Dirty Rotten Comics Interview

New Chapter

Good afternoon everyone!

It’s me, your friendly neighbourhood Houdini. I know, I know, I said I was back properly last time, and then didn’t reappear again until now, nearly six weeks later. About five weeks ago, I had some news which made me weigh up my options and reflect a little on my working practices, including writing about what I do. This blog doesn’t get the views it used to, and my daily structure has changed a hell of a lot in the past six months. That, and teamed with some changes going on at my day job, has left me with the decision to pare down my blogging on here and start posting shorter and more regular updates on a subscription website called Patreon. It’s not been an easy decision to make, and I’m certainly not disappearing off here any time soon, but hopefully that explains why I keep vanishing from my ‘weekly’ blog. More on Patreon a little later on, as I’m sure you’re all eager to hear what I’ve been up to…

Last time I caught up with you all I was getting ready to gallop over to Brighton for January’s Cartoon County meet-up; and what a blast it was! Alex Fitch was an excellent interviewer, with interesting and carefully considered questioning – I’ve been interviewed a handful of times, and I must say it’s one of the greatest compliments to be interviewed by someone who has either a keen interest or has taken the time to learn about my work. Thanks so much, Alex! I had a chance to catch up with a few faces I don’t see all that often, and I also managed to put names to faces for a few creators which is always really nice. Thanks so much for having me, Brighton. Plus, your burgers are really really good.

Cartoon County - 29th January 2018
Cartoon County – 29th January 2018 (Picture credit: Samuel C. Williams)

In other news, I not only finished up the additional pages for the reprint of Cosmos & Other Stories, but it’s now here and available to buy online! Woo! It’s still priced £6, but now with an extra 12 pages of comic goodness – including a brand new seven pages story and two pages of sketchbook images. You can pick up a copy of Cosmos from my Etsy store here, from Good Comics’ online shop and from Dave’s Comics in Brighton. And here’s a sneak peek of the new comic! (And the whole comic is available online via Patreon for $5 a month!)

This one has been a really fun comic to do, even if it took me way longer than I ever intended it to. But, it was fun to flex my short story skills once more, and it meant I got to delve into the depths of ancient Aztec history, with reference books such as The Art of Mesoamerica: From Olmec to Aztec by Mary Ellen Miller, and more serious titles such as Horrible Histories Angry Aztecs by Terry Deary and Martin Brown. I’m really pleased with how Cosmos looks in it’s new reprinted format, and really grateful that Good Comics have helped me reissue this comic again exactly how I wanted it. Thank you to everyone who picked up an original copy, and those who also buy a new one!

Next up, as you may remember I had been creating a short autobio comic for Dirty Rotten Comics submission! Sadly, I didn’t make the cut this time. But, it’s been great practice to work on something a little more based in reality than my usual tales of magical arctic foxes and fallen stars. Have a look at this sneak peek!

Even though this comic, Bear, won’t be in the latest Dirty Rotten Comics, I have a few other ideas for it yet.. so watch this space! (Maybe not on a full-time basis, as you might be watching for six weeks at a time with how busy everything is right now… I wouldn’t want to give anyone eye-strain!)

So, that’s what I’ve been doing! So to round-up, here’s a little more about my decision making process is moving over to blogging on Patreon rather than here..

The Patreon Story

Now, as I mentioned above, this blog doesn’t seem to get the reach it once did. Writing a large post like this takes at least a couple of hours, and if I was doing weekly posts like I used to it’d be around an hour a week of writing an editing, and extra time documenting everything I do and preparing preview images. Which, was fine and wonderful when I was a full-time student or when I graduated and worked in a creative job that allowed me time to write. However, now things are a little different with my personal circumstances. Prior to six months ago I was in a very lonely and isolated position of not really having much else to do apart from work (as I’m sure Self-Care & Vegetables readers are aware). Now, I’m happy. I understand it’s important to have time off to look after myself, read and enjoy life. I have a wonderful partner who I love spending time with, and I also have his two kids in my life who are funny, gnarly and sweet. So as you can tell, my time has to be spread a little more evenly, which is nicer and healthier. But that meant something had to give.

I hear you ask.. “but why are you moving over to somewhere where I have to pay to see the same things I’ve seen for free all this time?” – well! I will still aim to update here every four-six weeks. It’ll be more of a round-up than an in-depth analysis of every stage, kind of like this blog as been today! You’ll still see pencils to inks and sketchbook stages, right the way through to final previews. My tiers of subscription on Patreon give you more than you could ever have here. Let me show you:

$2 or more per month –  you can access exclusive blog posts about what I’m up to, work-in-progress photos and previews only available to patrons. i.e. you will get more regular updates and photos.
$5 or more per month – you get the above, plus 10% off in my Etsy store and access to my digital comics archive to read and download, and see full colour pages of new comics before they’re published! If you like digital comics, you will be getting a massive bargain compared to buying my work individually or in it’s anthologies.
$10 or more per month – everything listed above, plus a hand-drawn and painted postcard in the post every month (UK postage only)
$12 or more per month – everything listed above, plus a hand-drawn and painted postcard in the post every month (Worldwide postage)
$40 or more per month – everything listed above (excluding postcard), plus an A5 drawn, inked and painted commission of your choice every month – or you can just bump up to this for one month if you’d like to commission artwork from me, and then bump back down to a different tier. (Worldwide postage)
Check out my Patreon site here to witness it all for yourself, and sign up for some sweet deals to arrive through your door. After all, who doesn’t love receiving post that isn’t bills or junk mail? Hopefully that clarifies everything a bit. Don’t miss out, even for just $2 (£1.45ish) a month you get to see comics as they happen, and before anyone else.

And on that note, that sums it up for now! I have a busy few weeks ahead preparing some top secret things, a comic for an anthology, creating more things and travelling all over the place. Life is meant to be busy, right? Right?

Thanks for being patient and reading all of my ramblings, and here’s to a new, exciting chapter!

Share:

Season’s Greetings!

Good morning ladies and gentlemen,

Well well well, it’s almost that time of the year! We are four short days away from the joy of family, feasting, and being propped up in a corner after many glasses of wine. Lovely stuff! Although I always look forward to the Christmas break, it’s felt particularly needed this year.. With a stressful term one of the final year of university down, only two more to go until I graduate. It’s not all tinsel and puddings in the next few weeks, mind you; I’ll most likely be writing the majority of my dissertation over the Christmas break and I have a few other things to do before returning to lectures in the cold and dark reality of January. But, in the spirit of not wishing time away, all that nonsense is in the back corner for now. Phew!

My usual update last Wednesday had to be delayed due to assessment, but that means that I now have even more to tell you all! First up, you may remember the commission I did for the Hope Centre a few weeks ago, for their Christmas appeal. Well, it took a little while but I finally got my hands on a printed copy of the newsletter featuring my illustration. How exciting!

It’s been really nice to see my work in print. I mean, comics-wise I’ve had a pretty dang awesome year and drawing for narrative is my favourite thing to do. However, working on an editorial piece like this and seeing it out there in the world is a rewarding moment and important for my portfolio. Rejoice! The Hope Centre in Northampton, as I mentioned in that previous post is an important charity. If you fancy helping them out at this rather cold time of the year, head over to Just Giving and their Hope for Christmas campaign.

In other news, earlier this month I was interviewed by Tom Mortimer on behalf of Dirty Rotten Comics, following my Rejsen comic being printed in their fifth issue back in August. Thanks to Tom for a genuinely interesting and deep chat about comics, and the guys at Dirty Rotten Comics for having me! Here’s a little extract below.

T : Something I’ve noticed about your work is that, in each case there seems to be a uniting sense of journey. You have a lot of movement through spaces, establishing shots and interactions. There’s also a nice echoed mapping of movement in the visual pacing of the panels and the unfolding nature of it also reflects the way the formation of the narrative itself works. These things surface, and it can be seen as a sign of connection with the medium. How much of this was a conscious decision, was it all planned?

R: I’m very interested in pacing with comics; how movement through a story can be subtly distorted and played with. It’s not really something that can be done in other mediums, so it’s been great to play with it as much as a story allows. It was particularly relevant in The Red Road, as it’s based around the poem which has a similar movement through time, or more lacking any specifics of time. Part of it was definitely a conscious decision, though I’ve learnt a lot more about pacing with every new comic I create.

The Rejsen submission I made for Dirty Rotten Comics was completely incidental, it was more just a reflection on how many different places you end up sitting, standing or waiting on a platform during years of travelling by train to Manchester. The movement in comics and playing with time is still something I’m getting to grips with doing. It’s a constant learning curve!

– To read more, click here to head to the Dirty Rotten Comics interview with yours truly.

Dirty Rotten Comics #6 OUT NOW! Click above for #5

In other news, as I mentioned in my last post, I went to my first ever Laydeez do Comics event held in Gosh! Comics in London last Monday! I didn’t manage to get any photos as I was so enamoured with listened to two such inspiring individuals talking about their work; Rachael Ball and Mike Medaglia. Mike started with talking about his work from the past few years leading up to now, with his success of One Year Wiser – the hugely popular book of 365 illustrated quotes and mantras, the subsequent One Year Wiser the colouring book, and his latest venture of creating comics for the Mindful Life Illustrated on Elephant Journal. Go Mike! Next up speaking was Rachael Ball, the creator of The Inflatable Woman, an einspiring tale of one woman and her life experiences after being diagnosed with breast cancer. I’ve not had a chance to read The Inflatable Woman yet, but Rachael’s inspiring talk about her own battle with breast cancer and how she took on creating this story from scratch was moving, and how she weighted the graphic novel with dark parts equally balanced with humour really shows her talent. And, I mean, she has arguing penguins in the story. What’s not to love? You can buy Rachael’s The Inflatable Woman from any decent book retailer, and Mike Medaglia’s online shop can be found here (though don’t bother him whilst he’s on holiday!). And of course, the wonderful Gosh! Comics have stock of both their work. And lots of other talented people. You should go pay them a visit.

Thanks to Keara, Wallis and the folks at Gosh for being welcoming as always, and I briefly got to see some ever so friendly faces before dashing through Soho on a one-horse open sleigh.. Err.. I mean.. By foot.. to get my train back home to Northampton. I’m really glad I made time to go to a Laydeez do Comics event before speaking as a part of the Broken Frontier themed event in January! Though now the pressure is on to make people believe that I’m actually interesting. Yikes! Saying that, I do have a fondness for making In Design presentations, so I can spend a happy Christmas dropping in images and making it all look rather fetching. So, as I mentioned last time, the next Laydeez do Comics London is on Monday 18th January – tickets are free but must be booked and sell out fast, so if you’d like to come and hear me stutter make sure you get yourself on the mailing list now!!

Finally, as of Friday afternoon, University is now finished for the year and I am free as a festive bird (although not really, as I mentioned at the start.. But I’m pretending for a few days)! War Horse is finished and progress on The Next Big Thing will be continuing over Christmas, and hopefully in January I might have some good news regarding the latter. For now, I’d like to wish all my readers (Hi mum!) a very merry festive season! I will be back in just over a week with an update before the New Year, potentially a compilation special looking back over 2015 and how snazzy it’s been. For now, though, enjoy!!! See you on the other jolly side!

x

 

Share: