Moon is an ethereal and enchanting original comic story about childhood, curiosity and love. In the usual Hathaway style, this comic is very light on words, with it aiming to be a comic more of tender experience than heavy literature. If successfully funded, Moon will be printed as a 24-page, full-colour newspaper comic, in a limited run of 200 copies, staple bound. The mini-tabloid newspapers are printed through Glasgow-based The Newspaper Club (check them out – really cool!), printed on 55gsm newsprint (super touchy-feely). It’ll also be bigger than my usual comics, at 160x280mm. Click here to check out the campaign on Kickstarter!
I came up with the idea from one of many conversations with my partner’s four-year-old son when we saw a large disc inside a storage container on a building site and he told me it looked a lot like the moon. As we all know, childhood fascination and discovery are something I will always enjoy making stories about, and this is no exception! It’s definitely been a fast-moving production as I spent weeks perfecting the story, then spending all-hours drawing up the roughs and artwork for the pages. But we all know I like a challenge.
It’s been just over two years since my Kickstarter for Njalla and it’s been a nerve-wracking experience to try and launch a new campaign. A lot has changed in two years, and the support from the comics community isn’t what it used to be. Although it’s somewhat terrifying to consider whether this project will still succeed or not, it’s also incredibly empowering to see how well it’s done up to now. And this is helped so much by everyone who has supported Moon – so thank you! You all are making this happen!
Here are some snippets below:
You can find the Kickstarter campaign here, along with details of all the rewards. I really really REALLY wanted to include temporary tattoos of moons and storage units in each pledge, but I’ve had to put it as a stretch goal as sadly, I can’t afford to do it otherwise. So.. let’s aim for £1000 and we can all have the matching temporary tattoos, yeah‽
I decided to create this story because I think we all need some child-like fascination and magic in our lives. My wish is for someone to pick up Moon and be transported away from his/her/their troubles and become lost in a dream. There is always time to worry about school, work, money or relationships, and we all deserve to escape – and sometimes just looking at the moon in the night sky does that – but sometimes it takes a story too. If you believe that too, then you know what to do.
In other exciting and unrelated news, my good friend and client Recettes Sucréees 1859 is off to the Hampton Court Palace Food Festivals this bank holiday weekend, with her fresh two gold stars from Good Food Awards and her illustrated postcards! More on this next time – but if you’re in the area or visiting the festival, be sure to check them out at stand R15 (and pick up a drunken squirrel brownie if you can – it’s delicious).
And that just about rounds it up! Until next time!
So, the time has finally come. The majority of Kickstarter pledge rewards are shipped, and Njálla launches for sale online tomorrow with the official launch party at the NN Cáfe here in Northampton on Saturday. I had envisioned that I could have a nice little tag-line about how you can cool down this summer by reading about the snowy, winter-lands of the Scandinavian Arctic Circle, but, well.. It’s 12°C, grey and raining here. Maybe not.
Regardless of the weather, Njálla is my pride and joy, and I’m so excited for it to be out there in the great wide world! I’ve worked really hard to create something special, and if you’re local to Northampton or have nothing better to do this Saturday night (is it usually just me..?) then come on down to NN Contemporary’s Café in Northampton and celebrate with me.
I’ve been remarkably organised due to the hundreds of other things I have to do this week, and all the listings for Njálla and related products are ready to launch on Etsy tomorrow morning from 9am UK time! So, if you missed out on Njálla’s Kickstarter Campaign and you’ve been kicking yourself since, you’ll be able to purchase your copy online tomorrow. Whilst that’s all done and ready to go, I have plenty to keep me occupied in preparations for Saturday’s launch event too, with some surprises under my metaphorical hat.. So come along if you can!
As the UK Kickstarter rewards have started to arrive I’ve been so excited to have people share their parcels with me as they arrive! My Kickstarter pals have all received freebies for helping to make this all happen, including colouring books, stickers, balloons and some sassy wrapping. Thanks so much to everyone whose taken the time to snap a picture and share it; take a look at some of the photos I’ve been tagged in.. How cool is this?
In other news, things became all the more hectic again at University last week in preparation for launching our graduate degree show, showcasing a selection of our work from this final year of studies. Although assessment is officially over and my grades are being mulled over by someone somewhere with a large cup of tea, we still put on a show of our work in an exhibition style at the University itself, for potential future working relationships and clients as well as friends and family to come and see why we’ve all been ignoring them for six months. It’s been a lot of work, and I’ve been juggling a handful of tasks along with a few others.. But the end is in sight! The private launch is from Friday 10th June at 6:30pm, and the show being open to view to the public from Saturday 11th to Sunday 19th June. If you’re interested in attending then you can find all the details here.
On that note, it’s time I get back to work. Don’t forget to keep an eye out for Njálla’s online launch tomorrow and I shall be back next week with all the information and more. Until then, have a good week everybody!
Previously alluded to as The Next Big Thing, Njálla (pronounced nyaah-lah) is my latest self-published comic released online on Thursday 2nd June. The printing of Njálla was made entirely possible to to a successful Kickstarter Campaign. What’s it about? Well..
Njálla is an original comic story, based around the myths and legends of the Sámi people, indigenous to northern Europe’s Arctic Circle; which today includes parts of Norway, Sweden, Finland and the Kola Peninsula of Russia. Lieđđi, a young Sámi girl, and her reindeer Unni end up on an unexpected adventure after coming face to face with the guovssahasat, the northern lights. Njálla is an atmospheric and magical comic for all ages, unearthing the legends of the Sámi through friendship, mystery and adventure.
Njálla is an obvious labour of love, respectfully crafted and diligently researched. It also embodies everything I have come to admire and enjoy about Rozi Hathaway’s comics over the last couple of years – their humanity, their empathy and their pure visual splendour. A stunning synthesis of unearthly mystery and endearing innocence, Njálla underlines once again the subtle potency at the heart of Hathaway’s craft.
There’s an image early on of two people sitting around a stove in a lavvu, the tents used by the Sámi, and the way Hathaway’s watercolours cast light and shadow is so effective. A heavily repeated motif is the use of circles. They are everywhere – in the lighting, the movement, the sky, the land, the interiors. They convey so many different things – the excitable energy of a child, the rough forces of nature, the Northern Lights, the enclosed space of a lavvu. It’s this natural, restrained quality that really stands out here – the minimal dialogue allows the images to tell the story, about a child, myths of the Sámi and the Northern Lights. Njálla is a confident, assured book, well worth tracking down.
Huge thanks to all of my wonderful Kickstarter backers who made this happen:
Claire Parmley / Anastasia Hiorns / Alan Henderson / Bridget / Andy Oliver / Chris Bates / Cecily Kennemore / James McLaughlin / Dave White / Ricky Miller / Mike Medaglia / YoMma / Zara / Alex Smith / Richard Redfern / Sueleen McQueen / MarineMonstress / Christina / David Ogley / Simon Wallis / Malcolm / Sandra Bates / Emma Raby / Sarah Crosby / Tim Wiltshire / Mattias Vermeersch / Martin Cooper / NB / Nor Azman / Len Ahgeak / Pippa Bailey / Nicola Edwards / Marlon Mapstone / Paddy Johnston / Rafael / Chris Welsh / Chiara Montresor / Conori Bell-Bhuiyan / Comichaus.com / Michael Huntley / Annie / Selina / Matthieu Boussard / Jordan Franklin / Amy Crawford / lyrik / Andrew Walsh / Tora Stridh / Thomas Henn / Joanna Turner / Billy Dayton / Te Hao Boon / xphiler06 / Lucy McLoughlin / Jordan / Dries Dewulf / Megan Smith / Rebecca / Chantel Beaven / Craig Galloway / Bo Rosén / Alex McNelis / Dimitri Mavroudis / Brittney / Ellen Power / Kim Schwanhaeusser / Rhiannon / iamshirtacus / Sonny Gibson / Jill / Cheryl Fisher / Johanna Wedin / Jasmin / Jennifer Sheer / Derek Freeman / Paul Jordin / Bernadette Siddall / Diane Fox / Milou / Beth Ray / Martyn B. Lorbiecki / Matthew Kuzio / Anje van der Veen / Maaike van Eekelen / Luke Marquart / Froze / Andrew Lee / zombiejojo / Rachel Harris / Douglas Harrower / Amber / JM / Bennett / Jessica Poppke / Peter Evans / Jonne / Carole Fletcher / Lily / Petra Pavlikova / Blake Sykes / Charlotte / Katie Whittle / Ben Dunn / Dave Green / Gius / Peter Hartman / Aninia Schwan / Lucy / Martin / Naomi Rose Johnson / Barbara Gabrys / Lara N / Alexander Gudenau / Ignasi Pizarro / Heidi Elliott / Tze-Wen Chao / Andrew Belding / Mike Meltzer / Markisan Naso / Tamara Slaten / Stephanie Wischhusen / Sam Chi Cken Evans / Vincent Laine / Kasele Deitz / Azucena Cauich / Mer / SecretBaroness / Kamila Tyran / Jeanette Wennerstrand / Chris Banser / Holly Brown / Caitlin Jane Hughes
So, we’re now down to less than 24 hours of the Njálla campaign on Kickstarter and things are getting exciting! My palms are slowly getting a bit more clammy as I get that same anxious feeling I had when I launched The Red Road, putting something out into the world that I’ve so lovingly laboured over for months on end. There is something vaguely terrifying about putting new work out to the world, but thankfully(?) with University assessments and final deadlines approaching I don’t really have that much time to sit and think about it, I have a final degree classification to worry about too!
After last week’s long hours I managed to finish up painting the final ten pages of Njálla and get it all scanned in and tweaked, so the story is officially done! This week I’ve been working away on the surrounding pages of the story, the covers, and any hand-lettering that remains. I’m fairly on schedule, with the final pages being sent off to Comic Printing UK tomorrow afternoon. Panic! Also, my lovely backers will have received the schedule for production in their inbox’s this morning, and all is still on track for that..
Over the last few weeks I’ve been trying to arrange something special, and I’m delighted to announce that the NN Café, part of the NN Contemporary Gallery in Northampton, is hosting a launch party for Njálla! On Saturday 4th June (two days after the online launch) I will be celebrating the success of the Kickstarter campaign as well as the launch of the comic online and in UK small press friendly comic shops, with drinks and good times. Huge thanks to Peter James Norman, contributor to Sneaky Business, who co-runs the NN Café and has helped me to make this launch happen. For more information and to RSVP to the event please visit the dedicated Facebook event page – all are welcome, so come and join in the fun and celebrate independent comics! I’ll be selling copies of Njálla as well as other goodies, and signing on request too – and depending how many beverages I have, my signings could become more and more abstracted as the night goes on!
Speaking of launches, this past Friday saw the long anticipated launch of the Broken Frontier Anthology and the Small Press Yearbook at Gosh! Comics in London! It was a fantastic night, with the six of us UK Small Press Creators to Watch in 2015 being all together for the first time ever. A whole host of back-up contributors for the Yearbook also attended, alongside creators from the Broken Frontier Anthology in a joint event with a wonderful atmosphere and a true showcase of the spectrum that Broken Frontier supports. Thank you so much to Gosh! for hosting the event, everyone who attended and especially those who asked me to scribble in their copies of the Yearbook. I won’t go overboard on the details as Broken Frontier posted excellent coverage including photography of the night from Mauricio Molizane De Souza (included in gallery below), but trust me, if you weren’t there you missed out.
I think that’s about it for now! I have rather a lot to do in the way of finishing touches for Njálla before I crawl into bed tonight.. Don’t forget, if you haven’t pledged yet you have until 9am Friday morning to do so, and pledges equal freebies! Check out the Kickstarter for more details. Next week I’ll be back with more Njálla news, plus with one assessment complete and preparing for the next one I’ll be potentially a bit greyer and a bit more tired by then too. Until next week!
So, another week has vanished.. Paint has been splashed, brushes have been accidentally dipped in tea, and the bags under my eyes have been growing ever darker. It must be nearing the end! That’s right folks, I’m painting up the last batch of pages for Njálla and my animation for the Creative Conscience Awards is complete and submitted, plus it’s almost May which means my final degree assessments are looming. That said, I don’t have time to panic as there’s too many exciting things going on!
So, that’s all rather exciting! In other news, I’ve been continuing to work away on painting the remaining pages of Njálla ready to send to print next week! The Kickstarter campaign is growing ever stronger, and I’m so grateful to each and every person who has contributed to help make Njálla a real, physical comic. Alongside all that painting and scanning business, I’ve been looking into ways of using the extra pledge money to help give back. Although I have some sneaky things up my sleeve, one thing I will say is that I’m looking at better, stronger packaging than what I’ve previously used for shipping, and other exciting things like that. It’s all go! But, I realise the finalities of postage and packaging aren’t really of interest to anyone but me, so here’s some more sneak previews of completed pages:
I also finished up the Njálla-themed colouring book this past weekend, FREE for all physical pledge backers – woohoo! The A5, 12-page colouring book has images and scenes from the comic, but I’ve also created some new work to go in as well, just to make it all the more exciting.That’s another thing crossed off the list and ready to be sent to print after the Kickstarter campaign has come to a close. The rest of this week is dedicated to finishing up the remaining six pages and working on the non-story pages, which will take me into next week.
Finally, I completed up my animation for the Creative Conscience awards earlier this week. After re-learning how to use Adobe After Effects I managed to do some tweaking and get it ready to convert to film, for submission. It’s certainly been a challenge to create an animation for the first time rather than just a short looping .gif, but it’s certainly been a lot of fun to create. The category it’s for is the Unilever Bright Futures campaign, so fingers crossed..
Phew, it’s been a busy week (month..year..three years)! I think that’s about it for now, I’d best get back to this painting malarky. Remember, there’s 8 days left to pledge for your digital or physical copy of Njálla plus freebies, so if you haven’t already you can pledge here. Have a good Wednesday, everyone. See you next week!
It’s been a very hectic couple of weeks getting everything together and preparing to host my comic on Kickstarter. Silly me, I thought it’d only take a couple of days.. Between writing about the project for the page, working out the budgets, drawing up titles/diagrams/bookplate designs/print designs, writing a script, filming my big head, and then staring at my big head for hours on end whilst editing the video, I think I may have lost a little sanity. It also took nearly two weeks, but I managed to get it finished up ahead of time to allow for a couple of days of quiet reflection before timidly releasing Njálla to the world.
Special thanks due to all those who put up with me seeking advice and wisdom for the Kickstarter element of this project. Having never tackled anything like this before I felt pretty lost at times! Thanks to comics friends, friends and family for all their input and help, and my ever patient partner (yes, you can see up his nose in my campaign video) for putting up with me talking about this non-stop.
So, the project! Well, if you’ve been keeping up with The Next Big Thing/Njálla then you know that the story is based around the Sámi. Here’s a bit more in-depth information about Njálla direct from my Kickstarter:
Njálla is an original comic story, based around the myths and legends of the Sámi people, indigenous to northern Europe’s Arctic Circle, which today includes parts of Norway, Sweden, Finland and Russia. Lieđđi, a young Sámi girl, and her reindeer Unni end up on an unexpected adventure after coming face to face with the guovssahasat, the northern lights. Njálla is an atmospheric and magical comic for all ages, unearthing the legends of the Sámi through friendship, mystery and adventure.
A relatively unknown culture, the Sámi ancestral history is believed to span thousands of years. I first discovered the Sámi when my partner Chris and I backpacked through parts of Scandinavia last August, spending a lot of time eating amazing food, walking miles and going to various museums and exhibitions. The more I researched and read about the Sámi, the more I realised how I wanted to bring elements of this culture into a comic – not only to enchant people, but also to give a brief insight into such a historic and interesting culture.
If successfully funded in the 30 day period from today, Njálla will be printed as an A5 (148 x 210 mm), 48-page full colour comic, in a limited run of 250 copies, perfect bound. All Kickstarter orders will be ready to ship around the end of May, with the date of release being in early June (specifics to be confirmed). Perfect for when you’re feeling a little too warm in the balmy humid English summer, you’ll be able to read about vast snow-covered lands.. What could be better? I’ve also tried to include a range of rewards beside the comic that span a range of price points and include some prints and originals. If you happen to be feeling incredibly generous and optimistic about my future popularity, original comic spreads are available as a reward too. I have some other rewards up my sleeves, and some nice stretch campaign ideas if the time comes!
In comparison to The Red Road, this time around my page count is far longer which has meant that I get a nice shiny perfect bound cover (with a spine, rather than stapled). I’ve spoken at length over the past few months with Rich at Comic Printing UK over what options I have, and how I could make this comic look the best as physically possible. Also, I spent some time last week coming up with designs for a limited edition bookplate which will be printed in a limited run of 100! Bookplates (otherwise known as ex libris) are a fairly historic practice, but more and more comics creators are opting for these small, high quality printed pieces in addition to their comics. Gosh! in London have a section dedicated to bookplates, some even created specifically for the store. So, y’know, I thought it best to join in the bookplate fun! All bookplates will be hand-numbered too, so you can hold your bookplate and envision the hand cramp that came along with lovingly writing each one out.
For those of you who aren’t familiar with Kickstarter, when you pledge for your reward on the right hand column of the page – whether £3 for a digital PDF copy or £50 for an original with the printed comic, your pledge total (including postage) will not be taken from your bank account unless the project is successfully funded. So, if you pledge today, and the project never reaches its funding goal, not only will I go and weep in a corner never to brave the crowd-funding world again, but also the money will never leave your account. However, if at the end date of 6th May the project is successfully funded, and I run around the flat in a fit of excitement waving pages of comic, the money will come out of your account then. Good, isn’t it?
Phew. What a tiring experience! Since getting everything in place I’ve just continued working on the comic, mainly on pages surrounding the actual story like acknowledgements and more information, things like that. I’ve also been getting some promotion into motion, and then working out the practice painting so that I’m ready to rock and roll for the next 30 days and complete the painting! Painting a comic of this length will probably take the best part of a good week, week and a half maybe, but also I’m still working on the Unilever Bright Futures project I’ve mentioned previously, as part of the Creative Conscience awards which has had it’s deadline extended (phew!). Juggling these two large projects with the remainder of my uni work is going to be keeping me busy until… The end of June. Who needs rest though, right?
I think that’s about it for now! For all the information on the Kickstarter visit the link today, and see my big head bob about the screen as I forget what I’m supposed to be saying about twelve times. HUGE thanks to those lovely people who have backed so far today, including the first backer of the day being my comics buddy Sam! Who, coincidently, has a new comic coming out at the end of this month which you should all check out. Big big thanks also to everyone who has shared the project on social media, you are all super awesome. For now, I shall leave you all to bask in the wonders of Njálla, lavvu-pie-charts and badly edited videos. I shall be back next week with an update on how Kickstarter progress is looking after the first week, more work on Njálla as it reaches completion, and the rest! Thank you to everyone for your ongoing support. See you next week!
So, another week has vanished and somehow it’s already Wednesday. When did that happen? The weekend away was definitely needed to recharge my batteries a bit, but doesn’t half make a dent in my working week. Anyway, Kickstarter-induced panic aside, I hope everyone had a lovely bank holiday weekend whatever you were all up to. Personally, I ate too much of everything and am now debating whether I’ll be able to fit into my clothes next week or not.
Since last week’s update I’ve been working pretty solidly on my Kickstarter campaign, ready for launch next week. When I started working on it I had no idea just how much work it takes to do – blimey! Not only is there the whole glaring-into-a-camera thing and getting a script ready for that, but there’s also selling the project as best as possible in the main body of the campaign page. Whilst I’ve been busy working out budgets and pie charts, drawing sub-header titles and reworking my campaign details twenty times, my actual comic and remaining uni work has taken a temporary sideline. Though, I think I’ve almost cracked this whole Kickstarter thing, so as soon as I’ve filmed my work of cinematic genius as a campaign video, I’ll be ready to go!
Who needs a pie chart, when you can have a lavvu-pie-chart?
I’d hoped to launch the campaign on Wednesday 6th, though it looks like once submitted the campaign is up for review which can take up to 3 business days. Because of this, I’ll submit on Monday and hopefully it’ll have launched by Wednesday, if not before. Phew! Saying that, I think I may be worrying about the finer details a little too much, and I’m sure no one really cares if it’s uploaded a day early – I tell you what, this whole crowd-funding thing is a stressful business, although if I ever have to do it again I’ll be far wiser on how to approach it. I hope.
So yes, because of this whole fandango I don’t have a huge amount of work to show you, as staring into my laptop and calculator, scribbling notes on paper and checking emails for the 4 working days between the last update and now isn’t particularly interesting for anyone else but me. I have, however had a chance this morning to start working on photocopies of The Next Big Thing with paint!
Now, painting onto cheap photocopier paper does hurt my soul quite a bit. It’s smushy, you can’t really blend well, and it’s just a bit pants. But, instead of launching into painting my final, original pages it means I can make mistakes and change my mind on colours and it doesn’t really matter, as I can just make another copy and try again. Above is a sneaky preview of the practice painting photocopy pages I’ve worked on so far. I’m DEFINITELY looking forward to getting stuck into the final paints, I just have to work through the practice bits and the Kickstarter admin bits and then I can sit back, relax and paint to my hearts content.
In some rather excellent news, The Next Big Thing aside, I have been accepted into Thought Bubble 2016! After a very anxious Friday evening where everyone had received their emails and my inbox was still unnervingly empty, I needed not worry. I had SO much fun at Thought Bubble last year, and I can’t wait to be back in Leeds come November to carry on promoting The Next Big Thing, the upcoming Broken Frontier Small Press Yearbook, and watch comic-pals do karaoke (I’m not sure what it is about comic artists and karaoke, but apparently it’s a thing).
As I sadly didn’t make it into the Lakes Comic Art Festival in Kendal, Thought Bubble is now my biggest event of the year and my optimum opportunity to get copies of soon-to-be-revealed The Next Big Thing to a new audience. More events are popping up for later in the year all the time, and I have my eye on a couple more events as long as funds can stretch that far. However, with Thought Bubble being one of the biggest comic events in the UK, I’m over the moon to be able to have a half table there again.
So, that’s that! Next week will see the launch of The Next Big Thing Kickstarter campaign, with the big reveal of the title (yes, that’s right, it’s not ACTUALLY called The Next Big Thing) and live pledges available for you to put towards in helping to make this comic a real, physical reality. How exciting! Until then I have a lot of work to do on some finishing touches, so until next week.. Over and out!
So, it’s time to temporarily relax a little. Formative assessment at Uni is over as of yesterday (as in, the important non-marked one before the REALLY important marked one in May), and the long Easter weekend is on the horizon.. A magical time consisting of three days away from my desk in the northern lands of Leeds drinking cider and eating cheese. Wonderful stuff. Although this one assessment is completed, the work is far from over! Having spent two days collating my work for presentation I’m eager to get back to working on The Next Big Thing and finishing up the remainder of my other project work.
This is the first project I’m trying to raise funds for through crowdfunding, so it’s an interesting experience to have to wave my face in front of a camcorder when I’m not particularly the most camera-friendly person these days. Back in those 2000’s Myspace days, now that was another story! But now, with age comes a resentment with most forms of camera implements being thrust in my face, unless of course I force it just so family members online can remember what I look like whilst hiding away in my drawing cave. But, regardless of this I will be gracing the screen. According to lots of online-people, crowdfunding pages with videos are far more successful than those without, due to people wanting to know who they’re supporting. So there you have it, taking one for the sake of this comic.
Before working on all the assessment business took over for a few days, I spent some time gathering together my work and photocopying and scanning everything. The photocopies of all the pages are for practice painting – getting a feel for the colour palette before I take to the originals, because I’m a sensible soul like that. I also, before even reaching for my paintbrush, worked on some really terrible digital rough colouring with the scanned pages. I’m not going to show you those, because they look awful – they’re just something I use for reference in working out the colours per spread and how they work together as progressing through the book. Below on the right is also an exciting new development; I printed the uncoloured pages that I’d scanned in, to size and in order to make a little booklet with the correct number of pages to work out the remaining, non-story pages. How exiting! This means for the first time I have a readable copy of the comic which I entrusted my loving partner to read to see what he thought now it was all together. I heard a few giggles, so I’m taking that as good news!
In other news, work has progressed on the Unilever Bright Futures Competition I’ve mentioned a few times before. I realise updates on this particular project have been few and far between, but as it’s my first longer-length animation I’ve been working through it in a methodical fashion and finished up all the pencil work last week. It’s not much to show yet, looking primarily like a stack of 64 pieces of A5 paper with a pencil drawing on each.. However, the painting will be the turning point of it all. Here’s a bit of a look at 9 of the 64 frames being used for this animation, and a snapshot of the colour palette I’ll be working with. Creative Conscience have actually extended the deadline from the 7th April to the 28th, so it gives me a bit more breathing space to make the animation work digitally. As it’s all pretty new to me I’m hoping I have some beginners luck and it all comes together nicely. Fingers crossed!
Finally, I spent a little time yesterday afternoon winding down from assessment by making this little Easter Bunny. Or, as I learnt in Danish, Påskeharen. It was fun little animation to work on – so I hope you all enjoy it too! So on that note, I hope those of you who can enjoy a four-day weekend enjoy it, and those of you who will still be working get extra lovely chocolatey treats to make it worthwhile! I’d better hop back to it – until next week!
So, another seven days have clocked past and I’m feeling more comfortable with being up to my chin in assignment work. Final year stress? It’s a breeze! Ha.. Famous last words. But whilst I’m enjoying this false sense of security, I have my most recent project to show you all!
So, two weeks ago us happy third years were given a choice of articles to illustrate for an editorial brief. I chose one which was around the idea of the road, the space between places. Entitled ‘Toward Portland’, the already published article is a first person thought trail from an author describing over the course of a one page essay how the road is the place between places, also referencing other non-place places, like the twilight, midnight and abyss zones of the deep sea and all the spookies that reside down there. The writer also mentions his interest in travel starting from a young age, trying to dig to china in his back yard. Out of the two images we had to create, the only real constraint was that the first image, in a magazine setting, would have a crease running down the centre. This basically means I had to offset the image and counterbalance it, so that nothing ‘essential’ would be lost in the middle fold. All good practise, though! So, with all that in mind, you can see finished images below (click for bigger version);
There’s always something exciting about researching a new idea or topic. The deep sea concept jumped out at me immediately, and thanks to this awesome interactive animation I stumbled across on the BBC, I now know far more about the journey to the centre of the earth than I ever have. Fascinating stuff! The antikythera wreck and mechanism immediately jumped out at me, and I used theoretic diagrams in the second image. Also, those deep sea spookies you can see are the likes of amphipods (which didn’t make the final cut, sorry amphipods), the marine hatchetfish, and deep sea jellies such as the comb jellyfish and a sinister looking siphonophore. That last charmer can be up to 40 meters long with millions of stinging cells which it deploys in a net to completely obliterate anything that drifts towards it. With that in mind, I can safely say that I’m more than content on land, and plan not to meet these particular creatures any time soon. But yes, this was a nice change and a fun project full of complex and enticing ideas. Refreshing!
“Home also provides contributions that invite the reader to construct their own narratives around a single image. Katriona Chapman (Katzine – her page right) is another artist to emphasise that our relationships are integral to our sense of home while Rozi Hathaway (The Red Road and one of our ‘Six UK Small Press Creators to Watch in 2015’) provides a quiet but poignant moment of finding one’s place in the world amidst chaos and disorder. Asia Alfasi similarly highlights the importance of memories in relation to the thematic heart of the anthology.
To a degree it feels almost redundant if not inappropriate to be critically analysing a compilation of work that has been created with such altruistic intentions. However, regardless of the origins of its existence, Home is a reflective and contemplative collection of evocative work that all readers will relate to. Great comics and a great cause in one package. This one deserves your support.”
As I mentioned last week, this is something I’m incredibly proud to be a part of. Elena Vitagliano and Kripa Joshi have done a fantastic job at raising the hoped £2000 so far, but with 6 days to go there’s still a chance to make more of a difference. Here’s what they say about it..
“By raising £2000 we hope to provide workshops for the children in these temporary shelters. But we don’t want to stop at that… we have bigger dreams too.
If we can raise £2500 we will give each of those children a journal and art materials so they have tools for creative outlet. And if we raise more than £3000 we would conduct teacher training in the worst affected area to equip them with skills on how they can bring creativity into their classrooms through some very basic and easily found materials.
The more money we raise, the more areas we will be able to reach with the training. With your help we hope to reach as many children as possible and continue to provide support.”
That’s it for now, folks! The Next Big Thing is in the beginning research stages of compiling what I have so far before I progress onto creating the story. Exciting stuff! Well, for me it is, anyway. Until next week..!