and access to my digital comics archive to read and download, and see full colour pages of new comics before they’re published! If you like digital comics, you will be getting a massive bargain compared to buying my work individually or in it’s anthologies.
$10 or more per month – everything listed above, plus a hand-drawn and painted postcard in the post every month (UK postage only)
$12 or more per month – everything listed above, plus a hand-drawn and painted postcard in the post every month (Worldwide postage)
$40 or more per month – everything listed above (excluding postcard), plus an A5 drawn, inked and painted commission of your choice every month – or you can just bump up to this for one month if you’d like to commission artwork from me, and then bump back down to a different tier. (Worldwide postage)
Check out my Patreon site here to witness it all for yourself, and sign up for some sweet deals to arrive through your door. After all, who doesn’t love receiving post that isn’t bills or junk mail? Hopefully that clarifies everything a bit. Don’t miss out, even for just $2 (£1.45ish) a month you get to see comics as they happen, and before anyone else.
And on that note, that sums it up for now! I have a busy few weeks ahead preparing some top secret things, a comic for an anthology, creating more things and travelling all over the place. Life is meant to be busy, right? Right?
Thanks for being patient and reading all of my ramblings, and here’s to a new, exciting chapter!