Hello, November.

Good morning ladies and gents.

So, another week is behind us and we’re well and truly into November. There’s a crisp, cold scent to the night air which can only mean the arrival of Bonfire night. Because, y’know, why not celebrate some guy’s failure of trying to blow up the House of Lords in the 17th century when it involves pretty colours and bright lights? Thankfully my week-and-a-half long lurgy seems to be finally tailing off, though it’s been a determined little bunch of germs.

On Monday I managed to drag my coughing and sniffly self into the university print rooms to play with my collagraph printing plates I showed you all last week. Wanna see? Yeah you do!

These prints are all part of the work I’m creating for the Folio Society’s printing of War Horse, and as I mentioned last week this is a competition which calls for three internal illustrations and a book jacket design in the typical Folio Society styling. As the subject matter of War Horse is pretty dark, and the story is told through the eyes of the horse, I didn’t want to go and just draw horses everywhere. Instead, I’m looking at combining these textured backgrounds with washes of paint and some drawn details. The first print is for the shelling at night, the second is muddy brown holes in the snow, and the third is pieces of shrapnel and earth upturned by more shelling. I don’t normally work in an abstracted way so it’s kind of nice to try out this more atmospheric way of presenting a landscape rather than going straight to drawing pens. Fits the story better, I think.

In similar news, I’ve been trying out something different with modelling clay, too! With Thought Bubble Festival only a week and a half away, I’ve been working on a small side project to keep me company over the weekend on my half of table 73. Plus, with the re-release of The Red Road coming THIS FRIDAY, and Thought Bubble being it’s first public appearance, I thought it’s a perfect opportunity to make something  bit different. Now, I’m absolutely no expert in the field of modelling, but after a plea on twitter and speaking to some fellow students at university, I found out my failed attempts were because I needed to make a skeleton structure to support the weight of the clay. Who knew! Low and behold, I’ve just about managed to make a model of Bear and Coyote with air-drying clay and a frame consisting of paper clips, wool and hot glue.

Now, they are pretty crappy. I mean, I was hoping I could sell them, but I wouldn’t wish that upon anyone until I’ve practiced a little more. Also, as you can probably tell, they aren’t to scale of each other – whoops! Making a smaller Coyote would have been really fiddly, and making a bigger Bear would have needed a much larger and more substantial frame. But altogether, not too shabby for a second attempt. Some cracks have appeared in the drying process so I shall be off to get some fine surface filler to fill those in before I paint and glaze my new friends.

Speaking of The Red Road… IT’S ALMOST FRIDAY!! I am so, so excited to be releasing The Red Road for a second time, especially with the changes and additions I’ve made. The story remains the same, but there’s some special extra content in there now, and a couple of other tweaks to make it the best it can be. Yay! Don’t forget, The Red Road launches this Friday (6th November) still for the same price of £6 on my Etsy store, but this time with an extra 4 pages of goodies. Just to make life even more exciting, Richard Bruton’s review came through last week from Forbidden Planet Blog. What a dream come true! Having not only a Broken Frontier review but now a Forbidden Planet review too is an incredibly proud and exciting moment for me. Here’s a snippet, and click here for the full review.

“…Hathaway deserves fulsome praise for delivering something so brutal, so powerful, in such simple terms. This is good comics.”

– Richard Bruton, Forbidden Planet Blog review of The Red Road

Finally, yesterday saw celebrations in the form of Broken Frontier’s Editor-in-Chief Andy Oliver’s Small Pressganged 4th birthday! Wow, that was a mouthful. Anyway, it’s safe to say that without Andy Oliver’s tireless work to embrace small press and independent comics, I would not be on the shelves of comics shops throughout the UK, and I would not have appeared in anthologies and at comics events. What a guy! For myself and countless others, Andy has championed our hard work and given it an amplified audience of dedicated fans and followers. Really, I am so thankful for the great work that he does, and I would just be another uni student desperate to get anywhere without his support and belief in my work. All hail the hat! To celebrate the occasion I draw Andy a nice big hat cake with four candles per hat and a potential flag fire hazard. It’s not exactly my most esteemed work, but as a doodle it gets the message across. Happy 4th Birthday Small Pressganged!

So, that’s about it for now; the Next Big Thing is slowly under way and next on the list is working on my dissertation proposal. (Yep, you thought your Wednesday morning was fun..) Don’t forget to get your shiny second edition copy of The Red Road from Friday, and check back next week for some previews of the second edition additions. Until next time!

x

 

The Red Road – Round Two

Goooood morning folks!

So, another week vanishes in the blink of an eye, and more sadly, another weekend vanishes even quicker than before. However, lots of good things are brewing here at Rozi HQ, (most important of all being herbal tea) and the excitement takes off the edge of the autumn chill.

Speaking of which, I am incredibly excited and happy to announce that The Red Road is going to print for a second edition run! I’ve been working away in between university assignments to add bonus content to the existing book, and really make it the best it can be. The story remains the same, though there are some new treats in store, including unseen sketchbook work and more..

I am so grateful for everyone who helped make The Red Road a sell-out success in just nine short months! It’s strange to think that this time last year I was beginning to unfold ideas to start creating Bear, Coyote and Lark, and the girl who holds the story together. It’s something I’m very proud of, and I’m not ready to let go of it yet. Watch this space for news of the official re-launch, coming November 2015!

In related news, The Red Road has kindly been reviewed over at Big Comic Page by Kirsty Hunter. Yay! Here’s some lovely extracts;

“A complete sucker for traditional media comics, I fell head over heels for The Red Road from my first look at its simple and striking watercolour cover. Burned skeletons of trees, silhouetted against shadowy mountains with a blazing red sunrise just breaking above these – the image nicely encapsulates the story’s blend of light and darkness.”

“Overall, The Red Road is a quietly powerful reading experience and a sure-footed debut from Hathaway. There’s more than enough here to get me really excited for whatever she brings out next as I think her ability to depict difficult emotions with a light touch will translate to a variety of projects.”

– Kirsty Hunter, Big Comic Page (read the full review here)

Lovely stuff! The Red Road scored a 4 out of 5, and is happily added to my small collection of reviews alongside Andy Oliver’s review from Broken Frontier earlier this year. Fingers crossed another important review might be coming this way soon..

Also, this week my Sneaky Business buddy Samuel C Williams has released the front cover image for his forthcoming zine, Dead Singers Society. To be released at this year’s Thought Bubble festival in Leeds, Dead Singers Society includes comics, illustrations and writing, with my submission being a single page illustration of Muddy Waters (sneak peek below). I always really enjoy working on small pieces for print, especially as a thanks to Sam for his work in Sneaky Business. So, if you’re around Thought Bubble next month be sure to swing by and see Sam’s stall (before you head over to spend all your pennies with me, of course!).

Finally, in some very exciting news, Kripa and Elena have absolutely smashed the target for Art Aid Nepal, finishing up with a whopping £3’300 in donations and over 100 backers! Well done everyone for being a part of something so amazing, I can’t wait to get my hands on my very own printed copy and see all the amazing work that’s gone into this multicultural bonanza of an anthology. Thank you so much to Kripa and Elena for letting me be involved!

That’s it for now, folks! I have a stack of books that need reading and analysing before I can do fun drawing things, and the pile of books seem to be ever growing.. University life. Stay tuned as more awesome things are coming in the weeks to come.. Over and out!

x