Now, I’m not going to pretend that this kind of concept is a good idea – it was a pretty stupid idea because it meant I had to juggle an already busy existence with a very short deadline. I took days off from work here and there and spent my evenings at the desk too, but it was so, so worth it.
The campaign for Moon went really well; it was 50% funded after two days, and then had a steady increase of 1-2 pledges per day to reach the original target of £800, then onward and up to a total of £1082. The campaign itself was really short so that I could get the comic printed and out in time for Thought Bubble Festival. But, regardless of the rush, it all worked as planned! The only real comparison that I have with Kickstarter is Njálla; but that feels like an exception to the rule, as that was fully funded on the first day (and something I never expected to happen again)!
Given how little time I gave myself, the creation side of the comic went really well. I did my usual process of thumbnailing out the comic, pencilling it up on big layout sheets, and then inking straight onto artist cartridge paper and painting on the same page. Moon is a total of 24 pages, 17 of which are painted story pages. Check out a little preview here:
What’s next? Well! First thing this Monday morning the print files were sent to print at the Newspaper Club. Tuesday night the rewards were sent off to print (A5 prints, temporary tattoos and stickers – you guys who pledged are in for a treat!), and now comes the waiting game. Digital review copies are being sent out on Monday 17th September (get in touch here if you’re keen to review Moon), digital comics are being sent to backers by Tuesday 18th, and all of the physical stuff should be arriving by Wednesday 19th. On the morning of Friday 21st September I’m (gently) throwing all of my wares in the boot of Billie the car and driving up to Leeds to launch Moon at Thought Bubble Festival on Saturday 22nd September. Phew!
It’s certainly been an experience, but this comic has been so much fun to work on and I truly wouldn’t have been able to work to this crazy schedule without the faith of every single Kickstarter backer who helped me make Moon into the physical comic I wanted it to be. Without them, I wouldn’t have been able to release it any time soon, or even dream of making sweet temporary tattoos of shipping containers.
And that’s about it for now! Remember to keep up with my more regular blogs over at Patreon, and until next time… Peace out!
Moon is an ethereal and enchanting original comic story about childhood, curiosity and love. In the usual Hathaway style, this comic is very light on words, with it aiming to be a comic more of tender experience than heavy literature. If successfully funded, Moon will be printed as a 24-page, full-colour newspaper comic, in a limited run of 200 copies, staple bound. The mini-tabloid newspapers are printed through Glasgow-based The Newspaper Club (check them out – really cool!), printed on 55gsm newsprint (super touchy-feely). It’ll also be bigger than my usual comics, at 160x280mm. Click here to check out the campaign on Kickstarter!
I came up with the idea from one of many conversations with my partner’s four-year-old son when we saw a large disc inside a storage container on a building site and he told me it looked a lot like the moon. As we all know, childhood fascination and discovery are something I will always enjoy making stories about, and this is no exception! It’s definitely been a fast-moving production as I spent weeks perfecting the story, then spending all-hours drawing up the roughs and artwork for the pages. But we all know I like a challenge.
It’s been just over two years since my Kickstarter for Njalla and it’s been a nerve-wracking experience to try and launch a new campaign. A lot has changed in two years, and the support from the comics community isn’t what it used to be. Although it’s somewhat terrifying to consider whether this project will still succeed or not, it’s also incredibly empowering to see how well it’s done up to now. And this is helped so much by everyone who has supported Moon – so thank you! You all are making this happen!
Here are some snippets below:
You can find the Kickstarter campaign here, along with details of all the rewards. I really really REALLY wanted to include temporary tattoos of moons and storage units in each pledge, but I’ve had to put it as a stretch goal as sadly, I can’t afford to do it otherwise. So.. let’s aim for £1000 and we can all have the matching temporary tattoos, yeah‽
I decided to create this story because I think we all need some child-like fascination and magic in our lives. My wish is for someone to pick up Moon and be transported away from his/her/their troubles and become lost in a dream. There is always time to worry about school, work, money or relationships, and we all deserve to escape – and sometimes just looking at the moon in the night sky does that – but sometimes it takes a story too. If you believe that too, then you know what to do.
In other exciting and unrelated news, my good friend and client Recettes Sucréees 1859 is off to the Hampton Court Palace Food Festivals this bank holiday weekend, with her fresh two gold stars from Good Food Awards and her illustrated postcards! More on this next time – but if you’re in the area or visiting the festival, be sure to check them out at stand R15 (and pick up a drunken squirrel brownie if you can – it’s delicious).
And that just about rounds it up! Until next time!
Did you see the news? Did you? No, not the news about a babies with teeth; the news of my newest project going live on Kickstarter this month! I know, I know, I like to give myself an unreasonable amount of work to do in a short amount of time, but I have a new story underway that I can’t wait for you all to see. It’s title: Moon.
After creating a few short stories for anthologies this year that haven’t yet been released, and the second edition of Cosmos & Other Stories, I’ve been really keen to push something out in the second half of this year whilst I’m dipping in and out of on The Biggest One Yet (my next, full-length book due out in 2019/20). I’ve been lucky enough to develop a beautiful story to tell, and I just. couldn’t. wait.
What do you need to know?
Moon will be Kickstarted, with the campaign launching soon.
This brand-new 24-page story will be printed in mini-newspaper format.
Previously alluded to as The Next Big Thing, Njálla (pronounced nyaah-lah) is my latest self-published comic released online on Thursday 2nd June. The printing of Njálla was made entirely possible to to a successful Kickstarter Campaign. What’s it about? Well..
Njálla is an original comic story, based around the myths and legends of the Sámi people, indigenous to northern Europe’s Arctic Circle; which today includes parts of Norway, Sweden, Finland and the Kola Peninsula of Russia. Lieđđi, a young Sámi girl, and her reindeer Unni end up on an unexpected adventure after coming face to face with the guovssahasat, the northern lights. Njálla is an atmospheric and magical comic for all ages, unearthing the legends of the Sámi through friendship, mystery and adventure.
Njálla is an obvious labour of love, respectfully crafted and diligently researched. It also embodies everything I have come to admire and enjoy about Rozi Hathaway’s comics over the last couple of years – their humanity, their empathy and their pure visual splendour. A stunning synthesis of unearthly mystery and endearing innocence, Njálla underlines once again the subtle potency at the heart of Hathaway’s craft.
There’s an image early on of two people sitting around a stove in a lavvu, the tents used by the Sámi, and the way Hathaway’s watercolours cast light and shadow is so effective. A heavily repeated motif is the use of circles. They are everywhere – in the lighting, the movement, the sky, the land, the interiors. They convey so many different things – the excitable energy of a child, the rough forces of nature, the Northern Lights, the enclosed space of a lavvu. It’s this natural, restrained quality that really stands out here – the minimal dialogue allows the images to tell the story, about a child, myths of the Sámi and the Northern Lights. Njálla is a confident, assured book, well worth tracking down.
Huge thanks to all of my wonderful Kickstarter backers who made this happen:
Claire Parmley / Anastasia Hiorns / Alan Henderson / Bridget / Andy Oliver / Chris Bates / Cecily Kennemore / James McLaughlin / Dave White / Ricky Miller / Mike Medaglia / YoMma / Zara / Alex Smith / Richard Redfern / Sueleen McQueen / MarineMonstress / Christina / David Ogley / Simon Wallis / Malcolm / Sandra Bates / Emma Raby / Sarah Crosby / Tim Wiltshire / Mattias Vermeersch / Martin Cooper / NB / Nor Azman / Len Ahgeak / Pippa Bailey / Nicola Edwards / Marlon Mapstone / Paddy Johnston / Rafael / Chris Welsh / Chiara Montresor / Conori Bell-Bhuiyan / Comichaus.com / Michael Huntley / Annie / Selina / Matthieu Boussard / Jordan Franklin / Amy Crawford / lyrik / Andrew Walsh / Tora Stridh / Thomas Henn / Joanna Turner / Billy Dayton / Te Hao Boon / xphiler06 / Lucy McLoughlin / Jordan / Dries Dewulf / Megan Smith / Rebecca / Chantel Beaven / Craig Galloway / Bo Rosén / Alex McNelis / Dimitri Mavroudis / Brittney / Ellen Power / Kim Schwanhaeusser / Rhiannon / iamshirtacus / Sonny Gibson / Jill / Cheryl Fisher / Johanna Wedin / Jasmin / Jennifer Sheer / Derek Freeman / Paul Jordin / Bernadette Siddall / Diane Fox / Milou / Beth Ray / Martyn B. Lorbiecki / Matthew Kuzio / Anje van der Veen / Maaike van Eekelen / Luke Marquart / Froze / Andrew Lee / zombiejojo / Rachel Harris / Douglas Harrower / Amber / JM / Bennett / Jessica Poppke / Peter Evans / Jonne / Carole Fletcher / Lily / Petra Pavlikova / Blake Sykes / Charlotte / Katie Whittle / Ben Dunn / Dave Green / Gius / Peter Hartman / Aninia Schwan / Lucy / Martin / Naomi Rose Johnson / Barbara Gabrys / Lara N / Alexander Gudenau / Ignasi Pizarro / Heidi Elliott / Tze-Wen Chao / Andrew Belding / Mike Meltzer / Markisan Naso / Tamara Slaten / Stephanie Wischhusen / Sam Chi Cken Evans / Vincent Laine / Kasele Deitz / Azucena Cauich / Mer / SecretBaroness / Kamila Tyran / Jeanette Wennerstrand / Chris Banser / Holly Brown / Caitlin Jane Hughes
So, we’re done! As of Friday morning Njálla’s Kickstarter campaign finished with a whopping £2502 pledged from 139 lovely backers. WE DID IT! Thank you so much to all my wonderful backers, it wouldn’t have been possible without your keen interest in my story. It’s been an overwhelming 30 days and I’m still a little bit in shock from the whole campaign process. But, no time for that dazed nonsense, there is work to be done!
I managed to get really organised and sent all the completed pages over to Rich at Comic Printing UK on Thursday of last week, so we’re ahead of schedule for the comic itself. Rich has worked his matte laminate magic and gotten some proof copies over to me at super-speed, so I’m working on some small final amendments before the final 250 copies are ready to fly out of the Comic Printing printer. This week I’ve also sent off my order for colouring books, prints and stickers, so you’ll all be glad to hear that everything is in motion.. Yippee! Organised is my middle name, don’tcha know.
In more exciting news, I’m very happy to reveal to you all… the cover! Kickstarter backers had the grand unveiling last week, so you’ll have to excuse them if they’re sticking their tongues out and going ‘nerr’ at you non-backers from behind their screens. Here it is:
Exciting, right? Right?! I’m excited. Especially since receiving my matte laminate covered proof copies and seeing this in all it’s physical glory.. Swoon. In the coming weeks I’ll be working on original artwork and finishing up university assessment stuff, and then all physical backer pledges will be sent out the week prior to Njálla’s release. Time is drawing ever closer to Njálla’s release to the world, and that familiar terrified/exciting feeling is going to be a perma-fixture for the foreseeable future. Yikes!
In other news, this weekend is the highly anticipated Comica Comiket in London! On Saturday 14th from 11-6pm Comiket will be held underneath the Victorian glass-roofed shed between the House Of Illustration and the Central St Martins College of Art, not far from Kings Cross St. Pancras. As I’m just a couple of weeks shy of a new book release I didn’t apply for a table myself, however I’m joining in the fun at the Broken Frontier’s Six to Watch table to help promote and sell the Small Press Yearbook as well as selling some copies of The Red Road and Down to Your Skivvies zine! There will also be an array of Six to Watch comics for sale on the table, including the likes of Emma Raby and Rebecca Bagley. So, if you’re in or around London on Saturday pop down and say hi! The whole event is free and there’s loads of things to see and do as well as visit stalls, it’s shaping up to be an excellent event.
In other news, I’ve been taking some time to wind down after working on a couple of such hefty projects (both Njálla and the Unilever animation) to work on a short 1-pager comic for the upcoming volume 2 of Dead Singers Society! After the success of the first issue, of which I created a single page illustration of Muddy Waters, the gents at Good Comics have had their call for submissions out for a while in preparation for the second issue. I’ve only just had a chance to dive into this one, but I’m really excited to be creating a short comic for this particular dead singer. All will be revealed in time, but for now, here’s a sneaky preview of what I’ve been working on…
If you fancy submitting for Dead Singers Society vol. 2 and you like to leave it last minute like I have, you still have time! Submissions end at 11pm on Sunday 15th, and for all the information and more from Good Comics you can head over to their Twitter page here.
Finally, in the madness of the Kickstarter it completely slipped under my radar, but I have now officially sold out of Sneaky Business! The short comics-zine I created with submissions from Pete Hindle, Samuel C. Williams, Alex Hahn and Peter James Norman last summer has flown the coop, with potential copies left in various stores around the UK (note to self: I should check on that). Now Njálla is reaching completion I’ll be looking into volume 2 of Sneaky Business, so although it won’t be for a little while if you’re interested in potentially contributing then get in touch (I sit alone at a desk all day, I could certainly do with a conversation that isn’t with myself).
Anyway, that’s about it for now! Assessment work needs to be done for next week and the kettle won’t boil itself. Keep an eye out next week for more visual goodness and a run-down on Comiket! Until then..
So, it’s been a bit of a whirlwind of a week! I think somewhere between staring wide-eyed at my laptop screen in disbelief and taking a casual dance/sprint combo around the living room, I was barely able to comprehend what was going on during Wednesday through to Friday last week. In less than 10 hours (10 hours!) you wonderful people all helped to absolutely smash my project goal of £800 for the printing costs of my upcoming comic Njálla. Apart from confessing my undying gratitude to my backers, I have no idea how to portray exactly how amazed and thankful I am to each and every person who put pennies to their name to help support make this comic a real, physical being. By Thursday I put up a stretch goal which was also smashed by the end of the day, so most of the weekend was spent staring off into the distance trying to comprehend what sort of alternate reality I’ve been placed in. So thank you, THANK YOU, backers, friends and family who have all been real heroes here in helping me to publish this story.
Having covered her work so closely over the last year or so, I’ve observed firsthand Rozi Hathaway’s creative development in that time. Her growing confidence as a storyteller, that assured understanding of the mechanics of her chosen medium, and a willingness to experiment with genre and tone are all hallmarks of a practitioner with a commitment to immersing herself in all aspects of her craft.
But where her work truly stands out is that strand to her practice that concentrates on pensive, very human narratives. She has an astonishing ability to evoke an emotional response in her readership with little or no exposition, pulling her audience into the lives and experiences of her protagonists through both the deftest visual characterisation and that hauntingly empathetic atmosphere to her pages. It’s very much in evidence in The Red Road, in ‘Afloat’ in the Broken Frontier Small Press Yearbook, and in her slice-of-life tale ‘Rejsen’ in Dirty Rotten Comics #5.
As the goal of £800 has been reached, Njálla is going to print! Woohoo! This means that as the Kickstarter ends on Friday 6th May, I will have sent all the files over to Rich at Comic Printing UK who will be creating a physical proof copy for me to check over, and once that’s all fine and dandy he will be printing the run of 250 books to arrive at my door mid-late May. As my final university assessment is on Thursday 19th May I’ll be scurrying around like a woman on a mission until the following week, when all Kickstarter-backed orders will be posted.
In further exciting news, the online launch date is announced! On Thursday 2nd June Njálla will be available to buy online through my Etsy store, and in selected comic shops around the UK (to be announced nearer the time). So, if you have some long-term rivalry with Kickstarter or if you just fancy waiting, you’ll be able to get a copy of Njálla in just over 7 weeks.. I’d best get to work!
As I mentioned above, after smashing the project target in less than I day, I decided to put up a stretch goal to try and get some extra goodies out of the campaign for all my lovely backers. So, what are stretch goals..? A stretch goal is a funding target set BEYOND the original goal. The project is still very much complete and funded, stretch goals are just some fun extras that I can add in as a way of saying an additional thank you, in the form of physical goods! Those aforementioned physical goods are in the form of a FREE colouring book and sticker for all my backers! The colouring book is something fun; at 12-pages in length it will feature pages of lavvu’s, Arctic foxes, reindeer and more, with some additional Northern Sámi words and phrases in there too. Who doesn’t love a bit of casual colouring, whilst learning? Not to leave my digital PDF pledgers out, they will be sent a few pages that can be printed out and coloured in as well.
You can follow all the updates on the Broken Frontier Small Press Yearbook’s online release date via the usual channels of Facebook and Twitter, through the hashtag #BFSPYearbook, if you’re into that kinda thing. #Downwiththekids
I think that’s about it for now! Aside from excitedly running up and down, I have spent the last week painting away on Njálla, scanning in and dropping into the page templates to get it all ready for printing in a few weeks. Panic! I’ve never before had to tackle painting quite so many pages at once, but it’s all good fun and getting exciting to see how the pages will look when they’re printed.. I’d better crack back to it! I will be back as usual next week, so until then, have a good week all!
It’s been a very hectic couple of weeks getting everything together and preparing to host my comic on Kickstarter. Silly me, I thought it’d only take a couple of days.. Between writing about the project for the page, working out the budgets, drawing up titles/diagrams/bookplate designs/print designs, writing a script, filming my big head, and then staring at my big head for hours on end whilst editing the video, I think I may have lost a little sanity. It also took nearly two weeks, but I managed to get it finished up ahead of time to allow for a couple of days of quiet reflection before timidly releasing Njálla to the world.
Special thanks due to all those who put up with me seeking advice and wisdom for the Kickstarter element of this project. Having never tackled anything like this before I felt pretty lost at times! Thanks to comics friends, friends and family for all their input and help, and my ever patient partner (yes, you can see up his nose in my campaign video) for putting up with me talking about this non-stop.
So, the project! Well, if you’ve been keeping up with The Next Big Thing/Njálla then you know that the story is based around the Sámi. Here’s a bit more in-depth information about Njálla direct from my Kickstarter:
Njálla is an original comic story, based around the myths and legends of the Sámi people, indigenous to northern Europe’s Arctic Circle, which today includes parts of Norway, Sweden, Finland and Russia. Lieđđi, a young Sámi girl, and her reindeer Unni end up on an unexpected adventure after coming face to face with the guovssahasat, the northern lights. Njálla is an atmospheric and magical comic for all ages, unearthing the legends of the Sámi through friendship, mystery and adventure.
A relatively unknown culture, the Sámi ancestral history is believed to span thousands of years. I first discovered the Sámi when my partner Chris and I backpacked through parts of Scandinavia last August, spending a lot of time eating amazing food, walking miles and going to various museums and exhibitions. The more I researched and read about the Sámi, the more I realised how I wanted to bring elements of this culture into a comic – not only to enchant people, but also to give a brief insight into such a historic and interesting culture.
If successfully funded in the 30 day period from today, Njálla will be printed as an A5 (148 x 210 mm), 48-page full colour comic, in a limited run of 250 copies, perfect bound. All Kickstarter orders will be ready to ship around the end of May, with the date of release being in early June (specifics to be confirmed). Perfect for when you’re feeling a little too warm in the balmy humid English summer, you’ll be able to read about vast snow-covered lands.. What could be better? I’ve also tried to include a range of rewards beside the comic that span a range of price points and include some prints and originals. If you happen to be feeling incredibly generous and optimistic about my future popularity, original comic spreads are available as a reward too. I have some other rewards up my sleeves, and some nice stretch campaign ideas if the time comes!
In comparison to The Red Road, this time around my page count is far longer which has meant that I get a nice shiny perfect bound cover (with a spine, rather than stapled). I’ve spoken at length over the past few months with Rich at Comic Printing UK over what options I have, and how I could make this comic look the best as physically possible. Also, I spent some time last week coming up with designs for a limited edition bookplate which will be printed in a limited run of 100! Bookplates (otherwise known as ex libris) are a fairly historic practice, but more and more comics creators are opting for these small, high quality printed pieces in addition to their comics. Gosh! in London have a section dedicated to bookplates, some even created specifically for the store. So, y’know, I thought it best to join in the bookplate fun! All bookplates will be hand-numbered too, so you can hold your bookplate and envision the hand cramp that came along with lovingly writing each one out.
For those of you who aren’t familiar with Kickstarter, when you pledge for your reward on the right hand column of the page – whether £3 for a digital PDF copy or £50 for an original with the printed comic, your pledge total (including postage) will not be taken from your bank account unless the project is successfully funded. So, if you pledge today, and the project never reaches its funding goal, not only will I go and weep in a corner never to brave the crowd-funding world again, but also the money will never leave your account. However, if at the end date of 6th May the project is successfully funded, and I run around the flat in a fit of excitement waving pages of comic, the money will come out of your account then. Good, isn’t it?
Phew. What a tiring experience! Since getting everything in place I’ve just continued working on the comic, mainly on pages surrounding the actual story like acknowledgements and more information, things like that. I’ve also been getting some promotion into motion, and then working out the practice painting so that I’m ready to rock and roll for the next 30 days and complete the painting! Painting a comic of this length will probably take the best part of a good week, week and a half maybe, but also I’m still working on the Unilever Bright Futures project I’ve mentioned previously, as part of the Creative Conscience awards which has had it’s deadline extended (phew!). Juggling these two large projects with the remainder of my uni work is going to be keeping me busy until… The end of June. Who needs rest though, right?
I think that’s about it for now! For all the information on the Kickstarter visit the link today, and see my big head bob about the screen as I forget what I’m supposed to be saying about twelve times. HUGE thanks to those lovely people who have backed so far today, including the first backer of the day being my comics buddy Sam! Who, coincidently, has a new comic coming out at the end of this month which you should all check out. Big big thanks also to everyone who has shared the project on social media, you are all super awesome. For now, I shall leave you all to bask in the wonders of Njálla, lavvu-pie-charts and badly edited videos. I shall be back next week with an update on how Kickstarter progress is looking after the first week, more work on Njálla as it reaches completion, and the rest! Thank you to everyone for your ongoing support. See you next week!
So, another week has vanished and somehow it’s already Wednesday. When did that happen? The weekend away was definitely needed to recharge my batteries a bit, but doesn’t half make a dent in my working week. Anyway, Kickstarter-induced panic aside, I hope everyone had a lovely bank holiday weekend whatever you were all up to. Personally, I ate too much of everything and am now debating whether I’ll be able to fit into my clothes next week or not.
Since last week’s update I’ve been working pretty solidly on my Kickstarter campaign, ready for launch next week. When I started working on it I had no idea just how much work it takes to do – blimey! Not only is there the whole glaring-into-a-camera thing and getting a script ready for that, but there’s also selling the project as best as possible in the main body of the campaign page. Whilst I’ve been busy working out budgets and pie charts, drawing sub-header titles and reworking my campaign details twenty times, my actual comic and remaining uni work has taken a temporary sideline. Though, I think I’ve almost cracked this whole Kickstarter thing, so as soon as I’ve filmed my work of cinematic genius as a campaign video, I’ll be ready to go!
Who needs a pie chart, when you can have a lavvu-pie-chart?
I’d hoped to launch the campaign on Wednesday 6th, though it looks like once submitted the campaign is up for review which can take up to 3 business days. Because of this, I’ll submit on Monday and hopefully it’ll have launched by Wednesday, if not before. Phew! Saying that, I think I may be worrying about the finer details a little too much, and I’m sure no one really cares if it’s uploaded a day early – I tell you what, this whole crowd-funding thing is a stressful business, although if I ever have to do it again I’ll be far wiser on how to approach it. I hope.
So yes, because of this whole fandango I don’t have a huge amount of work to show you, as staring into my laptop and calculator, scribbling notes on paper and checking emails for the 4 working days between the last update and now isn’t particularly interesting for anyone else but me. I have, however had a chance this morning to start working on photocopies of The Next Big Thing with paint!
Now, painting onto cheap photocopier paper does hurt my soul quite a bit. It’s smushy, you can’t really blend well, and it’s just a bit pants. But, instead of launching into painting my final, original pages it means I can make mistakes and change my mind on colours and it doesn’t really matter, as I can just make another copy and try again. Above is a sneaky preview of the practice painting photocopy pages I’ve worked on so far. I’m DEFINITELY looking forward to getting stuck into the final paints, I just have to work through the practice bits and the Kickstarter admin bits and then I can sit back, relax and paint to my hearts content.
In some rather excellent news, The Next Big Thing aside, I have been accepted into Thought Bubble 2016! After a very anxious Friday evening where everyone had received their emails and my inbox was still unnervingly empty, I needed not worry. I had SO much fun at Thought Bubble last year, and I can’t wait to be back in Leeds come November to carry on promoting The Next Big Thing, the upcoming Broken Frontier Small Press Yearbook, and watch comic-pals do karaoke (I’m not sure what it is about comic artists and karaoke, but apparently it’s a thing).
As I sadly didn’t make it into the Lakes Comic Art Festival in Kendal, Thought Bubble is now my biggest event of the year and my optimum opportunity to get copies of soon-to-be-revealed The Next Big Thing to a new audience. More events are popping up for later in the year all the time, and I have my eye on a couple more events as long as funds can stretch that far. However, with Thought Bubble being one of the biggest comic events in the UK, I’m over the moon to be able to have a half table there again.
So, that’s that! Next week will see the launch of The Next Big Thing Kickstarter campaign, with the big reveal of the title (yes, that’s right, it’s not ACTUALLY called The Next Big Thing) and live pledges available for you to put towards in helping to make this comic a real, physical reality. How exciting! Until then I have a lot of work to do on some finishing touches, so until next week.. Over and out!
So, it’s time to temporarily relax a little. Formative assessment at Uni is over as of yesterday (as in, the important non-marked one before the REALLY important marked one in May), and the long Easter weekend is on the horizon.. A magical time consisting of three days away from my desk in the northern lands of Leeds drinking cider and eating cheese. Wonderful stuff. Although this one assessment is completed, the work is far from over! Having spent two days collating my work for presentation I’m eager to get back to working on The Next Big Thing and finishing up the remainder of my other project work.
This is the first project I’m trying to raise funds for through crowdfunding, so it’s an interesting experience to have to wave my face in front of a camcorder when I’m not particularly the most camera-friendly person these days. Back in those 2000’s Myspace days, now that was another story! But now, with age comes a resentment with most forms of camera implements being thrust in my face, unless of course I force it just so family members online can remember what I look like whilst hiding away in my drawing cave. But, regardless of this I will be gracing the screen. According to lots of online-people, crowdfunding pages with videos are far more successful than those without, due to people wanting to know who they’re supporting. So there you have it, taking one for the sake of this comic.
Before working on all the assessment business took over for a few days, I spent some time gathering together my work and photocopying and scanning everything. The photocopies of all the pages are for practice painting – getting a feel for the colour palette before I take to the originals, because I’m a sensible soul like that. I also, before even reaching for my paintbrush, worked on some really terrible digital rough colouring with the scanned pages. I’m not going to show you those, because they look awful – they’re just something I use for reference in working out the colours per spread and how they work together as progressing through the book. Below on the right is also an exciting new development; I printed the uncoloured pages that I’d scanned in, to size and in order to make a little booklet with the correct number of pages to work out the remaining, non-story pages. How exiting! This means for the first time I have a readable copy of the comic which I entrusted my loving partner to read to see what he thought now it was all together. I heard a few giggles, so I’m taking that as good news!
In other news, work has progressed on the Unilever Bright Futures Competition I’ve mentioned a few times before. I realise updates on this particular project have been few and far between, but as it’s my first longer-length animation I’ve been working through it in a methodical fashion and finished up all the pencil work last week. It’s not much to show yet, looking primarily like a stack of 64 pieces of A5 paper with a pencil drawing on each.. However, the painting will be the turning point of it all. Here’s a bit of a look at 9 of the 64 frames being used for this animation, and a snapshot of the colour palette I’ll be working with. Creative Conscience have actually extended the deadline from the 7th April to the 28th, so it gives me a bit more breathing space to make the animation work digitally. As it’s all pretty new to me I’m hoping I have some beginners luck and it all comes together nicely. Fingers crossed!
Finally, I spent a little time yesterday afternoon winding down from assessment by making this little Easter Bunny. Or, as I learnt in Danish, Påskeharen. It was fun little animation to work on – so I hope you all enjoy it too! So on that note, I hope those of you who can enjoy a four-day weekend enjoy it, and those of you who will still be working get extra lovely chocolatey treats to make it worthwhile! I’d better hop back to it – until next week!