Mike Medaglia

ELCAF, Editing & Early Starts

| rozihath

Good afternoon all,

So, it’s a bit toasty outside, isn’t it? Even rain-blessed Manchester is rather balmy in the sunshine, and I haven’t had to carry my umbrella around with me for a week. A WHOLE WEEK! That’s almost unheard of around these parts.. But alas, despite the weather there has been a lot going on – so put your feet up with a glass of something refreshing and read on..

Last weekend was the sixth annual ELCAF, the East London Comics & Arts Festival, in the sizzling southern heat. Said heat was particularly enjoyable on the Underground, I assure you.. Now, I applied for ELCAF back when tables were announced but sadly I didn’t make the cut. However it left me with an opportunity to head down to the capital for the day and be on the other side of a table for once; dreamily drift around, catching up with old creator pals and making new ones.

ELCAF
Good Comics’ Sam Williams with creator Josh Hicks
Human Garbage by Josh Hicks – Out Now!

I teamed up with one half of the Good Comics micro-publishing duo Samuel C. Williams to spend the day amongst the comic masses, as well as celebrating the latest Good Comics release – Josh Hicks’ Human Garbage (which is excellent, by the way). ELCAF is a festival where I’m happy I didn’t get in. Not because I wouldn’t love to be a part of it – I really would – but how they curated it this year and true breadth of work on offer was new, exciting and visually overwhelming in the best possible way. It was amazing to walk around and talk to people without having to rush back to a table, too! I had a chance to have a brief catch up with the Avery Hill gents, there with Tillie Walden and Ellice Weaver – whose beautiful new book Something City launched on the day. I also finally put faces to the names of the Dirty Rotten Comics crew Gary and Kirk, met and discussed the business of comics with Sam and Simon Moreton of Smoo/Minor Leagues fame, and had a chance to speak to John Riordan and John Cei Douglas (..and his dog).

John Cei Douglas’ dog, an excellent sales tactic and wonderfully friendly pup.

Also amongst the busy aisles of creators and browsers, we bumped into Pete Redrup of The Quietus, who has kindly just reviewed Cosmos & Other Stories on his most recent column Behold! A Comics Round Up For June. Here’s a snippet:

This book shows how Hathaway is developing as an artist. There’s a clear consistency despite differences in panels, lettering styles and colour. One particularly effective technique is the way she follows a densely panelled double page spread with a single two page image overleaf. This somehow opens up the stories, creating a hopeful, positive tone regardless of what has been established before. Cosmos & Other Stories is a beautiful book by a considerable talent.

– Pete Redrup, The Quietus

Don’t forget you can pick up Cosmos & Other Stories online from the Good Shop or my Etsy store.

I was also generally pretty well behaved with my spending at ELCAF, with my small but beautiful haul consisting of (L-R) Bianca Bagnarelli‘s comic Daughters, published by Short Box, Icinori‘s beautifully printed Dessus Dessous and Peony Gent‘s A6 short comic Growth – plus a bonus postcard from everyone’s favourite friendly face, Mike Medaglia.

I had the chance to read Daughters and Growth on my coach journey back home on Saturday evening, and I can confirm that they are both equally wonderful books; Growth is a short, poetic narrative with a reassuring tone of looking after your mental health, told in an abstract form through caring for plants – I can definitely recommend this if you’re into poetic comics with that nice warm after-feeling. And.. who isn’t? You can pick up Growth from Peony’s Etsy store here. Daughters is a more traditional start-to-end story, picking up the proceedings in the middle of a family crisis in a dystopian society. Two stories run parallel, one through narration and one through the characters discussions and body language. It’s a thought-provoking short, beautifully told with clean lines and crisp colours. You can pick up a copy on Short Box’s website here.

Phew, lengthy round-up! But there’s more. Maybe time for a quick interlude to go and top up your drink?

In other news, I was kindly asked to produce a print for Emily B. Owen‘s Kickstarter campaign for Brain Schoodles, a comic about anxiety and depression told through doodles. The campaign recently ended on Kickstarter with Emily smashing her target of £250, and the comic will be launching on Saturday 8th July at Small Press Day at the Cardiff Comic Expo! Here’s some working snaps:

Brain Shoodles: Digital Progress
Brain Shoodles: Pencil and paint progress

My print was commissioned as an addition to the Printorama pledge. So all backers getting that tier reward will receive their copy of the print with their zine. If you missed out, fear not! I will have some of these prints on sale in the coming months with proceeds going towards a Manchester-based mental health charity of my choosing. Big, big thanks to Emily for asking me to do a piece for her campaign. I’m humbled and very happy to be a part of it! See the final piece below:

Brain Shoodles Print. On sale soon!

Finally, this Saturday the Birmingham Comic Art Festival graces Birmingham City University, with yours truly behind a table selling the likes of Njálla, Ø and Cosmos & Other Stories, as well as an array of other goodies. There isn’t a huge amount of information to find online, but you can see the key details of the event via the Facebook page. If you’re in or around the West Midlands please do come and say hello! It’ll be another early start for me (Up at 4:30am for ELCAF, and up at 5am on Saturday for BCAF) so I’ll appreciate any company I can get – tickets are free, with registration required here.

And that wraps it up for now! Keep cool everyone, and I shall be back with more (but probably not quite as much) news next time. Peace out!

 

x

The Next Big Shake-Up

| rozihath

Good morning ladies and gents!

So, it’s mid-March already. When did that happen? You’ll have to forgive my lack of an update last week as I came down with a rather nasty cold/flu type thing which had me floored for the most part of a week. I don’t think I’ve been that ill for so long in quite a few years, but I can assure you being healthy again feels amazing! It actually forced me to have at least four days of doing no work as I could barely see straight let alone do anything else, so I’ve had the joy of coming back to everything vaguely fresh-eyed and brimming with animal knowledge from being propped up in front of David Attenborough documentaries.

One large part of work off my plate is my dissertation, which I finished up and submitted on Monday. Woohoo! I had a pretty good time with my dissertation; it was an interesting subject and I planned and researched a lot of it early on in September/October time. Themed on mental illness as portrayed in contemporary graphic novels, it’s right up my alley and hopefully it gets me a good grade. Now that dissertation business is out the way I’m down to just two main projects, the Creative Conscience awards which I’ll post about when it’s a bit more finished, and.. The Next Big Thing!

As of Monday evening I finished drawing up and inking all 34 pages of story for The Next Big Thing, which is super exciting news – Yay! Although the hard work is far from over, with the next tasks on my list being to scan all the pages in to practice my colour scheme within Photoshop, and at the same time photocopy all the pages so that I can practice colours with paint, and then only when both tasks are complete and I’m happy then I paint my originals. All in all I estimate that this task will take me up to after Easter, into early-mid April. It’s a lot of paint!

I’ve also drawn up and inked the outside cover, but things like the inside pages which don’t contain the story but may have bits of information and title pages, those also need doing. Having never worked on a book of this length before it’s been a pretty long process, especially with having to only work on this for 1-2 days a week whilst working on a load of other projects and preparing for the upcoming Degree Show in June, but it’s starting to feel like the end is in sight!. Especially as I’ve picked the date for my funding..

I can happily announce that my Kickstarter campaign for funding the printing costs of this will begin on Wednesday 6th April! Mark it in your diaries ladies and gents, as for 30-days I will be offering incentives including prints, originals and possibly even my first born to raise the much needed funds to print 250 copies of this project, which has been an integral part of my life since the beginning of the idea’s conception in August 2015. I have poured my heart, soul and everything else I have into making this, and I’ll be excitedly announcing the title along with the launch of the Kickstarter in April. For now, here is the opening two pages of the prelude, uncoloured, because you guys deserve it.

It was incredibly important to me to be able to give some insight into the Sámi people from everything I learnt whilst travelling through Scandinavia, and from books and internet sources, so the prelude (pages 1-2 pictured above) runs over six pages. Think of it like the introduction to a museum exhibit.. But with comics! This part, as you can see, is drawn in a more primeval, rune-like style compared to the rest of the comic which is in my usual way of drawing things. Because I’m feeling generous, here’s some a sneak preview of one of the uncoloured pages mid-way through the comic:

See, don’t say I never give you guys anything! Colour and painting is playing a huge role in this story, so it’s kind of hard to see how it’s going to turn out from scans with no colour, but if you’ve been following my blog for a while when you’ll have seen some hints at what’s coming.

So my life is pretty much being taken over by paint for the coming weeks, although I still have a fair bit of drawing to get through for the Bright Futures Creative Conscience Brief, which I’ve mentioned before. We’re still fundraising for our degree show at UoN too, so if you’re interested in helping to support us pay for the printing of our catalogue and postcard packs then please head over to our GoFundMe page, and check out more of the information on our refreshed website.

AND, before I forget, some exciting news was announced last week! The nine back-up creators for the Broken Frontier Small Press Yearbook were announced to the world, with such super-duper talents as Mike Medaglia, Gareth Brookes, Owen D. Pomery and Jessica Martin. Things are hotting up with the Small Press Yearbook, and more details are on the way to being announced soon. It’s really exciting to be a part of something so important, and I can’t wait to get hold of my copy. To keep up with Yearbook, you can follow the #BFSPYearbook hashtag on Twitter, and keep an eye out on Broken Frontier.com.

Anyway, I think that’s about it for now! I’d best get back to work otherwise the boss will moan at me. Oh wait… That’s me. Until next time!

x

Season’s Greetings!

| rozihath

Good morning ladies and gentlemen,

Well well well, it’s almost that time of the year! We are four short days away from the joy of family, feasting, and being propped up in a corner after many glasses of wine. Lovely stuff! Although I always look forward to the Christmas break, it’s felt particularly needed this year.. With a stressful term one of the final year of university down, only two more to go until I graduate. It’s not all tinsel and puddings in the next few weeks, mind you; I’ll most likely be writing the majority of my dissertation over the Christmas break and I have a few other things to do before returning to lectures in the cold and dark reality of January. But, in the spirit of not wishing time away, all that nonsense is in the back corner for now. Phew!

My usual update last Wednesday had to be delayed due to assessment, but that means that I now have even more to tell you all! First up, you may remember the commission I did for the Hope Centre a few weeks ago, for their Christmas appeal. Well, it took a little while but I finally got my hands on a printed copy of the newsletter featuring my illustration. How exciting!

It’s been really nice to see my work in print. I mean, comics-wise I’ve had a pretty dang awesome year and drawing for narrative is my favourite thing to do. However, working on an editorial piece like this and seeing it out there in the world is a rewarding moment and important for my portfolio. Rejoice! The Hope Centre in Northampton, as I mentioned in that previous post is an important charity. If you fancy helping them out at this rather cold time of the year, head over to Just Giving and their Hope for Christmas campaign.

In other news, earlier this month I was interviewed by Tom Mortimer on behalf of Dirty Rotten Comics, following my Rejsen comic being printed in their fifth issue back in August. Thanks to Tom for a genuinely interesting and deep chat about comics, and the guys at Dirty Rotten Comics for having me! Here’s a little extract below.

T : Something I’ve noticed about your work is that, in each case there seems to be a uniting sense of journey. You have a lot of movement through spaces, establishing shots and interactions. There’s also a nice echoed mapping of movement in the visual pacing of the panels and the unfolding nature of it also reflects the way the formation of the narrative itself works. These things surface, and it can be seen as a sign of connection with the medium. How much of this was a conscious decision, was it all planned?

R: I’m very interested in pacing with comics; how movement through a story can be subtly distorted and played with. It’s not really something that can be done in other mediums, so it’s been great to play with it as much as a story allows. It was particularly relevant in The Red Road, as it’s based around the poem which has a similar movement through time, or more lacking any specifics of time. Part of it was definitely a conscious decision, though I’ve learnt a lot more about pacing with every new comic I create.

The Rejsen submission I made for Dirty Rotten Comics was completely incidental, it was more just a reflection on how many different places you end up sitting, standing or waiting on a platform during years of travelling by train to Manchester. The movement in comics and playing with time is still something I’m getting to grips with doing. It’s a constant learning curve!

– To read more, click here to head to the Dirty Rotten Comics interview with yours truly.

Dirty Rotten Comics #6 OUT NOW! Click above for #5

In other news, as I mentioned in my last post, I went to my first ever Laydeez do Comics event held in Gosh! Comics in London last Monday! I didn’t manage to get any photos as I was so enamoured with listened to two such inspiring individuals talking about their work; Rachael Ball and Mike Medaglia. Mike started with talking about his work from the past few years leading up to now, with his success of One Year Wiser – the hugely popular book of 365 illustrated quotes and mantras, the subsequent One Year Wiser the colouring book, and his latest venture of creating comics for the Mindful Life Illustrated on Elephant Journal. Go Mike! Next up speaking was Rachael Ball, the creator of The Inflatable Woman, an einspiring tale of one woman and her life experiences after being diagnosed with breast cancer. I’ve not had a chance to read The Inflatable Woman yet, but Rachael’s inspiring talk about her own battle with breast cancer and how she took on creating this story from scratch was moving, and how she weighted the graphic novel with dark parts equally balanced with humour really shows her talent. And, I mean, she has arguing penguins in the story. What’s not to love? You can buy Rachael’s The Inflatable Woman from any decent book retailer, and Mike Medaglia’s online shop can be found here (though don’t bother him whilst he’s on holiday!). And of course, the wonderful Gosh! Comics have stock of both their work. And lots of other talented people. You should go pay them a visit.

Thanks to Keara, Wallis and the folks at Gosh for being welcoming as always, and I briefly got to see some ever so friendly faces before dashing through Soho on a one-horse open sleigh.. Err.. I mean.. By foot.. to get my train back home to Northampton. I’m really glad I made time to go to a Laydeez do Comics event before speaking as a part of the Broken Frontier themed event in January! Though now the pressure is on to make people believe that I’m actually interesting. Yikes! Saying that, I do have a fondness for making In Design presentations, so I can spend a happy Christmas dropping in images and making it all look rather fetching. So, as I mentioned last time, the next Laydeez do Comics London is on Monday 18th January – tickets are free but must be booked and sell out fast, so if you’d like to come and hear me stutter make sure you get yourself on the mailing list now!!

Finally, as of Friday afternoon, University is now finished for the year and I am free as a festive bird (although not really, as I mentioned at the start.. But I’m pretending for a few days)! War Horse is finished and progress on The Next Big Thing will be continuing over Christmas, and hopefully in January I might have some good news regarding the latter. For now, I’d like to wish all my readers (Hi mum!) a very merry festive season! I will be back in just over a week with an update before the New Year, potentially a compilation special looking back over 2015 and how snazzy it’s been. For now, though, enjoy!!! See you on the other jolly side!

x

 

December Madness and Laydeez do Comics!

| rozihath

Good morning ladies and gents!

So, another week bites the dust and the first round of assessment is looming eerily close by. Although I’m working in a haze which can probably be described as “I’m not really sure what I’m doing anymore”, things are getting ticked off the list and I’m vaguely, quietly confident that I’ll be in good stead by Christmas. Well, as long as I avoid any critique sessions where it’s advised to completely change my work.. Sigh. But anyway, I also decided it would be a marvellous idea to start getting up stupidly early in the week to do some mild exercise or yoga (don’t laugh) before getting to work before 8am, which seems to be helping my productivity somewhat. Though, I’m only on day three so far.. And I ache.

Logos

 

First up, as you may remember from last week, I mentioned that I had something exciting up my sleeve to tell you all. WELL! I am over the moon to announce that I have been asked by the lovely Keara Stewart and Wallis Eates of Laydeez do Comics to speak as a part of the Broken Frontier themed evening, as one of the Six UK Small Press Creators to Watch in 2015! With the small press champion Editor-in-Chief Andy Oliver being the reason for so many people getting a chance of recognition and support, it’ll be a great chance to listen to his worldly comics wisdom. Alongside will be the fiercely talented and entertaining Danny Noble, of Ollie and Alan fame, and myself – probably still a bit love-drunk on brandy butter by that point.

Laydeez do Comics London is held in Gosh! Comics in Soho, who are one of the biggest stores to support small press comics creators. Keara and Wallis have stepped up to take over as London Co-ordinators whilst co-founders Sarah Lightman and Nicola Streeten are taking a break to focus on their respective PhDs. here’s a snippet about Laydeez do Comics (LDC) from their website..

“Launched in July 2009 by artists Nicola Streeten and Sarah Lightman, it is the first women led graphic novel forum in the UK. Artists, academics, publishers and fans from around the world are invited to speak. It is a platform for people to test new works and ideas, where emerging artists present their work alongside more established practitioners. The evenings offer an inspiring experience in a social atmosphere for both those new to comics and those already immersed. Laydeez do Comics now has branches in Glasgow,  Bristol, Leeds, Dublin, San Francisco and Chicago.  Pop up events have also taken place in New York, Toronto, Glasgow and Brighton.”

Exciting stuff! The Broken Frontier LDC night is being held on Monday 18th January, and in MORE exciting news I’ve been working together with Gosh and LDC to create a themed window display for the event! At the moment I’ve just been sketching ideas up, but soon I’ll be getting some final designs to both parties and the work will commence the week before the event. Because I’m feeling overly generous, here’s one character from some preliminary sketchbook work for the window design…

Promo Blog

This coming Monday I’ll be attending my first LDC event as a member of the audience, with guest speakers are Mike Medaglia and Rachael Ball. Both are so excellent at what they do, and I can’t wait to be a part of the audience! And also, it’ll be good to see exactly what to expect a month later when I sit the other side of the table. Tickets for LDC are free, but must be booked and disappear incredibly quickly! If you’re interested in attending the Laydeez night in January, then best to pop over to the Laydeez do Comics website and sign up for their mailing list to be alerted when tickets are available (details are on the home page). So if you want to come and watch me pretend to know what I’m talking about, and see my first attempt at window painting.. Sign up now! But in all seriousness, big thanks to Gosh and LDC for letting my represent their values in the form of a window display and asking me to speak as one of the chosen six – I can’t wait!

In other news, you may recall a few weeks ago me referring to one of my projects being the House of Illustration and Folio Society Book Illustration Competition for War Horse! The competition requirements is to produce a set of three internal illustrations and a binding design, to fit into their minimalist graphic style.The competition ends in January, but with assessment looming and final tutorials this week I’ve been working extra hard to get this ready! It’s been a strange project for me to do given that I didn’t particularly want to approach it in the character-centric style I tend to work in, as the general tone of the cheery children’s book is rather dark. Instead, I wanted to focus on the atmosphere, and use certain scenes and textures to give an effect of how very depressing it all was. I mean, the First World War wasn’t exactly all butterflies and flute music, was it? With that in mind, here’s my work in progress on the project to date..

Layout 1

Internal illustrations
Internal illustrations
Internal illustrations

Spine Text

I’m not entirely happy with the binding (front and back cover spread) just yet, but it’s not too far off I don’t think.. Book covers are not something I ever really did before University and I desperately struggled with the last one for Carrie’s War, so I have been determined to get this one right. As for the internal illustrations, I opted to completely avoid using ink lines for this and painted or printed everything using handmade collagraph plates, using Photoshop to put everything together nicely. Again, these aren’t completely 100% finished yet – but not far off.

Finally, after I had a tremendous sell-out of greetings cards at Thought Bubble last month I’ve gotten round to ordering more and putting them up on my Etsy store! There’s a choice of three at the moment, with this year’s Christmas card design and two others. So, for an extra special card this year, pop on over to my Etsy store and check them out.

Well well well, another busy one. I’ll be back next week after a during stressful assessment period, but hopefully with the Christmassy end in sight! Low and behold I have another week of rather important emails, another commission and further uni work progression. So, with that in mind, and the kettle calling my name.. Over and out.

x

Thought Bubble Festival Round-Up

| rozihath

Good morning ladies and gents,

So, it’s all over! The exciting blur that was Thought Bubble Festival in Leeds this past weekend has been and gone in a flash, and I’m dealing with some serious post-festival blues. It probably doesn’t help that it’s dark and gloomy outside and I’m a bit sleep deprived, but Thought Bubble was so much fun I didn’t really want it to end. But, alas, I’m back into the throngs of university assignments and real life nonsense, which my brain doesn’t seem to be particularly in gear for. Third year woes.

The Thought Bubble Festival held in Leeds was a week-long event with a load of workshops and events, with the pièce de résistance being the comics festival over the weekend. Open both Saturday and Sunday 10am-5pm, I was lucky to be plonked next to some absolutely lovely table buddies, Van Nim and Richy K. Chandler over in New Dock Hall, the biggest of the three halls used for the comic festival. There were many, many lovely comic people to see over the weekend, and I even got given some lovely goodies in the form of the Dead Singers Society and the HOME Art Aid Nepal Anthology, plus a comic-swap with Richy for his Tempo Lush Tales of the Tanoox! Here’s the weekend in a nutshell..

73b never looked so good.
The Red Road second edition, plus doodled on bags!
Myself with the super talented Van Nim!
HOME Anthology goodies!
My HOME piece in the book.
Dead Singers Society, edited by Samuel C. Williams and Paddy Johnston
Muddy Waters in DSS
Fantastic entry from Alan Henderson
Day two aerial view.

Special thanks definitely has to go to Samuel C. Williams for including me in his coffee runs over the weekend; as you can imagine this comic selling business is a rather tiring affair so I spent the weekend entirely propped up on caffeine. Other highlights include bumping into Andrew Tunney, (who I’d met properly at MancsterCon earlier this year) and helping his vigilante mission against faux-steampunk; witnessing some impressive renditions in the comic-karaoke on Saturday evening (yes Paddy, I’m still in awe); and wondering if those crazed sneezes were even real or not, with Danny Noble, Andy Oliver, Elizabeth Querstret and Matt, and Wallis Eates. AND, I finally got to meet Mike Medaglia, whose work is absolutely beautiful. There were so many people I missed seeing just because of how zombie-fied I was by the end, but it was a great weekend and I couldn’t have wished for better company and conversations! A HUGE thank you to everyone who stopped by my table and said hello, purchased goodies and took the time to chat. Also, extra special thanks to Alan Henderson who picked up my The Red Road original artwork in the alternate colours! Finally, big big thanks to the organisers of Thought Bubble for making it absolutely fantastic to be a part of – it was my first Thought Bubble and it definitely won’t be my last.

Phew, what a weekend. I’m looking forward to finding some time in the next few days to curl up in bed with my new reading material, the HOME anthology and Tales of the Tanoox, but for now I’m in dire need of catching up on university assignment work. Fun times! On the bright side, there are some exciting things coming this way soon.. Next week will see normal service resume with a good catch up on what I’ve been working on. So, until then, have a good week everyone! Over and out.

x

Snow Business

| rozihath

Good morning happy campers!

So, October is almost upon us as the third year of my degree is taking off. As I cling desperately to any type of work that will not be subjected to in depth critical analysis, I’m opening my diary for commission work! I realise the ‘C’ word is a sensitive matter.. (‘C’ word being Christmas of course, you crude people!), but Christmas on the horizon and what better way to tell someone you couldn’t think of anything else to get them, other than a drawing by yours truly. Mad aunt that you don’t know what to buy for? Cat fanatic that you’ve run out of mugs/t-shirts/coasters to get? Want something a bit different for your Christmas cards? Get in touch via my contact form or through the usual social channels and we can talk business.

Ducks in a row, ha! Get it?

Now that I have all my ducks in a row (ha, get it?), I am free to take on a small amount of extra work for the start of University before things get all rather hectic. I’ve recently given up part-time non-drawing related work for the first time in more years than I’d care to admit *cough* 12 years *cough*, I’m ready(ish) to sink my teeth into University and get cracking with what will be the most confusing and tiring 6-9 months of my existence. Yay! -sob-

In more positive news, this past week I’ve finished working on a second batch commission which follows on from the Japan skiing work I showed you all last week! I’m thankful to have been asked to produce drawings for the upcoming film by Jeffrey Loewe, and as soon as I can show you all the masterpiece in action I will. For now, here’s a nifty preview of the four portraits I created for Jeff.

Drawing four gentlemen’s faces was a little more work than I anticipated, but it was definitely a lot of fun to work on, keeping with the theme of the title shot from last week. So, thanks Jeff!

In other news, the Art Aid Nepal anthology I created an illustration for back in June is now being crowd-funded on Kickstarter! You can go have a look and support the book by clicking here, and make sure to hold onto your hats as there is an impressive list of contributing artists including the zen-inspiring powerhouse Mike Medaglia and the charming brains behind Tempo Lush and Lucy the Octopus, Richy K. Chandler. Here’s what the creators have to say about the project..

HOME – an Art Aid Nepal Anthology

The proceeds from the anthology will go towards providing art workshops to children living in tented camps in Kathmandu as a result of losing their home in the devastating earthquake that struck Nepal on the 25th of April 2015. The 7.8 magnitude quake created a lot of destruction and loss of life. Even those who survived were not spared the mental trauma and even months later the aftershocks causes our hearts and minds to tremble.

Thousands of adults and children lost their homes and are still displaced. The need to help them remains, for their troubles are far from over.

Art Aid Nepal enable us to use our ability as artists to raise funds. We wanted to do something to help children recover from the trauma that they faced during the earthquake and which resurfaces after every aftershock. There have been nearly 400 aftershocks over 4 magnitudes since the first quake. We reached out to our artistic community and 32 talented artists from multicultural background have come together to explore the concept of HOME. Their illustrations and comics fill more than 90 pages of this anthology in full vibrant colour. Those who have also lost their home and are now living in tented camps. Many of these children had very little access to creative pursuits and now, after the quake, their options are even more limited. The Children’s Art Museum of Nepal have been conducting art workshops in the temporary learning centres in public schools. Together with Art Aid Nepal, we would like to extend these workshops to the more deprived children in the tented camps. There are currently 30 camps for displaced people in Kathmandu valley. We will be conducting the workshops in the largest of these camps in Chuchepati which has more than 8000 families living and 200 children under the age of 12.

Now, I realise a lot of people don’t really ‘do’ charity. Maybe throw some loose change in a bucket or donate a little every few months to a particular charity. As a student and someone who has never been affluent, always below the sadly titled ‘living wage’, I can empathise with reluctance to give away money. However, I strongly believe that as human beings in such a drastically changing world it is important to look beyond ourselves and our problems. I freely created work for Art Aid Nepal because I strongly believe in bringing a smile to a child’s face, distracting them from the fact their world lays in pieces. If you wish to spare as little as £5, support the project here.

On that serious note, that’s it for this week folks! I shall dutifully be back next week with the beginning of the University projects.. Ooh err, best get cracking. Over and out!

x